/internal/media/dispatcher/28669/fullPortrait of an Manc. 1910[August Sander]August SanderBromsilberabzugRollenphoto im RokokokostümPhotographyhttps://sammlungtest.belvedere.at/objects/1328/rdf/internal/media/dispatcher/8370/fullKaiserin Zita von Österreich bei einer Visite im Feldspital an der Isonzofront, 3. Juni 19171917[Unbekannter Künstler]Unbekannter KünstlerSilver print, mounted on cardboardPhotographyhttps://sammlungtest.belvedere.at/objects/1341/rdf/internal/media/dispatcher/8430/fullKronprinzessin Stephanie von Österreichc. 1888[Othmar Türk von Ramstein]Othmar Türk von RamsteinAnskopierpapierabzügeStephanie von Österreich (21.5.1864 in Laeken bei Brüssel - 21.8.1945 in Pannonhalma), geborene Prinzessin von BelgienPhotographyhttps://sammlungtest.belvedere.at/objects/1506/rdf/internal/media/dispatcher/23795/fullKrönung Kaiser Karls I.1916[Unbekannter Künstler]Unbekannter KünstlerSilver printMit Zita und Kronprinz Otto.Photographyhttps://sammlungtest.belvedere.at/objects/1507/rdf/internal/media/dispatcher/77508/fullUntitled2014[Tina Lechner]Tina LechnerGelatin silver printPhotographyhttps://sammlungtest.belvedere.at/objects/58844/rdf/internal/media/dispatcher/144203/fullBCDEHIOX 3802021[Christian Eisenberger]Christian EisenbergerPortfolio mit 12 Fotos auf Ilford Gallery Prestige Smooth Pearl, ein Skizzenbuch (Faksimile, 10 Seiten, lose), ein Original, ein TextblattPhotographyhttps://sammlungtest.belvedere.at/objects/98808/rdf/internal/media/dispatcher/160793/fullO. T.1995/2020[Maria Hahnenkamp]Maria HahnenkampFarbfotos bis zum Papierträger abgeschmirgelt, maschinell zusammengenäht, auf Karton montiertPhotographyhttps://sammlungtest.belvedere.at/objects/102644/rdf/internal/media/dispatcher/161030/fullO. T.1993[Maria Hahnenkamp]Maria HahnenkampFarbfotografie, Bildmitte abgeschmirgeltPhotographyhttps://sammlungtest.belvedere.at/objects/102649/rdf/internal/media/dispatcher/161032/fullO. T.1993[Maria Hahnenkamp]Maria HahnenkampFarbfotografie, Bildmitte abgeschmirgeltPhotographyhttps://sammlungtest.belvedere.at/objects/102650/rdf/internal/media/dispatcher/161034/fullO. T.1993[Maria Hahnenkamp]Maria HahnenkampFarbfotografie, Bildmitte abgeschmirgeltPhotographyhttps://sammlungtest.belvedere.at/objects/102651/rdf/internal/media/dispatcher/161036/fullO. T.1993[Maria Hahnenkamp]Maria HahnenkampFarbfotografie, Bildmitte abgeschmirgeltPhotographyhttps://sammlungtest.belvedere.at/objects/102652/rdf/internal/media/dispatcher/161039/fullO. T.1993[Maria Hahnenkamp]Maria HahnenkampFarbfotografie, Bildmitte abgeschmirgeltPhotographyhttps://sammlungtest.belvedere.at/objects/102653/rdf/internal/media/dispatcher/161042/fullO. T.1993[Maria Hahnenkamp]Maria HahnenkampFarbfotografie, Bildmitte abgeschmirgeltPhotographyhttps://sammlungtest.belvedere.at/objects/102654/rdf/internal/media/dispatcher/161096/fullFragmente2008/2019[Maria Hahnenkamp]Maria HahnenkampPigmentprints auf Harman-BarytpapierPhotographyhttps://sammlungtest.belvedere.at/objects/102667/rdf/internal/media/dispatcher/161098/fullFragmente2008/2019[Maria Hahnenkamp]Maria HahnenkampPigmentprints auf Harman-BarytpapierPhotographyhttps://sammlungtest.belvedere.at/objects/102668/rdf/internal/media/dispatcher/161099/fullFragmente2008/2019[Maria Hahnenkamp]Maria HahnenkampPigmentprints auf Harman-BarytpapierPhotographyhttps://sammlungtest.belvedere.at/objects/102669/rdf/internal/media/dispatcher/161100/fullFragmente2008/2019[Maria Hahnenkamp]Maria HahnenkampPigmentprints auf Harman-BarytpapierPhotographyhttps://sammlungtest.belvedere.at/objects/102670/rdf/internal/media/dispatcher/161101/fullFragmente2008/2019[Maria Hahnenkamp]Maria HahnenkampPigmentprints auf Harman-BarytpapierPhotographyhttps://sammlungtest.belvedere.at/objects/102671/rdf/internal/media/dispatcher/161102/fullFragmente2008/2019[Maria Hahnenkamp]Maria HahnenkampPigmentprints auf Harman-BarytpapierPhotographyhttps://sammlungtest.belvedere.at/objects/102672/rdf/internal/media/dispatcher/161103/fullFragmente2008/2019[Maria Hahnenkamp]Maria HahnenkampPigmentprints auf Harman-BarytpapierPhotographyhttps://sammlungtest.belvedere.at/objects/102673/rdf/internal/media/dispatcher/161104/fullFragmente2008/2019[Maria Hahnenkamp]Maria HahnenkampPigmentprints auf Harman-BarytpapierPhotographyhttps://sammlungtest.belvedere.at/objects/102674/rdf/internal/media/dispatcher/161105/fullFragmente2008/2019[Maria Hahnenkamp]Maria HahnenkampPigmentprints auf Harman-BarytpapierPhotographyhttps://sammlungtest.belvedere.at/objects/102675/rdf/internal/media/dispatcher/161106/fullFragmente2008/2019[Maria Hahnenkamp]Maria HahnenkampPigmentprints auf Harman-BarytpapierPhotographyhttps://sammlungtest.belvedere.at/objects/102676/rdf/internal/media/dispatcher/161107/fullFragmente2008/2019[Maria Hahnenkamp]Maria HahnenkampPigmentprints auf Harman-BarytpapierPhotographyhttps://sammlungtest.belvedere.at/objects/102677/rdf/internal/media/dispatcher/160798/fullSchnörksel2005/2006[Maria Hahnenkamp]Maria HahnenkampPigmentprint auf Bütten, bestickt For her seven-part series Schnörksel, Maria Hahnenkamp begins with found photographs from fashion magazines, which are digitally overlaid with text fragments written by Rainer Fuchs. The Austrian art historian has repeatedly used Hahnenkamp’s oeuvre to explore the role of ornament in the history of art and culture in order to demonstrate its social relevance. Finally, the artist embroiders the reproduced images by hand with artfully curved lines. By juxtaposing a supposedly clearly formulated text with a seemingly meaningless motif, Hahnenkamp calls for a reappraisal of ornamentation.Photographyhttps://sammlungtest.belvedere.at/objects/102678/rdf/internal/media/dispatcher/160801/fullO. T. (aus der Serie "Eine Frau")2001/2014[Maria Hahnenkamp]Maria HahnenkampPigmentprint, Gelatineschicht abgerissenPhotographyhttps://sammlungtest.belvedere.at/objects/102684/rdf/internal/media/dispatcher/160802/fullO. T. (aus der Serie "Eine Frau")2001/2014[Maria Hahnenkamp]Maria HahnenkampPigmentprint, Gelatineschicht abgerissenPhotographyhttps://sammlungtest.belvedere.at/objects/102685/rdf/internal/media/dispatcher/160803/fullO. T. (aus der Serie "Eine Frau")2001/2014[Maria Hahnenkamp]Maria HahnenkampPigmentprint, Gelatineschicht abgerissenPhotographyhttps://sammlungtest.belvedere.at/objects/102686/rdf/internal/media/dispatcher/160804/fullO. T. (aus der Serie "Eine Frau")2001/2014[Maria Hahnenkamp]Maria HahnenkampPigmentprint, Gelatineschicht abgerissenPhotographyhttps://sammlungtest.belvedere.at/objects/102687/rdf/internal/media/dispatcher/160819/fullO. T.undated[Maria Hahnenkamp]Maria HahnenkampC-Print, abgeschmirgelt und besticktPhotographyhttps://sammlungtest.belvedere.at/objects/102707/rdf/internal/media/dispatcher/161146/fullO. T. (aus der Serie "Eine Frau")2001/2024[Maria Hahnenkamp]Maria HahnenkampPigmentprint auf Hahnemühle-Photo-Pearl-PapierNeuproduktionPhotographyhttps://sammlungtest.belvedere.at/objects/102720/rdf/internal/media/dispatcher/161061/fullO.T. (aus der Serie "Kleid")2005/2024[Maria Hahnenkamp]Maria HahnenkampPigmentprint auf Hahnemühle-Photo-Pearl-PapierNeuproduktionPhotographyhttps://sammlungtest.belvedere.at/objects/102728/rdf/internal/media/dispatcher/161062/fullO.T. (aus der Serie "Kleid")2005/2024[Maria Hahnenkamp]Maria HahnenkampPigmentprint auf Hahnemühle-Photo-Pearl-PapierNeuproduktionPhotographyhttps://sammlungtest.belvedere.at/objects/102729/rdf/internal/media/dispatcher/161063/fullO.T. (aus der Serie "Kleid")2005/2024[Maria Hahnenkamp]Maria HahnenkampPigmentprint auf Hahnemühle-Photo-Pearl-PapierNeuproduktionPhotographyhttps://sammlungtest.belvedere.at/objects/102730/rdf/internal/media/dispatcher/161021/fullCut-Out2007[Maria Hahnenkamp]Maria HahnenkampC-Print, digitaler Cut Maria Hahnenkamp’s series Cut-Out shows female models in everyday clothes stretching horizontally across the pictorial space in fragmented close-ups. Individually or in pairs, they press themselves against a glass plate and are photographed from below. The flattened bodies, overlaid with cut-out white lines, give the impression of constriction—especially as their arms, legs, hips, and chests are wrapped in bands of text. The quotes are from The Psychic Life of Power: Theories in Subjection by American philosopher Judith Butler and refer to Hahnenkamp’s ongoing engagement with sociopolitical, philosophical, psychological, and feminist criticism, which she incorporates into her artistic work and pictorial strategies.Photographyhttps://sammlungtest.belvedere.at/objects/102735/rdf/internal/media/dispatcher/161022/fullCut-Out2007[Maria Hahnenkamp]Maria HahnenkampC-Print, digitaler Cut Maria Hahnenkamp’s series Cut-Out shows female models in everyday clothes stretching horizontally across the pictorial space in fragmented close-ups. Individually or in pairs, they press themselves against a glass plate and are photographed from below. The flattened bodies, overlaid with cut-out white lines, give the impression of constriction—especially as their arms, legs, hips, and chests are wrapped in bands of text. The quotes are from The Psychic Life of Power: Theories in Subjection by American philosopher Judith Butler and refer to Hahnenkamp’s ongoing engagement with sociopolitical, philosophical, psychological, and feminist criticism, which she incorporates into her artistic work and pictorial strategies.Photographyhttps://sammlungtest.belvedere.at/objects/102736/rdf/internal/media/dispatcher/161024/fullCut-Out2007[Maria Hahnenkamp]Maria HahnenkampC-Print, digitaler Cut Maria Hahnenkamp’s series Cut-Out shows female models in everyday clothes stretching horizontally across the pictorial space in fragmented close-ups. Individually or in pairs, they press themselves against a glass plate and are photographed from below. The flattened bodies, overlaid with cut-out white lines, give the impression of constriction—especially as their arms, legs, hips, and chests are wrapped in bands of text. The quotes are from The Psychic Life of Power: Theories in Subjection by American philosopher Judith Butler and refer to Hahnenkamp’s ongoing engagement with sociopolitical, philosophical, psychological, and feminist criticism, which she incorporates into her artistic work and pictorial strategies.Photographyhttps://sammlungtest.belvedere.at/objects/102737/rdf/internal/media/dispatcher/161027/fullCut-Out2007[Maria Hahnenkamp]Maria HahnenkampC-Print, digitaler Cut Maria Hahnenkamp’s series Cut-Out shows female models in everyday clothes stretching horizontally across the pictorial space in fragmented close-ups. Individually or in pairs, they press themselves against a glass plate and are photographed from below. The flattened bodies, overlaid with cut-out white lines, give the impression of constriction—especially as their arms, legs, hips, and chests are wrapped in bands of text. The quotes are from The Psychic Life of Power: Theories in Subjection by American philosopher Judith Butler and refer to Hahnenkamp’s ongoing engagement with sociopolitical, philosophical, psychological, and feminist criticism, which she incorporates into her artistic work and pictorial strategies.Photographyhttps://sammlungtest.belvedere.at/objects/102738/rdf/internal/media/dispatcher/163675/fullO.T. (aus der Serie "Bügeln")1995/2024[Maria Hahnenkamp]Maria HahnenkampPigmentprints auf Hahnemühle-Photo-Pearl-PapierPhotographyhttps://sammlungtest.belvedere.at/objects/104116/rdf/internal/media/dispatcher/160926/fullO. T. (aus der Serie "Sticken")vor 1998[Maria Hahnenkamp]Maria HahnenkampPigmentprint auf Harman-Barytpapier, bestickt, Passepartout besticheltPhotographyhttps://sammlungtest.belvedere.at/objects/104146/rdf/internal/media/dispatcher/160815/fullO. T.undated[Maria Hahnenkamp]Maria Hahnenkamp5 Pigment-Prints auf Harman Barytpapier, bestickt, Passepartout besticheltPhotographyhttps://sammlungtest.belvedere.at/objects/104147/rdf/internal/media/dispatcher/161147/fullO. T. (aus der Serie "Zwei Frauen")2001/2003/2024[Maria Hahnenkamp]Maria HahnenkampPigmentprint auf Hahnemühle-Photo-Pearl-PapierNeuproduktionPhotographyhttps://sammlungtest.belvedere.at/objects/104155/rdf/internal/media/dispatcher/161055/fullO. T. (aus der Serie "Eine Frau")2003[Maria Hahnenkamp]Maria HahnenkampC-Print, besticktPhotographyhttps://sammlungtest.belvedere.at/objects/104158/rdf/internal/media/dispatcher/161046/fullO. T.1993[Maria Hahnenkamp]Maria HahnenkampFarbfotografie, Bildmitte abgeschmirgeltPhotographyhttps://sammlungtest.belvedere.at/objects/105326/rdf/internal/media/dispatcher/161109/fullFragmente2008/2019[Maria Hahnenkamp]Maria HahnenkampPigmentprints auf Harman-BarytpapierPhotographyhttps://sammlungtest.belvedere.at/objects/105327/rdf/internal/media/dispatcher/161145/fullO. T. (aus der Serie "Eine Frau")2001/2024[Maria Hahnenkamp]Maria HahnenkampPigmentprint auf Hahnemühle-Photo-Pearl-PapierNeuproduktionPhotographyhttps://sammlungtest.belvedere.at/objects/105333/rdf/internal/media/dispatcher/161064/fullO. T. (aus der Serie "Kleid")2005/2024[Maria Hahnenkamp]Maria HahnenkampPigmentprint auf Hahnemühle-Photo-Pearl-PapierPhotographyhttps://sammlungtest.belvedere.at/objects/105334/rdf/internal/media/dispatcher/161059/fullO. T. (aus der Serie "Eine Frau")2003[Maria Hahnenkamp]Maria HahnenkampC-Print, besticktPhotographyhttps://sammlungtest.belvedere.at/objects/105335/rdf/internal/media/dispatcher/161028/fullCut-Out2007[Maria Hahnenkamp]Maria HahnenkampC-Print, digitaler Cut Maria Hahnenkamp’s series Cut-Out shows female models in everyday clothes stretching horizontally across the pictorial space in fragmented close-ups. Individually or in pairs, they press themselves against a glass plate and are photographed from below. The flattened bodies, overlaid with cut-out white lines, give the impression of constriction—especially as their arms, legs, hips, and chests are wrapped in bands of text. The quotes are from The Psychic Life of Power: Theories in Subjection by American philosopher Judith Butler and refer to Hahnenkamp’s ongoing engagement with sociopolitical, philosophical, psychological, and feminist criticism, which she incorporates into her artistic work and pictorial strategies.Photographyhttps://sammlungtest.belvedere.at/objects/105336/rdf/internal/media/dispatcher/161148/fullO. T. (aus der Serie "Zwei Frauen")2001/2003/2024[Maria Hahnenkamp]Maria HahnenkampPigmentprint auf Hahnemühle-Photo-Pearl-PapierNeuproduktionPhotographyhttps://sammlungtest.belvedere.at/objects/105404/rdf