/internal/media/dispatcher/3781/fullDer Maler und Bergsteiger Gustav Jahn1919[Ferdinand Andri]Ferdinand AndriChromolithographPrinthttps://sammlungtest.belvedere.at/objects/1440/rdf/internal/media/dispatcher/84476/fullBalloon Seller1931[Otto Rudolf Schatz]Otto Rudolf SchatzOil on canvas Otto Rudolf Schatz returned from World War I as a committed pacifist. In his subsequent works, the artist critically commented on the misery, loneliness, and crime in the big city. This motif of the cool and melancholy Balloon Seller thus calls to mind the seedy side of the Prater amusement park in Vienna. The fact that the buyer is not visible makes space for sinister associations. In 1938 Schatz was banned from producing and exhibiting art and went underground in Prague over the ensuing years. He was arrested in 1944 and deported to different labor camps and to Gräditz concentration camp. After World War II, Schatz returned to Vienna and documented the rebuilding and recovery of the city in his paintings.Paintinghttps://sammlungtest.belvedere.at/objects/1622/rdf/internal/media/dispatcher/102536/fullStill Life with Two Heads1932[Rudolf Wacker]Rudolf WackerOil on woodWacker has arranged four items for this still life: a bird suspended by a barely visible string, a child’s drawing on the wall, and, further down, on the table, a wig head and a vase containing a single flower. Each of the objects exists by itself, and yet their placement relative to one another suggests subtle interconnections between them. Wacker was concerned with the “world of the visible.” An exponent of the New Objectivity, he sought to show things as they are. His pictures exude an air of cool dispassion—of “objectivity”—yet they are also quite affecting. The wig head, in particular, makes for a piteous sight. The Berlin-based sculptor Lily Gräf, in 1934, found its flayed “skin” and splintered nose more than she could bear.Paintinghttps://sammlungtest.belvedere.at/objects/2084/rdf/internal/media/dispatcher/67114/fullWilted Sunflowers1926[Alois Hänisch]Alois HänischOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2130/rdf/internal/media/dispatcher/9285/fullChichio Haller, the Artist's Wifec. 1920[Hermann Haller]Hermann HallerTerracottaSculpturehttps://sammlungtest.belvedere.at/objects/2581/rdf/internal/media/dispatcher/19587/fullGirls Drawingundated[Viktor Pucinski]Viktor PucinskiOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2616/rdf/internal/media/dispatcher/19528/fullJunge Frau vor dem Spiegelundated[Ferdinand Macketanz]Ferdinand MacketanzOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2620/rdf/internal/media/dispatcher/15459/fullThe Artist's Wife with Flowersundated[Viktor Planckh]Viktor PlanckhOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2687/rdf/internal/media/dispatcher/7633/fullStreet in Pötzleinsdorf1940[Viktor Planckh]Viktor PlanckhOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2688/rdf/internal/media/dispatcher/25031/fullStill Life with Fishc. 1925[Viktor Planckh]Viktor PlanckhOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2689/rdf/internal/media/dispatcher/16598/fullFemale Head with Turban (Edwarda)1935[Viktor Planckh]Viktor PlanckhBronzeSculpturehttps://sammlungtest.belvedere.at/objects/2690/rdf/internal/media/dispatcher/17127/fullWoman with Yellow Headscarf1943[Rudolf Hermann Eisenmenger]Rudolf Hermann EisenmengerOil on woodPaintinghttps://sammlungtest.belvedere.at/objects/2740/rdf/internal/media/dispatcher/5286/fullStill Life with Flask and Silver Bowl1910[Albert Paris Gütersloh]Albert Paris GüterslohOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/3143/rdf/internal/media/dispatcher/17629/fullStorm1932[Franz Sedlacek]Franz SedlacekOil on plywoodPaintinghttps://sammlungtest.belvedere.at/objects/3412/rdf/internal/media/dispatcher/12787/fullOn the Gose River (in Goslar)1932[Rudolf Wacker]Rudolf WackerOil on wood In 1922, the painter Rudolf Wacker, a Vorarlberg native, married Ilse Moebius. Originally from Goslar, she worked in the arts and crafts industry. He created several paintings inspired by her native Goslar in the years that followed. This painting shows a view of the small, old German town. The wooden bridge across the Abzucht river leads to a deserted backyard. The houses seem uninviting and closed off, with mostly windowless facades and overlapping rooflines. The dark tones of the house on the left side of the picture contrast with the lighter colors on the right side. A prominent proponent of New Objectivity, Wacker described himself once as an “advocate of the unnoticed humble things.” Paintinghttps://sammlungtest.belvedere.at/objects/4039/rdf/internal/media/dispatcher/139296/fullStill Life1926[Herbert Ploberger]Herbert PlobergerOil on canvas Austrian painter Herbert Ploberger has staged a large number of objects in this interior space dominated by light and shadow. A fruit still life with a pineapple and lemons is positioned on a chair. A lush bouquet of flowers in a vase radiates from the right edge of the picture. Opened wine bottles, a half-filled glass, an open newspaper, and the washbasin mark the absence of one or more people in this sober, tidy-looking composition. Ploberger worked primarily as a stage and costume designer. This picture, done in the New Objectivity style, is also reminiscent of a theater stage, where things seem frozen in silent dialogue. Paintinghttps://sammlungtest.belvedere.at/objects/4839/rdf/internal/media/dispatcher/18709/fullSelf-Portrait1923[Julius Zimpel jun.]Julius Zimpel jun.Oil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/4901/rdf/internal/media/dispatcher/7522/fullSelf-Portrait with Woman and Death1924[Emil Witasek]Emil WitasekTempera on millboardDrawing arthttps://sammlungtest.belvedere.at/objects/4920/rdf/internal/media/dispatcher/18710/fullFemale Nude with Harlequins1923[Emil Witasek]Emil WitasekOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/4921/rdf/internal/media/dispatcher/19805/fullMrs. Jochum1932[Albert Birkle]Albert BirkleOil on artist board The haunting portrait of Mrs. Jochum was painted in Salzburg by the Berlin artist Albert Birkle in the early 1930s. Pictured here is a proprietress of a fashion salon who was also Birkle's first wife's seamstress. The businesswoman posed for several portraits by the artist, and it is striking to see how directly she gazes at the viewer. The dark eyes, raised brows, and crossed hands supported by a cane make this portrait distinctive. A defining characteristic of Birkle's often sociocritical and somber images in these years is the emphasis placed on individual postures and facial features for dramatic effect.Paintinghttps://sammlungtest.belvedere.at/objects/4962/rdf/internal/media/dispatcher/10556/fullKłodzko in Silesia in Winterc. 1927[Albert Birkle]Albert BirkleOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/4963/rdf/internal/media/dispatcher/16395/fullStudio Windowc. 1948[Franz Lerch]Franz LerchOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/6976/rdf/internal/media/dispatcher/30745/fullAbessinian Boyc. 1922[Hermann Haller]Hermann HallerBronzeSculpturehttps://sammlungtest.belvedere.at/objects/8378/rdf/internal/media/dispatcher/92874/fullThe Philharmonic1926–1952[Maximilian Oppenheimer]Maximilian OppenheimerOil and tempera on canvas, mounted on wood Developing on an earlier version, in 1926 Max Oppenheimer started working in Vienna on his life’s masterpiece originally called The Concert. It was a painting of the orchestra conducted by Gustav Mahler. He combined both group and individual portraits and atmospherically translated the effects of music into painting. In 1938 Oppenheimer showed the triptych in Zurich. From there he had to flee to New York to escape Nazism. The wood panels followed him by ship in 1939 and thereafter were exhibited in America on many occasions, including at the San Francisco World’s Fair. The artist repeatedly reworked the painting. It was his wish to show The Philharmonic in Vienna. In 1954, this return to Vienna was about to happen, but Oppenheimer died shortly before his departure. The work was bought by the Republic of Austria that same year. Paintinghttps://sammlungtest.belvedere.at/objects/9293/rdf/internal/media/dispatcher/15630/fullSelbstbildnis mit weißer Mütze1946[Anton Hula]Anton HulaOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/10558/rdf/internal/media/dispatcher/15682/fullTown View with River and Bridgec. 1940[Anton Hula]Anton HulaOil on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/10559/rdf/internal/media/dispatcher/15631/fullJunge Frau mit Schleier1936[Anton Hula]Anton HulaOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/10560/rdf/internal/media/dispatcher/15632/fullStill Life under the Christmas Tree1941[Anton Hula]Anton HulaOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/10561/rdf/internal/media/dispatcher/134474/fullStill Life with Blooming Cactus1929[Anton Hula]Anton HulaOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/10562/rdf/internal/media/dispatcher/15683/fullDefereggental in East Tyrol1935[Anton Hula]Anton HulaOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/10563/rdf/internal/media/dispatcher/17982/fullCupid and Psycheundated[Ernst Plutzar]Ernst PlutzarOil on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/12518/rdf/internal/media/dispatcher/28893/fullPortrait of a Woman1929[Camillo Kurtz]Camillo KurtzOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/21287/rdf/internal/media/dispatcher/81161/fullCyclist in Holesovice1943[Kamil Lhoták]Kamil LhotákOil on paper / cardboardPaintinghttps://sammlungtest.belvedere.at/objects/30919/rdf/internal/media/dispatcher/142773/fullCigarettes on a Table1928[Marie-Louise von Motesiczky]Marie-Louise von MotesiczkyOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/85559/rdf/internal/media/dispatcher/124764/fullAngels of Peace1944[Greta Freist]Greta FreistOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/89818/rdf