/internal/media/dispatcher/12519/fullThe Writer Victor Hugoafter 1883[Auguste Rodin]Auguste RodinPlasterSculpturehttps://sammlungtest.belvedere.at/objects/1114/rdf/internal/media/dispatcher/4764/fullStudy for a Monument to Victor Hugo1890[Auguste Rodin]Auguste RodinTerracottaDeep in thought, Victor Hugo (1802–85) looks down, with his right arm bent and his left outstretched, as if to beat the rhythm of the text he is composing. Three female figures hover over him. They have been interpreted as muses, as the personifications of three of his most famous poems, or simply as inner voices to which he is listening. Rodin revolutionized traditional sculpture in such works. The language of the body, gestures, expressions were all suddenly important. Rodin deliberately omitted the plinth and any sense of the heroic, choosing the “unfinished” state as a way of visualizing the creative powers of this visionary writer.Sculpturehttps://sammlungtest.belvedere.at/objects/1116/rdf/internal/media/dispatcher/19282/fullVictor-Henri Marquis de Rochefort-Luçaybefore 1897[Auguste Rodin]Auguste RodinBronze"Henri Rochefort, eigentlich Victor-Henri, marquis de Rochefort-Luçay, (* 31. Januar 1830 in Paris; 13. Juni 1913 in Aix-les-Bains) war ein französischer Schriftsteller, Journalist, Theaterdichter und Politiker. 1863 Herausgeber des Figaro, führender Gegner Dreyfus'; typischer Vertreter des polemischen Pamphlets. — Rochefort gab 1868 die radikale Wochenschrift 'La Lanterne' heraus, 1869 Mitglied des Gesetzgebenden Körpers, 1870 wegen seiner Angriffe auf die kaiserliche Familie zu Gefängnis verurteilt, nahm 1871 am Aufstand der Pariser Kommune teil, 1873 nach Neukaledonien deportiert, entfloh 1874 nach London, kehrte 1880 nach Paris zurück, bekämpfte seitdem im 'Intransigeant' die Regierung, Anhänger Georges Boulangers, 1889 wieder verurteilt, entfloh nach London, kehrte 1895 zurück." — [aus: Wikipedia, URL: http://de.wikipedia.org/wiki/Henri_Rochefort (20.10.2009)]Sculpturehttps://sammlungtest.belvedere.at/objects/8276/rdf/internal/media/dispatcher/101397/fullThe Plain of Auvers1890[Vincent van Gogh]Vincent van GoghOil on canvasAs if after a downpour, a narrow strip of greeny-blue sky hangs over the plain at Auvers. The landscape seems to be absorbing this color. Although red and orange flowers still blaze in the foreground, toward the horizon the shades gradually merge into a uniform array of hues. A sense of depth and the high horizon evoke the wide expanse of the scene while the rolling countryside is captured in turbulent brushwork. Van Gogh spent the last two months of his life here at Auvers-sur-Oise. After his brother Theo sent him some long-awaited canvases and paints, Vincent was swept into a creative frenzy, making dozens of pictures such as this work. The painter died soon after its completion.Paintinghttps://sammlungtest.belvedere.at/objects/9/rdf/internal/media/dispatcher/144413/fullAfter the Bath1876[Pierre Auguste Renoir]Pierre Auguste RenoirOil on canvasThe woman is staring dreamily into space. She appears to have paused while drying herself, feeling unobserved. Lively brushstrokes dance around her body, shimmering sunlight models her form. The artist does not define her location. The background—perhaps a shady bank—is composed of pure, abstract color. Renoir went down in history as one of the founders of Impressionism. Over the years, he repeatedly returned to the subject of bathers. In this work he has depicted his model in a fleeting, snapshot scene. She is Anna, a poor girl from Montmartre, who also appears in two further works by the painter.Paintinghttps://sammlungtest.belvedere.at/objects/57/rdf/internal/media/dispatcher/9115/fullBora near Brioniundated[Paul Ress]Paul RessOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/83/rdf/internal/media/dispatcher/17613/fullBy the Waterc. 1880[Eva Gonzalès]Eva GonzalèsOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/174/rdf/internal/media/dispatcher/4749/fullGustav Mahler1909[Auguste Rodin]Auguste RodinBronzeRodin is regarded as the father of modern sculpture. Throughout his life, the French sculptor channeled his energies into the power of expression, breathing life into his work with unprecedented mastery. Rodin had a close relationship to Vienna. His work regularly appeared at Secession exhibitions after 1898. In 1903 he met Gustav Klimt and Egon Schiele. In 1909 Gustav Mahler, Austria’s greatest composer at the time, sat for him in Rodin’s Paris studio. The result was this bust: realistic and imbued with spirit, light and shadow trace every little imperfection on Mahler’s face. Rodin has given particular emphasis to the forehead. As the seat of thought, this was important to the sculptor for it visualized intelligence and a lively mind.Sculpturehttps://sammlungtest.belvedere.at/objects/201/rdf/internal/media/dispatcher/110586/fullStreet in Pontoise (Rue de Gisors)1868[Camille Jacob Pissarro]Camille Jacob PissarroOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/287/rdf/internal/media/dispatcher/142781/fullFishermen on the Seine near Poissy1882[Claude Monet]Claude MonetOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/294/rdf/internal/media/dispatcher/15445/fullFelsige Küstec. 1890/1892[Edgar Degas]Edgar DegasPastell auf zweitem Zustand einer MonotypieDrawing arthttps://sammlungtest.belvedere.at/objects/616/rdf/internal/media/dispatcher/7627/fullLovers1916[Pierre Bonnard]Pierre BonnardChalk on paperDrawing arthttps://sammlungtest.belvedere.at/objects/1680/rdf/internal/media/dispatcher/9183/fullMale nudeum 1900[Josef Engelhart]Josef EngelhartOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/1778/rdf/internal/media/dispatcher/21224/fullWaldwegundated[Max Slevogt]Max SlevogtOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2608/rdf/internal/media/dispatcher/4795/fullHarlekin und Colombinec. 1886[Edgar Degas]Edgar DegasPastel on paperDrawing arthttps://sammlungtest.belvedere.at/objects/2640/rdf/internal/media/dispatcher/3787/fullLady in a Furc. 1880[Édouard Manet]Édouard ManetPastel on canvasShe gazes self-confidently out of the picture. Her hair has been carefully styled, her fur draped casually over her shoulders. The young woman seems about to go out, were it not for the flimsy blouse barely concealing her breast. Titian and Peter Paul Rubens both painted famous portraits of women clad only in a fur wrap. But Manet’s interpretation is completely different from his famous predecessors. Rather than an elevated or detached image, this appears to be an authentic snapshot of Parisian life at the time. The impression of spontaneity is further heightened by the artist’s chosen medium of pastel. He applied the pastel crayon both roughly and with great delicacy, an impression that is simultaneously sketchy and subtle.Drawing arthttps://sammlungtest.belvedere.at/objects/2661/rdf/internal/media/dispatcher/139214/fullWooded Landscape (Morning)after 1870[Jean-Baptiste Camille Corot]Jean-Baptiste Camille CorotOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2682/rdf/internal/media/dispatcher/70888/fullPath in Monet's Garden in Giverny1902[Claude Monet]Claude MonetOil on canvasIt is late summer. The leaves and flowers seem positively to shimmer, the painting a tapestry of juxtaposed dabs of paint. Solid shapes are nowhere to be seen—everything is color. The herbaceous borders of nasturtiums, asters, and dahlias and the sandy path leading to a house all shine brightly. Dappled shadows dissolve into an array of dark hues. In spring 1883 Monet moved to a house in Giverny, northwest of Paris. He immediately started designing the garden; a water-lily pond was a later addition. In 1872 the little-known painter had unwittingly given Impressionism its name when he exhibited Impression, soleil levant (Impression, Sunrise). His water-lily paintings and images of this avenue in his garden represent the climax and culmination of this style.Paintinghttps://sammlungtest.belvedere.at/objects/2683/rdf/internal/media/dispatcher/13195/fullLandscapeundated[Ludwig Willroider]Ludwig WillroiderOil on woodPaintinghttps://sammlungtest.belvedere.at/objects/3839/rdf/internal/media/dispatcher/19005/fullDorfstraße mit Gehöft unter Bäumenundated[Alfred Zoff]Alfred ZoffOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/3841/rdf/internal/media/dispatcher/13197/fullWiesenlandschaft mit Felsenundated[Johann Till der Jüngere]Johann Till der JüngereOil on paperPaintinghttps://sammlungtest.belvedere.at/objects/3936/rdf/internal/media/dispatcher/16535/fullWaldtümpelundated[Johann Till der Jüngere]Johann Till der JüngereOil on canvas on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/3939/rdf/internal/media/dispatcher/16537/fullLandschaft mit Jäger und Hundundated[Johann Till der Jüngere]Johann Till der JüngereOil on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/3940/rdf/internal/media/dispatcher/16539/fullGetreidefeld mit alter Frauundated[Johann Till der Jüngere]Johann Till der JüngereOil on woodPaintinghttps://sammlungtest.belvedere.at/objects/3941/rdf/internal/media/dispatcher/16540/fullGänselieselundated[Johann Till der Jüngere]Johann Till der JüngereOil on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/3945/rdf/internal/media/dispatcher/127271/fullWaldweg mit Zaunundated[Johann Till der Jüngere]Johann Till der JüngereOil on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/3951/rdf/internal/media/dispatcher/16544/fullWiese mit Zaunundated[Johann Till der Jüngere]Johann Till der JüngereOil on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/3953/rdf/internal/media/dispatcher/12130/fullIm Gartenrestaurant1893[Josef Engelhart]Josef EngelhartOil on woodPaintinghttps://sammlungtest.belvedere.at/objects/3963/rdf/internal/media/dispatcher/16359/fullLandscape near Bernriedundated[Ludwig Willroider]Ludwig WillroiderOil on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/4070/rdf/internal/media/dispatcher/12048/fullRoman Aqueductundated[Carl Eduard Onken]Carl Eduard OnkenOil on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/4186/rdf/internal/media/dispatcher/5886/fullAllee am Weiher1906[Olga Wisinger-Florian]Olga Wisinger-FlorianOil on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/4248/rdf/internal/media/dispatcher/70909/fullTheodor von Hörmann malend in Taormina1894[Josef Engelhart]Josef EngelhartTempera, gouache on cardboardDrawing arthttps://sammlungtest.belvedere.at/objects/4499/rdf/internal/media/dispatcher/7594/fullDonaulandschaftc. 1895[Hubert Landa]Hubert LandaOil on canvas on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/5005/rdf/internal/media/dispatcher/19281/fullVictor-Henri Marquis de Rochefort-Luçaybefore 1897[Auguste Rodin]Auguste RodinPlasterHenri Rochefort, eigentlich Victor-Henri, Marquis de Rochefort-Luçay, geboren am 31. Januar 1830 in Paris, gestorben am 13. Juni 1913 in Aix-les-Bains, war ein französischer Schriftsteller, Journalist, Theaterdichter und Politiker. Er tat sich 1863 als Herausgeber des Figaro und führender Gegner Dreyfus' hervor. Als typischer Vertreter des polemischen Pamphlets veröffentlichte er seine radikalen Schriften ab 1868 in seiner Zeitschrift "La Lanterne". — Obwohl er 1869 Mitglied des Gesetzgebenden Körpers war, wurde er 1870 wegen seiner Angriffe auf die kaiserliche Familie zu Gefängnis verurteilt. Er nahm 1871 am Aufstand der Pariser Kommune teil, und wurde 1873 nach Neukaledonien deportiert. Von dort entfloh 1874 nach London und kehrte 1880 nach Paris zurück. Seither bekämpfte er im "Intransigeant" die Regierung, wurde 1889 wieder verurteilt, entfloh abermals nach London und kehrte 1895 zurück. Rodins Porträt entstand zwei Jahre später. — Seine spektakuläre Flucht aus Neukaledonien stellte Edouard Manet in einer größeren und einer kleineren Version dar. Die Bilder befinden sich im Kunsthaus Zürich und im Musée d'Orsay. — [Dietrun Otten, 8/2009]Sculpturehttps://sammlungtest.belvedere.at/objects/6056/rdf/internal/media/dispatcher/19394/fullRegenstimmungbefore 1903[Lesser Ury]Lesser UryTempera on cardboardDrawing arthttps://sammlungtest.belvedere.at/objects/6273/rdf/internal/media/dispatcher/70867/fullThe Chef (Le Père Paul)1882[Claude Monet]Claude MonetOil on canvasThe light! The colors! Impressionist paintings seem to radiate light from within. Nuances of pink, blue, and green are juxtaposed. Close up, all one initially notices are dabs of paint. Only from the right distance do the chef’s hat and jacket, illuminated passages and shadows take shape. Like all Impressionists, Monet is not interested in neatly depicting real objects but rather in the fleeting perception of optical phenomena. The sitter is Paul Antoine Graff. He was a much-lauded chef and the owner of a small hotel in Pourville in northern France, where Monet stayed for several weeks in 1882.Paintinghttps://sammlungtest.belvedere.at/objects/6289/rdf/internal/media/dispatcher/18996/fullDonau-Auen1898[Carl Kaiser-Herbst]Carl Kaiser-HerbstOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/6426/rdf/internal/media/dispatcher/70783/fullVegetable Marketundated[František Šimon]František ŠimonColor etchingPrinthttps://sammlungtest.belvedere.at/objects/6547/rdf/internal/media/dispatcher/18837/fullMorning Fog Munichc. 1905[Charles Johann Palmié]Charles Johann PalmiéOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/6594/rdf/internal/media/dispatcher/7466/fullFischerboote am Donauufer1890[Emilie Mediz-Pelikan]Emilie Mediz-PelikanOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/7033/rdf/internal/media/dispatcher/12018/fullMoorlandschaft1886[Emilie Mediz-Pelikan]Emilie Mediz-PelikanOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/7034/rdf/internal/media/dispatcher/117848/fullDünen mit Stranddorn bei Knokke1890[Emilie Mediz-Pelikan]Emilie Mediz-PelikanOil on canvasEmilie Pelikan reiste 1890 wie schon im Jahr zuvor gemeinsam mit ihrem späteren Mann Karl Mediz an den belgischen Küstenort Knokke, der zu diesem Zeitpunkt ein beliebter Anziehungspunkt für impressionistische Maler aus Frankreich, Belgien und Deutschland war. — [Markus Fellinger 8/2013]Paintinghttps://sammlungtest.belvedere.at/objects/7035/rdf/internal/media/dispatcher/128486/fullStill Life with Five Bottles1884[Vincent van Gogh]Vincent van GoghOil on canvas This still life, limited to only a few objects, is an impressive example of Vincent van Gogh’s early painterly work. We see five bottles in front of a window, four of them made of clay. An already emptied bottle lies in front of other, stoppered vessels. In 1884 Van Gogh was living in Antwerp, having moved there from The Hague. It was only a year prior that he finally turned away from drawing and toward painting. At that time, he admired socially critical painters such as the Belgian artist Charles de Groux, a representative of Radical Realism. The earthy colors and simple materials such as wood and clay in Van Gogh’s still lifes also reflect the preoccupations of realistic painting. Paintinghttps://sammlungtest.belvedere.at/objects/7550/rdf/internal/media/dispatcher/9259/fullKinderköpfchenundated[Medardo Rosso]Medardo RossoWaxArts and craftshttps://sammlungtest.belvedere.at/objects/8000/rdf/internal/media/dispatcher/27643/fullEve1881[Auguste Rodin]Auguste RodinBronzeWithdrawn and introspective she stands there: Eve, the mother of all life on earth. She buries her head in her arms in shame. Throughout his career, Rodin looked to nature as his model and always worked from life. For his Eve, the French sculptor chose a young woman who was pregnant. Rodin was unaware of this, but observed her closely and kept adding material until his model told him she was expecting a baby. Eve remained unfinished and Rodin spent many years with her in his studio. Eventually he decided to exhibit the figure and buried her feet in sand. As a modern sculpture, Eve encountered her audience on the same level and thus sparked a revolution in the art world.Sculpturehttps://sammlungtest.belvedere.at/objects/8612/rdf/internal/media/dispatcher/48157/fullDie Schleuse1908[Rudolf Quittner]Rudolf QuittnerOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/35068/rdf/internal/media/dispatcher/57960/fullOn the Coastundated[Theodor von Hörmann]Theodor von HörmannOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/39860/rdf