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<rdf:RDF xmlns:schema="https://schema.org/" xmlns:rdf="https://www.w3.org/1999/02/22-rdf-syntax-ns#"><schema:VisualArtwork><schema:image>/internal/media/dispatcher/164310/full</schema:image><schema:name>Winged altarpiece of Saint Catherine (?) (the 'Song of Songs Altarpiece')</schema:name><schema:dateCreated>c. 1520/1530</schema:dateCreated><schema:creator>[Kremser Werkstatt]</schema:creator><schema:creator>Kremser Werkstatt</schema:creator><schema:artMedium>Shrine made of spruce, limewood wings (the exterior panels were detached and remounted on the interior of the wings), traces of original polychromy, gilded details</schema:artMedium><schema:description>
From the early 16th century onward, new forms increasingly found their way into art previously defined by the Gothic tradition. Many works from this period are characterized by an exciting mix of styles as a result. In the case of this small altarpiece, the classical architectural details and decorative elements point toward the Renaissance. Its overall winged design and its subject matter, on the other hand, still follow late medieval conventions. A recently identifi ed shrine sculpture, which probably originally held a sword, makes it likely that the ensemble was an altarpiece dedicated to Saint Catherine.</schema:description><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3761/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/158790/full</schema:image><schema:name>The Descent of the Holy Spirit (Whitsun)</schema:name><schema:dateCreated>c. 1520</schema:dateCreated><schema:creator>[Meister von Irrsdorf]</schema:creator><schema:creator>Meister von Irrsdorf</schema:creator><schema:artMedium>Limewood, (original?) traces of polychromy, gilded</schema:artMedium><schema:description>Maria sitzt mit zum Gebet erhobenen Händen im Kreis der zwölf Apostel. Dicht gedrängte Figuren veranschaulichen die Dramatik des Geschehens. Zentrales Thema ist das Pfingstwunder, also jener Moment, in dem die Jünger am 50. Tag nach Ostern den Heiligen Geist empfingen. Die Begebenheit gilt als Startschuss für die weltweite Mission durch die Apostel und damit als Geburtsstunde der christlichen Kirche. Hinter der Szene trifft der Blick auf ein Architekturfragment mit gotischem Spitzbogen. Der Landschaftsausblick weist den Künstler als wachen Beobachter der sichtbaren Wirklichkeit an der Schwelle zur Neuzeit aus.</schema:description><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/93/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/134107/full</schema:image><schema:name>Stigmatisation des hl. Franziskus</schema:name><schema:dateCreated>ca 1502/1503</schema:dateCreated><schema:creator>[Lukas Cranach der Ältere]</schema:creator><schema:creator>Lukas Cranach der Ältere</schema:creator><schema:artMedium>Malerei auf Fichtenholz</schema:artMedium><schema:description>
Kneeling with his eyes wide open, Saint Francis receives the stigmata of Christ. The painting is an early work by Lucas Cranach the Elder. Hailing from Franconia in Germany, he spent a period in Vienna from around 1500; it was here that he created his first paintings. Cranach’s work from Vienna is characterized by expressive gestures and a pronounced interest in nature and landscape, light and color. On the right is an atmospheric view of a small castle, its form reflected in the water. Mountains are silhouetted behind this, rendered in delicate hues of blue.</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/279/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/39127/full</schema:image><schema:name>The Crucifixion of Christ</schema:name><schema:dateCreated>15th century</schema:dateCreated><schema:creator>[Donauländischer Maler]</schema:creator><schema:creator>Donauländischer Maler</schema:creator><schema:artMedium>Painting on wood</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/502/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5608/full</schema:image><schema:name>The Crucifixion of Christ</schema:name><schema:dateCreated>c. 1510/1520</schema:dateCreated><schema:creator>[Donauländischer Maler]</schema:creator><schema:creator>Donauländischer Maler</schema:creator><schema:artMedium>Painting on hardwood (probably limewood)</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/657/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/157514/full</schema:image><schema:name>Epitaph for Alexius Funck (Death of the Virgin)</schema:name><schema:dateCreated>c. 1522</schema:dateCreated><schema:creator>[Meister MS]</schema:creator><schema:creator>Meister MS</schema:creator><schema:artMedium>Painting on fir</schema:artMedium><schema:description>Ein bühnenartiger Bildraum und bewegte Figuren – prachtvolle Tafeln wie diese sind Zeugnis der spätmittelalterlichen Marienfrömmigkeit und leiten in ihrer Naturnähe bereits in die Epoche der Renaissance über. Doch zeigt der Künstler nicht nur Maria und tief berührte Apostel: In der Bildzone unter dem Marientod tritt auch der Stifter mit seiner Familie und Schutzheiligen in Erscheinung. Dank des Wappens weiß man, dass es sich um den damaligen Wiener Neustädter Bürgermeister Alexius Funck handelt. Er hatte 1515 testamentarisch verfügt, seine Frau Margareta möge ihm im Dom von Wiener Neustadt eine „gedechnus tafl“ widmen. Das Ergebnis war dieses kostbare Werk. </schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3481/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/143742/full</schema:image><schema:name>The Fall of Man</schema:name><schema:dateCreated>1521</schema:dateCreated><schema:creator>[Meister IP]</schema:creator><schema:creator>Meister IP</schema:creator><schema:artMedium>Pearwood, unpolychromed</schema:artMedium><schema:description>Adam tenderly places his arm around Eve, who seductively offers him the forbidden fruit. On the right edge, we can see humanity’s original ancestors being expelled from paradise in punishment. In this work, the biblical story of the Fall was probably only a pretext for depicting naked figures in a landscape. Intricately carved with the most delicate of knives, this small panel was presumably an early cabinet or collector’s piece. In the spirit of the emerging Renaissance, this was valued primarily for its artistic quality. Reflecting this, its anonymous creator has signed it with his monogram on the lower left.   </schema:description><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3622/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/133073/full</schema:image><schema:name>Annunciation to Mary</schema:name><schema:dateCreated>c. 1530</schema:dateCreated><schema:creator>[Kremser Bildschnitzer]</schema:creator><schema:creator>Kremser Bildschnitzer</schema:creator><schema:artMedium>Limewood with polychromy, gilded</schema:artMedium><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3763/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/133070/full</schema:image><schema:name>Saint Catherine (?)</schema:name><schema:dateCreated>c. 1520</schema:dateCreated><schema:creator>[Kremser Bildschnitzer]</schema:creator><schema:creator>Kremser Bildschnitzer</schema:creator><schema:artMedium>Swiss stone pine, formerly polychromed</schema:artMedium><schema:description>als Schreinskulptur dem Flügelaltar Inv. 5010 zugehörig</schema:description><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/10480/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/134441/full</schema:image><schema:name>Portrait of Anna Fronleitner</schema:name><schema:dateCreated>1533</schema:dateCreated><schema:creator>[Wiener Bildschnitzer]</schema:creator><schema:creator>Wiener Bildschnitzer</schema:creator><schema:artMedium>Boxwood, polychromed details</schema:artMedium><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3623/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/140623/full</schema:image><schema:name>The Entombment of Christ</schema:name><schema:dateCreated>undated</schema:dateCreated><schema:creator>[Unbekannter Künstler nach Art der Schule von Limoges]</schema:creator><schema:creator>Unbekannter Künstler nach Art der Schule von Limoges</schema:creator><schema:artMedium>Enamel on copper</schema:artMedium><schema:artForm>Arts and crafts</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/24577/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/128498/full</schema:image><schema:name>Bildnis einer Dame</schema:name><schema:dateCreated>2. Hälfte 16. Jahrhundert</schema:dateCreated><schema:creator>[Oberitalienischer Maler]</schema:creator><schema:creator>Oberitalienischer Maler</schema:creator><schema:artMedium>Oil on canvas</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/55477/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/129931/full</schema:image><schema:name>Flora, Bacchus und Ceres</schema:name><schema:dateCreated>1. Hälfte 16. Jahrhundert</schema:dateCreated><schema:creator>[Venezianischer Maler]</schema:creator><schema:creator>Venezianischer Maler</schema:creator><schema:artMedium>Oil on canvas</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/55482/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/129227/full</schema:image><schema:name>Seelandschaft mit Ruderboot</schema:name><schema:dateCreated>um 1600</schema:dateCreated><schema:creator>[Nordalpiner Maler]</schema:creator><schema:creator>Nordalpiner Maler</schema:creator><schema:artMedium>Oil on wood</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/55500/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/128512/full</schema:image><schema:name>Die Quelle</schema:name><schema:dateCreated>2. Hälfte 16. Jahrhundert</schema:dateCreated><schema:creator>[Oberitalienischer Maler]</schema:creator><schema:creator>Oberitalienischer Maler</schema:creator><schema:artMedium>Oil on canvas</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/55509/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/129314/full</schema:image><schema:name>Herrenportrait mit roter Mütze</schema:name><schema:dateCreated>16. Jahrhundert</schema:dateCreated><schema:creator>[Italienischer Maler]</schema:creator><schema:creator>Italienischer Maler</schema:creator><schema:artMedium>Oil on wood</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/55510/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/134728/full</schema:image><schema:name>Bildnis eines betenden Mannes</schema:name><schema:dateCreated>2. Hälfte 16. Jahrhundert</schema:dateCreated><schema:creator>[Oberitalienischer Maler]</schema:creator><schema:creator>Oberitalienischer Maler</schema:creator><schema:artMedium>Oil on canvas</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/55513/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/134732/full</schema:image><schema:name>Christuskind mit Johannesknaben</schema:name><schema:dateCreated>2. Hälfte 16. Jahrhundert</schema:dateCreated><schema:creator>[Frans Floris]</schema:creator><schema:creator>Frans Floris</schema:creator><schema:artMedium>Oil on wood</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/55530/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/128516/full</schema:image><schema:name>Bildnis einer Dame</schema:name><schema:dateCreated>2. Hälfte 16. Jahrhundert</schema:dateCreated><schema:creator>[Oberitalienischer Maler]</schema:creator><schema:creator>Oberitalienischer Maler</schema:creator><schema:artMedium>Oil on canvas</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/55542/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/128532/full</schema:image><schema:name>Kopf des Holofernes oder Johannes des Täufers (Fragment)</schema:name><schema:dateCreated>ca 1600</schema:dateCreated><schema:creator>[Lucas Cranach d. Ä.]</schema:creator><schema:creator>Lucas Cranach d. Ä.</schema:creator><schema:artMedium>Oil on wood</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/55642/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/97396/full</schema:image><schema:name>Initiale O (aus einem Chorbuch)</schema:name><schema:dateCreated>2. Hälfte 15. Jahrhundert</schema:dateCreated><schema:creator>[Italienischer Buchmaler]</schema:creator><schema:creator>Italienischer Buchmaler</schema:creator><schema:artMedium>Deckfarbenmalerei auf Pergament</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/55875/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/97398/full</schema:image><schema:name>Initiale G (aus einem Chorbuch)</schema:name><schema:dateCreated>2. Hälfte 15. Jahrhundert</schema:dateCreated><schema:creator>[Italienischer Buchmaler]</schema:creator><schema:creator>Italienischer Buchmaler</schema:creator><schema:artMedium>Deckfarbenmalerei auf Pergament</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/55876/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/140790/full</schema:image><schema:name>Das ungleiche Paar</schema:name><schema:dateCreated>um 1530/40</schema:dateCreated><schema:creator>[Lucas Cranach d. Ä.]</schema:creator><schema:creator>Lucas Cranach d. Ä.</schema:creator><schema:artMedium>Malerei auf Holz</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/91479/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/157512/full</schema:image><schema:name>St John</schema:name><schema:dateCreated>c. 1465</schema:dateCreated><schema:creator>[Südweststeirischer Bildschnitzer]</schema:creator><schema:creator>Südweststeirischer Bildschnitzer</schema:creator><schema:artMedium>Limewood, traces of polychromy</schema:artMedium><schema:description>
</schema:description><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/901/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/157511/full</schema:image><schema:name>The Virgin Mourning</schema:name><schema:dateCreated>c. 1465</schema:dateCreated><schema:creator>[Südweststeirischer Bildschnitzer]</schema:creator><schema:creator>Südweststeirischer Bildschnitzer</schema:creator><schema:artMedium>Limewood, traces of polychromy</schema:artMedium><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/902/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5520/full</schema:image><schema:name>A Monk Saint</schema:name><schema:dateCreated>c. 1400 (?)</schema:dateCreated><schema:creator>[Tiroler Bildschnitzer]</schema:creator><schema:creator>Tiroler Bildschnitzer</schema:creator><schema:artMedium>Zirbenholz mit alter (originaler ?) Fassung</schema:artMedium><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/1436/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5615/full</schema:image><schema:name>Dispersion of the Apostles</schema:name><schema:dateCreated>c. 1420/1430 </schema:dateCreated><schema:creator>[Österreichischer oder böhmischer Maler]</schema:creator><schema:creator>Österreichischer oder böhmischer Maler</schema:creator><schema:artMedium>Painting on spruce</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/1542/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/134498/full</schema:image><schema:name>St Odilia</schema:name><schema:dateCreated>early 16th century</schema:dateCreated><schema:creator>[Marx Reichlich]</schema:creator><schema:creator>Marx Reichlich</schema:creator><schema:artMedium>Painting on spruce</schema:artMedium><schema:description>Weitere Tafeln desselben Altars: Inv.-Nr. 4366b (von Inv.-Nr. 4366a abgesägte Flügel-Außenseite), 4367, 7352, 7353</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3160/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/164476/full</schema:image><schema:name>Standing female Saint</schema:name><schema:dateCreated>c. 1510/1520</schema:dateCreated><schema:creator>[Niederösterreichischer Bildschnitzer]</schema:creator><schema:creator>Niederösterreichischer Bildschnitzer</schema:creator><schema:artMedium>Limewood, traces of original ground and polychromy</schema:artMedium><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3164/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/49607/full</schema:image><schema:name>Flagellation of Christ</schema:name><schema:dateCreated>before 1497/1498</schema:dateCreated><schema:creator>[Michael Pacher]</schema:creator><schema:creator>Michael Pacher</schema:creator><schema:artMedium>Painting on Swiss stone pine</schema:artMedium><schema:description>Michael Pacher’s final commission was to create a winged altarpiece on a monumental scale for Salzburg’s former parish church (now the Franciscan Church). The shrine alone of this Marian altarpiece must have been almost six meters high. These two paintings depicting the Betrothal of the Virgin and the Flagellation of Christ once formed the interior and exterior of a panel painted on both sides, originally more than twice this size. At an unknown point in time, the former altarpiece wing was cut down and the front separated from the back.  </schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3600/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/161276/full</schema:image><schema:name>The 'Znojmo Altarpiece'</schema:name><schema:dateCreated>c. 1440/1445</schema:dateCreated><schema:creator>[Meister des Friedrichsaltars]</schema:creator><schema:creator>Meister des Friedrichsaltars</schema:creator><schema:artMedium>Relief in limewood on spruce planks, oak frame, largely original mounting, gold ground of right panel renewed c. 1500</schema:artMedium><schema:description>In the Late Gothic period, large-scale altarpieces usually had a very deep central shrine containing figures carved in the round. By contrast, the center of the Znaim Altarpiece is a relief representing a multifigured Crucifixion scene. At that time, narrative depictions of this kind are to be found more frequently in paintings, such as Conrad Laib’s Salzburg Crucifixion of 1449. The three-dimensional quality of the Znaim Altarpiece heightens the sense of realism and immediacy. This effect is further emphasized by the well-preserved polychromy.  </schema:description><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3602/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/49615/full</schema:image><schema:name>St Barbara</schema:name><schema:dateCreated>c. 1480/1490</schema:dateCreated><schema:creator>[Michael Pacher]</schema:creator><schema:creator>Michael Pacher</schema:creator><schema:artMedium>Painting on Swiss stone pine</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3603/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/137514/full</schema:image><schema:name>Epitaph of Jodok Hauser</schema:name><schema:dateCreated>1478/1479</schema:dateCreated><schema:creator>[Hans Siebenbürger]</schema:creator><schema:creator>Hans Siebenbürger</schema:creator><schema:artMedium>Painting on spruce</schema:artMedium><schema:description>The inscription on the original frame documents that this painting of the Crucifixion was donated by the knight Jodok Hauser. Hauser died in 1478 and is immortalized at the base with his wife and three children. In 1479 the painter Hans Siebenbürger received payment for this work, created to perpetuate the memory of the deceased. In the Late Middle Ages, people believed that prayers and intercessions would secure a quicker release for the souls of the dead from purgatory and thereby assist in their ascent to heaven.  </schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3605/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5664/full</schema:image><schema:name>The Virgin reading</schema:name><schema:dateCreated>c. 1490</schema:dateCreated><schema:creator>[Wiener Bildschnitzer]</schema:creator><schema:creator>Wiener Bildschnitzer</schema:creator><schema:artMedium>Limewood, traces of (original?) polychromy</schema:artMedium><schema:description>Bildete ursprünglich mit Inv.-Nr. 4865 eine Verkündigungsgruppe</schema:description><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3619/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5666/full</schema:image><schema:name>Archangel Gabriel</schema:name><schema:dateCreated>c. 1490</schema:dateCreated><schema:creator>[Wiener Bildschnitzer]</schema:creator><schema:creator>Wiener Bildschnitzer</schema:creator><schema:artMedium>Limewood, traces of (original?) polychromy</schema:artMedium><schema:description>Bildete ursprünglich mit Inv.-Nr. 4864 eine Verkündigungsgruppe

</schema:description><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3620/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/134470/full</schema:image><schema:name>Presentation of Mary in the Temple</schema:name><schema:dateCreated>1502 (?)</schema:dateCreated><schema:creator>[Marx Reichlich]</schema:creator><schema:creator>Marx Reichlich</schema:creator><schema:artMedium>Painting on spruce</schema:artMedium><schema:description>
</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3633/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/134472/full</schema:image><schema:name>Visitation of Mary</schema:name><schema:dateCreated>1502 (?)</schema:dateCreated><schema:creator>[Marx Reichlich]</schema:creator><schema:creator>Marx Reichlich</schema:creator><schema:artMedium>Painting on spruce</schema:artMedium><schema:description>
</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3634/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/134442/full</schema:image><schema:name>The Lamentation of Christ</schema:name><schema:dateCreated>c. 1520</schema:dateCreated><schema:creator>[Wiener Bildhauer]</schema:creator><schema:creator>Wiener Bildhauer</schema:creator><schema:artMedium>Sandstone</schema:artMedium><schema:artForm>Architecture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3638/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5687/full</schema:image><schema:name>Monk Saint</schema:name><schema:dateCreated>c. 1430</schema:dateCreated><schema:creator>[Niederösterreichischer Bildschnitzer]</schema:creator><schema:creator>Niederösterreichischer Bildschnitzer</schema:creator><schema:artMedium>Limewood, traces of polychromy</schema:artMedium><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3641/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/134127/full</schema:image><schema:name>Enthroned St Blasius with the Saints Rupert and Maximilian</schema:name><schema:dateCreated>1518</schema:dateCreated><schema:creator>[Andreas Lackner]</schema:creator><schema:creator>Andreas Lackner</schema:creator><schema:artMedium>Limewood with polychromy and gilding</schema:artMedium><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3643/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/164932/full</schema:image><schema:name>Winged altarpiece with relic repository (the 'Obervellach Altarpiece')</schema:name><schema:dateCreated>c. 1400</schema:dateCreated><schema:creator>[Kärntner oder steirischer Maler]</schema:creator><schema:creator>Kärntner oder steirischer Maler</schema:creator><schema:artMedium>Painting on softwood</schema:artMedium><schema:description>Sein mutmaßlicher Herkunftsort, Obervellach im Kärntner Mölltal, war namensgebend für diesen Flügelaltar. Um 1400 geschaffen, handelt es sich um das älteste komplett erhaltene Bildensemble des Belvedere – sogar die originale Rahmung weist das Werk noch auf. Im geschlossenen Zustand ist die Verkündigung an Maria zu sehen, geöffnet präsentieren sich links die Geburt und auf der Mitteltafel die Kreuzigung Christi. Rechts sind drei Szenen aus dem Leben der Hl. Margarete dargestellt. Unterhalb der Mitteltafel befand sich ursprünglich ein Reliquienfach, das mit einem Gitter neueren Datums verschlossen ist.</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3647/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/164297/full</schema:image><schema:name>Sainted Bishop</schema:name><schema:dateCreated>late 14th century</schema:dateCreated><schema:creator>[Meister von Großlobming]</schema:creator><schema:creator>Meister von Großlobming</schema:creator><schema:artMedium>Breitenbrunn lime-sandstone, remnants of original mounting, Bishop's miter most likely amended c. 1500</schema:artMedium><schema:description>
</schema:description><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3648/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/87596/full</schema:image><schema:name>Visitation of Mary</schema:name><schema:dateCreated>c. 1435/1440</schema:dateCreated><schema:creator>[Meister des Albrechtsaltars]</schema:creator><schema:creator>Meister des Albrechtsaltars</schema:creator><schema:artMedium>Painting on spruce</schema:artMedium><schema:description>Von Inv.-Nr. 4899 abgesägte Innenseite eines Altarflügels, zugehörig weiters Inv.-Nr. 4900</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3653/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/87601/full</schema:image><schema:name>Rejection of the sacrifice of Joachim and Anne</schema:name><schema:dateCreated>c. 1435/1440</schema:dateCreated><schema:creator>[Meister des Albrechtsaltars]</schema:creator><schema:creator>Meister des Albrechtsaltars</schema:creator><schema:artMedium>Painting on spruce</schema:artMedium><schema:description>Zugehörige Tafeln: Inv.-Nr. 4898, 4899</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3655/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/87620/full</schema:image><schema:name>Presentation of Mary in the Temple</schema:name><schema:dateCreated>c. 1445/1450</schema:dateCreated><schema:creator>[Meister von Schloss Lichtenstein]</schema:creator><schema:creator>Meister von Schloss Lichtenstein</schema:creator><schema:artMedium>Painting on spruce, neo-Gothic frame with blind tracery based on original vestiges</schema:artMedium><schema:description>Zugehörige Tafeln: Inv.-Nr. 4778, 4904, 4906, 4908, Lg 902</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3660/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/164300/full</schema:image><schema:name>St John the Evangelist</schema:name><schema:dateCreated>late 14th century</schema:dateCreated><schema:creator>[Meister von Großlobming]</schema:creator><schema:creator>Meister von Großlobming</schema:creator><schema:artMedium>Breitenbrunn lime-sandstone, remnants of original mounting</schema:artMedium><schema:description>Weitere Figuren derselben Provenienz: Inv.-Nr. 4891, 4893, 4901</schema:description><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3662/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/87626/full</schema:image><schema:name>Twelve-Year-Old Jesus in the Temple</schema:name><schema:dateCreated>c. 1445/1450</schema:dateCreated><schema:creator>[Meister von Schloss Lichtenstein]</schema:creator><schema:creator>Meister von Schloss Lichtenstein</schema:creator><schema:artMedium>Painting on spruce, neo-Gothic frame with blind tracery based on original vestiges</schema:artMedium><schema:description>Zugehörige Tafeln: Inv.-Nr. 4778, 4904, 4905, 4906, Lg 902</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3663/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5710/full</schema:image><schema:name>Christ before Caiaphas</schema:name><schema:dateCreated>c. 1400</schema:dateCreated><schema:creator>[Meister der Passionstäfelchen]</schema:creator><schema:creator>Meister der Passionstäfelchen</schema:creator><schema:artMedium>Painting on limewood</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3665/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/164333/full</schema:image><schema:name>St Peter Enthroned as Pope</schema:name><schema:dateCreated>c. 1440/1445</schema:dateCreated><schema:creator>[Jakob Kaschauer]</schema:creator><schema:creator>Jakob Kaschauer</schema:creator><schema:artMedium>Limewood, with polychromy and gilding</schema:artMedium><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3671/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5717/full</schema:image><schema:name>St Barbara Being Led to the Tower</schema:name><schema:dateCreated>c. 1440</schema:dateCreated><schema:creator>[Regensburger Maler]</schema:creator><schema:creator>Regensburger Maler</schema:creator><schema:artMedium>Painting on fir</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3672/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5721/full</schema:image><schema:name>Flagellation of Christ</schema:name><schema:dateCreated>c. 1460</schema:dateCreated><schema:creator>[Meister der Laufener Georgslegende]</schema:creator><schema:creator>Meister der Laufener Georgslegende</schema:creator><schema:artMedium>Painting on fir</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3676/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/82427/full</schema:image><schema:name>The 'Hinderkircher-Madonna'</schema:name><schema:dateCreated>before 1445</schema:dateCreated><schema:creator>[Konrad von Friesach]</schema:creator><schema:creator>Konrad von Friesach</schema:creator><schema:artMedium>Painting on softwood, original fir frame</schema:artMedium><schema:description>Kneeling at the feet of the enthroned figure of Mary with the Christ Child is a donor depicted in the lower right-hand corner of the image. It is Johannes Hinderkircher, who was canon and provost of Gurk Cathedral in the mid-15th century. In this role he commissioned a monumental lenten veil that was completed and confidently signed by the artist Konrad von Friesach in 1458. Bearing a close stylistic resemblance to the veil, this depiction of the Madonna can be attributed to the same painter. In the radiant aureole behind the Madonna, small dots have been punched into the gold ground in the shape of angels making music.  </schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3677/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/134443/full</schema:image><schema:name>King Saint</schema:name><schema:dateCreated>c. 1490</schema:dateCreated><schema:creator>[Wiener oder niederösterreichischer Bildschnitzer]</schema:creator><schema:creator>Wiener oder niederösterreichischer Bildschnitzer</schema:creator><schema:artMedium>Limewood, mainly with original polychromy, gilded</schema:artMedium><schema:description>vermutlich von einer Epiphanie-Gruppe</schema:description><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3680/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/164306/full</schema:image><schema:name>Head of Christ</schema:name><schema:dateCreated>c. 1480</schema:dateCreated><schema:creator>[Oberösterreichischer Bildhauer]</schema:creator><schema:creator>Oberösterreichischer Bildhauer</schema:creator><schema:artMedium>Chalky sandstone, traces of polychromy</schema:artMedium><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3681/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/160636/full</schema:image><schema:name>Coronation of St Oswald</schema:name><schema:dateCreated>c. 1480/1485</schema:dateCreated><schema:creator>[Meister der Oswaldlegende]</schema:creator><schema:creator>Meister der Oswaldlegende</schema:creator><schema:artMedium>Painting on fir</schema:artMedium><schema:description>Zugehörige Tafeln: Inv.-Nr. 4852, 4947, 4948</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3699/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5728/full</schema:image><schema:name>St Oswald Giving Alms</schema:name><schema:dateCreated>c. 1480/1485</schema:dateCreated><schema:creator>[Meister der Oswaldlegende]</schema:creator><schema:creator>Meister der Oswaldlegende</schema:creator><schema:artMedium>Painting on fir</schema:artMedium><schema:description>Zugehörige Tafeln: Inv.-Nr. 4852, 4946, 4948</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3700/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5729/full</schema:image><schema:name>Martyrdom of St Oswald in Battle</schema:name><schema:dateCreated>c. 1480/1485</schema:dateCreated><schema:creator>[Meister der Oswaldlegende]</schema:creator><schema:creator>Meister der Oswaldlegende</schema:creator><schema:artMedium>Painting on fir</schema:artMedium><schema:description>Zugehörige Tafeln: Inv.-Nr. 4852, 4946, 4947</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3701/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5730/full</schema:image><schema:name>The Fourteen Holy Helpers</schema:name><schema:dateCreated>c. 1470/1475</schema:dateCreated><schema:creator>[Salzburger Maler]</schema:creator><schema:creator>Salzburger Maler</schema:creator><schema:artMedium>Painting on softwood</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3702/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5731/full</schema:image><schema:name>The Vision of St Dominic of Christ with the three lances</schema:name><schema:dateCreated>c. 1480</schema:dateCreated><schema:creator>[Meister des Schottenaltars]</schema:creator><schema:creator>Meister des Schottenaltars</schema:creator><schema:artMedium>Painting on softwood</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3703/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/125538/full</schema:image><schema:name>The Circumcision of Christ (interior) 
The Virgin Mary from a Visitation Scene (exterior)</schema:name><schema:dateCreated>End of the 15th century</schema:dateCreated><schema:creator>[Südtiroler Maler]</schema:creator><schema:creator>Südtiroler Maler</schema:creator><schema:artMedium>Painting on spruce</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3712/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/154508/full</schema:image><schema:name>The Circumcision of Christ</schema:name><schema:dateCreated>before 1499 (?)</schema:dateCreated><schema:creator>[Meister von Mondsee]</schema:creator><schema:creator>Meister von Mondsee</schema:creator><schema:artMedium>Painting on fir </schema:artMedium><schema:description>Vom selben Altar wohl auch Inv.-Nr. 4827, 4863, 4962, 4963</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3714/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/160620/full</schema:image><schema:name>The Devil Brings a False Message</schema:name><schema:dateCreated>early 16th century</schema:dateCreated><schema:creator>[Meister MS]</schema:creator><schema:creator>Meister MS</schema:creator><schema:artMedium>Painting, originally on wood, transferred to canvas</schema:artMedium><schema:description>Menschen, die zu leben und zu fühlen scheinen, Rückenfiguren, in die Tiefe fluchtendes Interieur und goldene Hintergründe. Dieser Maler hat Einflüsse der aufkeimenden Renaissance und Merkmale der Gotik miteinander verwoben. Die drei Bilder gehörten einst demselben Altarensemble an. Dargestellt sind Szenen aus dem Leben der heiligen Ärzte Cosmas und Damian. Auf der großen Tafel hat gerade eine aufsehenerregende Wunderheilung stattgefunden: die Transplantation des Oberschenkels von einem eben bestatteten, dunkelhäutigen Mann. Die beiden kleinen Bilder erzählen die Geschichte einer Frau, die erfolglos durch den Teufel versucht wird.</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3723/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/128938/full</schema:image><schema:name>The twelve-year-old Jesus in the Temple</schema:name><schema:dateCreated>1508</schema:dateCreated><schema:creator>[Urban Görtschacher]</schema:creator><schema:creator>Urban Görtschacher</schema:creator><schema:artMedium>Painting on spruce, original softwood frame</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3725/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/162117/full</schema:image><schema:name>A King Saint (St Owald ?)</schema:name><schema:dateCreated>c. 1500</schema:dateCreated><schema:creator>[Südtiroler Bildschnitzer]</schema:creator><schema:creator>Südtiroler Bildschnitzer</schema:creator><schema:artMedium>Swiss stone pine, original polychromy, gilded details</schema:artMedium><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3739/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/160554/full</schema:image><schema:name>Female Saint (Mary ?)</schema:name><schema:dateCreated>c. 1420</schema:dateCreated><schema:creator>[Salzburger Bildschnitzer]</schema:creator><schema:creator>Salzburger Bildschnitzer</schema:creator><schema:artMedium>Limewood, polychromy is probably late 15th cent., gilded details</schema:artMedium><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3743/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5768/full</schema:image><schema:name>Half-Figure of a Saint Bishop</schema:name><schema:dateCreated>3rd quarter of the 15th century</schema:dateCreated><schema:creator>[Hans Klocker]</schema:creator><schema:creator>Hans Klocker</schema:creator><schema:artMedium>Swiss stone pine with polychromy, gilded details</schema:artMedium><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3744/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/134120/full</schema:image><schema:name>Seated Virgin Mary</schema:name><schema:dateCreated>c. 1520</schema:dateCreated><schema:creator>[Meister von Heiligenblut]</schema:creator><schema:creator>Meister von Heiligenblut</schema:creator><schema:artMedium>Hardwood (probably maple), (original?) traces of polychromy, gilded</schema:artMedium><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3758/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5783/full</schema:image><schema:name>Standing male Saint</schema:name><schema:dateCreated>c. 1460</schema:dateCreated><schema:creator>[Alpenländischer Bildschnitzer]</schema:creator><schema:creator>Alpenländischer Bildschnitzer</schema:creator><schema:artMedium>Limewood, traces of original polychromy</schema:artMedium><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3759/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5786/full</schema:image><schema:name>The Coronation of the Virgin</schema:name><schema:dateCreated>c. 1480</schema:dateCreated><schema:creator>[Donauländischer oder Salzburger Bildschnitzer]</schema:creator><schema:creator>Donauländischer oder Salzburger Bildschnitzer</schema:creator><schema:artMedium>Limewood, old polychromy, gilded</schema:artMedium><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3762/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/134452/full</schema:image><schema:name>Holy Apostle</schema:name><schema:dateCreated>c. 1515</schema:dateCreated><schema:creator>[Bildschnitzer des Bodenseegebiets]</schema:creator><schema:creator>Bildschnitzer des Bodenseegebiets</schema:creator><schema:artMedium>Limewood, traces of the ground, formerly polychromed</schema:artMedium><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3910/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5791/full</schema:image><schema:name>St Giles</schema:name><schema:dateCreated>c. 1490</schema:dateCreated><schema:creator>[Bayerischer Modelleur]</schema:creator><schema:creator>Bayerischer Modelleur</schema:creator><schema:artMedium>Pottery, traces of original polychromy, gilded</schema:artMedium><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3919/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5793/full</schema:image><schema:name>Standing Mary</schema:name><schema:dateCreated>c. 1465</schema:dateCreated><schema:creator>[Österreichischer Bildschnitzer]</schema:creator><schema:creator>Österreichischer Bildschnitzer</schema:creator><schema:artMedium>Limewood, polychromy, gilded details</schema:artMedium><schema:description>Ursprünglich Teil einer Verkündigungsgruppe</schema:description><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/4079/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/164313/full</schema:image><schema:name>St Wolfgang</schema:name><schema:dateCreated>c. 1400</schema:dateCreated><schema:creator>[Österreichischer Bildhauer]</schema:creator><schema:creator>Österreichischer Bildhauer</schema:creator><schema:artMedium>Cast stone and stone core, with polychromy</schema:artMedium><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/4707/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/134125/full</schema:image><schema:name>St. Thomas (interior)
St. Sylvester (exterior)</schema:name><schema:dateCreated>early 16th century</schema:dateCreated><schema:creator>[Marx Reichlich]</schema:creator><schema:creator>Marx Reichlich</schema:creator><schema:artMedium>Painting on spruce</schema:artMedium><schema:description>Zugehörige Tafeln: Inv.-Nr. 4366a, 4366b, 4367, 7352</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/7141/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/160731/full</schema:image><schema:name>St. Joseph</schema:name><schema:dateCreated>c. 1485/1490</schema:dateCreated><schema:creator>[Hans Klocker]</schema:creator><schema:creator>Hans Klocker</schema:creator><schema:artMedium>Swiss stone pine with polychromy</schema:artMedium><schema:description>Based in Bressanone in South Tyrol, Hans Klocker ran a prolific workshop that produced numerous winged altarpieces. One of the artist’s specialties were so-called Christmas altarpieces featuring a carved depiction of the Nativity in the central shrine. All that survives of Klocker’s 1486 commission for the high altarpiece at San Leonardo in Passiria are the wooden figures of Mary and Joseph. In the original composition they would have been shown praying to the newborn Christ Child. Although lost today, this can be envisaged from the former altarpiece at the parish church in Termeno, which was also made by Klocker’s workshop.  </schema:description><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/7255/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/164336/full</schema:image><schema:name>Holy Bischop Enthroned</schema:name><schema:dateCreated>c. 1400</schema:dateCreated><schema:creator>[Salzburger Bildschnitzer]</schema:creator><schema:creator>Salzburger Bildschnitzer</schema:creator><schema:artMedium>Limewood, (original ?) polychromy and gilding</schema:artMedium><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/7482/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/160600/full</schema:image><schema:name>Translation of the Bones of St Oswald</schema:name><schema:dateCreated>c. 1480/1485</schema:dateCreated><schema:creator>[Meister der Oswaldlegende]</schema:creator><schema:creator>Meister der Oswaldlegende</schema:creator><schema:artMedium>Painting on fir</schema:artMedium><schema:description>Zugehörige Tafeln: Inv.-Nr. 4946, 4947, 4948</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3607/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5714/full</schema:image><schema:name>The Apostles Peter, Paul, James the Less and Simon</schema:name><schema:dateCreated>c. 1445/1450</schema:dateCreated><schema:creator>[Meister von Laufen]</schema:creator><schema:creator>Meister von Laufen</schema:creator><schema:artMedium>Painting on fir</schema:artMedium><schema:description>Von Inv.-Nr. 4918 abgesägte Außenseite eines Altarflügels, zugehörig weiters Inv.-Nr. 4913</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3669/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5607/full</schema:image><schema:name>St George and the Dragon</schema:name><schema:dateCreated>c. 1420/1430</schema:dateCreated><schema:creator>[Slowakischer Maler]</schema:creator><schema:creator>Slowakischer Maler</schema:creator><schema:artMedium>Painting on spruce</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/412/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5609/full</schema:image><schema:name>St Stephen</schema:name><schema:dateCreated>4th quarter of the 15th century</schema:dateCreated><schema:creator>[Österreichischer Bildschnitzer]</schema:creator><schema:creator>Österreichischer Bildschnitzer</schema:creator><schema:artMedium>Limewood with polychromy, gilded details</schema:artMedium><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/749/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5610/full</schema:image><schema:name>Pietà</schema:name><schema:dateCreated>c. 1420/1425</schema:dateCreated><schema:creator>[Steirischer Bildhauer]</schema:creator><schema:creator>Steirischer Bildhauer</schema:creator><schema:artMedium>Sandstone, various traces of polychromy</schema:artMedium><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/896/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/164315/full</schema:image><schema:name>Head of St John on a Platter</schema:name><schema:dateCreated>c. 1500</schema:dateCreated><schema:creator>[Niederösterreichischer Bildschnitzer]</schema:creator><schema:creator>Niederösterreichischer Bildschnitzer</schema:creator><schema:artMedium>Hardwood (probably limewood), formerly polychromed, now only polychromed details </schema:artMedium><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/1437/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5616/full</schema:image><schema:name>The Preparation of the Cross with resting Christ</schema:name><schema:dateCreated>c. 1520</schema:dateCreated><schema:creator>[Lucas Cranach d. Ä.]</schema:creator><schema:creator>Lucas Cranach d. Ä.</schema:creator><schema:artMedium>Painting on fir</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/1559/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/134642/full</schema:image><schema:name>St Erasmus</schema:name><schema:dateCreated>c. 1510</schema:dateCreated><schema:creator>[Lucas Cranach d. Ä.]</schema:creator><schema:creator>Lucas Cranach d. Ä.</schema:creator><schema:artMedium>Painting on fir</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/1560/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/134121/full</schema:image><schema:name>St Maurice (interior) and St Sebastian (exterior)</schema:name><schema:dateCreated>early 16th century</schema:dateCreated><schema:creator>[Marx Reichlich]</schema:creator><schema:creator>Marx Reichlich</schema:creator><schema:artMedium>Painting on spruce</schema:artMedium><schema:description>Weitere Tafeln desselben Altars: Inv.-Nr. 4366a, 4366b, 7352, 7353
</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3161/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/87588/full</schema:image><schema:name>The Temptation of Christ</schema:name><schema:dateCreated>c. 1440/1450</schema:dateCreated><schema:creator>[Meister von Schloss Lichtenstein]</schema:creator><schema:creator>Meister von Schloss Lichtenstein</schema:creator><schema:artMedium>Painting on spruce, neo-Gothic frame with blind tracery based on original vestiges</schema:artMedium><schema:description>Weitere Tafeln vom selben Altar: Inv.-Nr. 4904, 4905, 4906, 4908, Lg 902</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3533/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/49596/full</schema:image><schema:name>Joseph Cast into the Well</schema:name><schema:dateCreated>before 1497/1498</schema:dateCreated><schema:creator>[Michael Pacher]</schema:creator><schema:creator>Michael Pacher</schema:creator><schema:artMedium>Painting on Swiss stone pine</schema:artMedium><schema:description>Zugehörige Tafeln: Inv.-Nr. 4845, 4846</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3571/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/125534/full</schema:image><schema:name>Flight to Egypt</schema:name><schema:dateCreated>before 1499</schema:dateCreated><schema:creator>[Meister von Mondsee]</schema:creator><schema:creator>Meister von Mondsee</schema:creator><schema:artMedium>Painting on spruce wood</schema:artMedium><schema:description>Von Inv.-Nr. 4962 abgesägte Innenseite eines Predellenflügels; Gegenstück zu Inv.-Nr. 4863 und 4963; vom selben Altar vermutlich auch Inv.-Nr. 4961
</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3582/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/108212/full</schema:image><schema:name>Portrait of the painter Jobst Seyfrid</schema:name><schema:dateCreated>c. 1490</schema:dateCreated><schema:creator>[Rueland Frueauf d. Ä.]</schema:creator><schema:creator>Rueland Frueauf d. Ä.</schema:creator><schema:artMedium>Painting on limewood</schema:artMedium><schema:description>The man immortalized in this meticulously detailed portrait can be clearly identified from an inscription on the reverse: The sitter is a certain Jobst Seyfrid, who is documented in the sources as a painter in Passau. This was the location of Rueland Frueauf the Elder’s flourishing workshop. One of the first painters in German-speaking Europe to sign his works, Frueauf confidently monogrammed this portrait of Seyfrid with his initials “R F” at the top of the image. </schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3583/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/87585/full</schema:image><schema:name>The Annunciation to St Anne</schema:name><schema:dateCreated>c. 1420/1425</schema:dateCreated><schema:creator>[Meister der Darbringungen]</schema:creator><schema:creator>Meister der Darbringungen</schema:creator><schema:artMedium>Painting on fir</schema:artMedium><schema:description>Von Inv.-Nr. 4896 abgesägte Außenseite eines Altarflügels.</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3584/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5625/full</schema:image><schema:name>Adoration of the Magi</schema:name><schema:dateCreated>c. 1440/1450</schema:dateCreated><schema:creator>[Meister des Friedrichsaltars]</schema:creator><schema:creator>Meister des Friedrichsaltars</schema:creator><schema:artMedium>Painting on spruce</schema:artMedium><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3585/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/164302/full</schema:image><schema:name>The 'Sonntagberg Madonna'</schema:name><schema:dateCreated>c. 1360</schema:dateCreated><schema:creator>[Michaelermeister]</schema:creator><schema:creator>Michaelermeister</schema:creator><schema:artMedium>Poplar, original grounding</schema:artMedium><schema:description>This life-sized Madonna is named after its original location at the pilgrimage church in Sonntagberg in Lower Austria. The sweeping curve of the body, the soft folds of the drapery, and the overall idealized quality anticipate the later figures known as Beautiful Madonnas that appear from around 1400. This piece was made by an anonymous artist to whom two stone sculptures at Saint Michael’s Church in Vienna are also attributed. Hence, the sculptor was named the Master of Saint Michael’s. He was probably an itinerant artist who had trained in Italy and later worked in Vienna.  </schema:description><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3586/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/49598/full</schema:image><schema:name>St Lawrence before the emperor</schema:name><schema:dateCreated>c. 1465</schema:dateCreated><schema:creator>[Michael Pacher]</schema:creator><schema:creator>Michael Pacher</schema:creator><schema:artMedium>Painting on Swiss stone pine</schema:artMedium><schema:description>These four paintings once belonged to the high altarpiece in the parish church of San Lorenzo di Sebato in South Tyrol, which was Michael Pacher’s first documented altarpiece. The half-length images of the apostles Peter and Paul were intended for the predella, the base of the altarpiece. On the larger panels, the theme is from one of the saints’ lives during the period of persecution in the early Christian church. Pacher’s figures are imbued with expressive individuality and move freely in stage-like spaces that lead the eye into the pictorial depths. The accurately constructed central perspective and anatomically convincing poses suggest that the artist was trained in Italy.  </schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3588/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/49600/full</schema:image><schema:name>St Paul</schema:name><schema:dateCreated>c. 1465</schema:dateCreated><schema:creator>[Michael Pacher]</schema:creator><schema:creator>Michael Pacher</schema:creator><schema:artMedium>Painting on Swiss stone pine</schema:artMedium><schema:description>These four paintings once belonged to the high altarpiece in the parish church of San Lorenzo di Sebato in South Tyrol, which was Michael Pacher’s first documented altarpiece. The half-length images of the apostles Peter and Paul were intended for the predella, the base of the altarpiece. On the larger panels, the theme is from one of the saints’ lives during the period of persecution in the early Christian church. Pacher’s figures are imbued with expressive individuality and move freely in stage-like spaces that lead the eye into the pictorial depths. The accurately constructed central perspective and anatomically convincing poses suggest that the artist was trained in Italy.</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3589/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/108210/full</schema:image><schema:name>Christ on the Cross with Saints</schema:name><schema:dateCreated>c. 1470</schema:dateCreated><schema:creator>[Meister von Großgmain]</schema:creator><schema:creator>Meister von Großgmain</schema:creator><schema:artMedium>Painting on spruce</schema:artMedium><schema:description>Seine Detailfreude, sein erzählerischer Reichtum und eine besonders feine Malweise zeichnen den anonymen Salzburger „Meister von Großgmain“ aus. Mit der „Kreuzigung Christi“ zeigt er das zentrale Ereignis der Passion. Als Begleitfiguren sind neben Maria und Johannes auch die Heiligen Katharina mit Rad und Schwert sowie Sebastian mit seinem Pfeil vor goldenem Grund zugegen. Damit wird der Kreuzestod Christi nicht einfach nur nacherzählt, sondern durch die Einbindung jüngerer Legenden belebt und als Ausgangspunkt des Heilsgeschehens vorgestellt.</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3590/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/49601/full</schema:image><schema:name>Pope Sixtus II Bids Farewell to St Lawrence</schema:name><schema:dateCreated>c. 1465</schema:dateCreated><schema:creator>[Michael Pacher]</schema:creator><schema:creator>Michael Pacher</schema:creator><schema:artMedium>Painting on Swiss stone pine</schema:artMedium><schema:description>These four paintings once belonged to the high altarpiece in the parish church of San Lorenzo di Sebato in South Tyrol, which was Michael Pacher’s first documented altarpiece. The half-length images of the apostles Peter and Paul were intended for the predella, the base of the altarpiece. On the larger panels, the theme is from one of the saints’ lives during the period of persecution in the early Christian church. Pacher’s figures are imbued with expressive individuality and move freely in stage-like spaces that lead the eye into the pictorial depths. The accurately constructed central perspective and anatomically convincing poses suggest that the artist was trained in Italy.</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3591/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/49606/full</schema:image><schema:name>St Peter</schema:name><schema:dateCreated>c. 1465</schema:dateCreated><schema:creator>[Michael Pacher]</schema:creator><schema:creator>Michael Pacher</schema:creator><schema:artMedium>Painting on Swiss stone pine</schema:artMedium><schema:description>These four paintings once belonged to the high altarpiece in the parish church of San Lorenzo di Sebato in South Tyrol, which was Michael Pacher’s first documented altarpiece. The half-length images of the apostles Peter and Paul were intended for the predella, the base of the altarpiece. On the larger panels, the theme is from one of the saints’ lives during the period of persecution in the early Christian church. Pacher’s figures are imbued with expressive individuality and move freely in stage-like spaces that lead the eye into the pictorial depths. The accurately constructed central perspective and anatomically convincing poses suggest that the artist was trained in Italy.</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3592/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/92576/full</schema:image><schema:name>Annunciation to Mary</schema:name><schema:dateCreated>1490/1491</schema:dateCreated><schema:creator>[Rueland Frueauf d. Ä.]</schema:creator><schema:creator>Rueland Frueauf d. Ä.</schema:creator><schema:artMedium>Painting on spruce</schema:artMedium><schema:description>Zugehörige Tafeln von der Außenseite der Flügel: Inv.-Nr. 4839, 4844, 4955 und der Innenseite: Inv.-Nr. 4840 (von Inv.-Nr. 4838 abgesägt), 4841, 4842, 4843</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3593/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/92577/full</schema:image><schema:name>Adoration of the Magi</schema:name><schema:dateCreated>1490/1491</schema:dateCreated><schema:creator>[Rueland Frueauf d. Ä.]</schema:creator><schema:creator>Rueland Frueauf d. Ä.</schema:creator><schema:artMedium>Painting on Spruce</schema:artMedium><schema:description>Zugehörige Tafeln von der Außenseite der Flügel: Inv.-Nr. 4838, 4844, 4955 und der Innenseite: Inv.-Nr. 4840, 4841, 4842 (von Inv. Nr. 4839 abgesägt), 4843</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3594/rdf</schema:url></schema:VisualArtwork><schema:VisualArtwork><schema:image>/internal/media/dispatcher/92578/full</schema:image><schema:name>Christ on the Mount of Olives</schema:name><schema:dateCreated>1490/1491</schema:dateCreated><schema:creator>[Rueland Frueauf d. Ä.]</schema:creator><schema:creator>Rueland Frueauf d. Ä.</schema:creator><schema:artMedium>Painting on spruce</schema:artMedium><schema:description>Zugehörige Tafeln von der Innenseite der Flügel: Inv.-Nr. 4841, 4842, 4843 und der Außenseite: Inv.-Nr. 4838 (von Inv.-Nr. 4840 abgesägt), 4839, 4844, 4955</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/3595/rdf</schema:url></schema:VisualArtwork></rdf:RDF>