3918/internal/media/dispatcher/84559/fullAusblick am Seeundated[Ernst Riederer]Ernst RiedererOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/7839/rdf/internal/media/dispatcher/84559/fullKarawank Mountains with Orphanage1920[Herbert Boeckl]Herbert BoecklGouache on paperDrawing arthttps://sammlungtest.belvedere.at/objects/7844/rdf/internal/media/dispatcher/84559/fullElbelandschaftundated[Willi Nowak]Willi NowakOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/7861/rdf/internal/media/dispatcher/84559/fullView of Positano1921[Oskar Laske]Oskar LaskeWatercolor, pencil, opaque white on paperDrawing arthttps://sammlungtest.belvedere.at/objects/8003/rdf/internal/media/dispatcher/84559/fullReclining Female Nudec. 1922[Oskar Kokoschka]Oskar KokoschkaWatercolor on paperDrawing arthttps://sammlungtest.belvedere.at/objects/8078/rdf/internal/media/dispatcher/84559/fullHousesc. 1920[Maurice de Vlaminck]Maurice de VlaminckOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8080/rdf/internal/media/dispatcher/84559/fullAvenue1921[Achille-Émile-Othon Friesz]Achille-Émile-Othon FrieszWatercolor on paperDrawing arthttps://sammlungtest.belvedere.at/objects/8081/rdf/internal/media/dispatcher/84559/fullPleolje im Sandschakundated[Wilhelm Victor Krausz]Wilhelm Victor KrauszOil on woodPaintinghttps://sammlungtest.belvedere.at/objects/8131/rdf/internal/media/dispatcher/84559/fullJustitia1921[Anton Kolig]Anton KoligOil on paperDrawing arthttps://sammlungtest.belvedere.at/objects/8138/rdf/internal/media/dispatcher/84559/fullRear Tenements in Berlin1922[Herbert Boeckl]Herbert BoecklOil on canvasTitel in den Erwebungsakten 1922: Altberliner HäuserPaintinghttps://sammlungtest.belvedere.at/objects/8156/rdf/internal/media/dispatcher/84559/fullEberndorf Monastery in Carinthia1922[Herbert Boeckl]Herbert BoecklOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8157/rdf/internal/media/dispatcher/84559/fullCoastal Landscape1921[Erich Heckel]Erich HeckelWatercolor, pencil on paperDrawing arthttps://sammlungtest.belvedere.at/objects/8175/rdf/internal/media/dispatcher/84559/fullThe Ship of Fools1923[Oskar Laske]Oskar LaskeTempera and gold leaf on canvasEin Schiff bahnt sich den Weg durch die stürmische See. An Deck herrscht ein unglaubliches Gewimmel. Zwischen den Masten sind eine Kirche und ein Prozessionszug zu erkennen. Rundherum wird gefeiert, marschiert, gemordet. Mit einem Wort: Die Welt ist aus den Fugen geraten. Es gibt keine Ordnung und keine Orientierung mehr, womit Laske das Lebensgefühl vieler Menschen nach dem Ersten Weltkrieg und dem Ende der Habsburgermonarchie zum Ausdruck bringt. Als literarische Grundlage diente Sebastian Brants Moralsatire Das Narrenschiff von 1494. Laske „übersetzte“ den historischen Text in seine Zeit und integrierte Persönlichkeiten des Wiener Kulturlebens, darunter Gustav Klimt, Egon Schiele und Helene Funke.Paintinghttps://sammlungtest.belvedere.at/objects/8187/rdf/internal/media/dispatcher/84559/fullThe Artist's Wifebefore 1923[Viktor Tischler]Viktor TischlerOil on woodPaintinghttps://sammlungtest.belvedere.at/objects/8239/rdf/internal/media/dispatcher/84559/fullSelf-Portrait in Paris1923[Herbert Boeckl]Herbert BoecklOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8243/rdf/internal/media/dispatcher/84559/fullSummer Evening at Lake Klopein1923[Herbert Boeckl]Herbert BoecklOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8244/rdf/internal/media/dispatcher/84559/fullMountain Landscape1921[Jan Oeltjen]Jan OeltjenOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8247/rdf/internal/media/dispatcher/84559/fullSelf-Portrait1923[Renée Sintenis]Renée SintenisBronzeSculpturehttps://sammlungtest.belvedere.at/objects/8258/rdf/internal/media/dispatcher/84559/fullDonkey1923[Renée Sintenis]Renée SintenisBronzeSculpturehttps://sammlungtest.belvedere.at/objects/8259/rdf/internal/media/dispatcher/84559/fullJoachim Ringelnatz1923[Renée Sintenis]Renée SintenisStuccoSculpturehttps://sammlungtest.belvedere.at/objects/8260/rdf/internal/media/dispatcher/84559/fullAlfred Flechtheim1921[Hermann Haller]Hermann HallerTerracotta auf lackiertem HolzsockelAlfred Flechtheim (1878–1937) war Kunsthändler.Sculpturehttps://sammlungtest.belvedere.at/objects/8261/rdf/internal/media/dispatcher/84559/fullThe Mountains of Klostersc. 1923[Ernst Ludwig Kirchner]Ernst Ludwig KirchnerOil on canvasErnst Ludwig Kirchner is regarded as one of the main exponents of German Expressionism. The painter was also a leading figure in the artist group Brücke, which he co-founded in 1905. In 1917 Kirchner moved to Switzerland to recuperate after suffering a nervous breakdown during his military service. In the alpine landscape around Davos he discovered new motifs for his art. Kirchner painted dramatic mountain panoramas, views of deserted countryside, and majestic peaks. His energetic application of bold colors also serves to add rhythm to the composition. Forms from the towering mountains are thus echoed in the trees while the curves of the clouds recur in the foreground alpine pastures. Paintinghttps://sammlungtest.belvedere.at/objects/8275/rdf/internal/media/dispatcher/84559/fullThe last human (Ecce Homo)1917–1924[Anton Hanak]Anton HanakBronzeThe outbreak of World War I in 1914 marked the start of an intense exploration of misery and human suffering in the work of Anton Hanak. The sculptor spent seven years working on this monumental figure, aiming to express the psychological states, individual crises, and also the wounds of an entire generation. His final sculpture depicts a naked male figure, his arms outstretched like wings, his upper body leaning slightly forward. The Last Human is a Man of Sorrows, his pose, facial expression, and gestures reminiscent of the crucified Christ. Sculpturehttps://sammlungtest.belvedere.at/objects/8295/rdf/internal/media/dispatcher/84559/fullHead of a Boy1922[Georg Kolbe]Georg KolbeBronze, mounted on a cast stone baseSculpturehttps://sammlungtest.belvedere.at/objects/8297/rdf/internal/media/dispatcher/84559/fullLandscape near Aspang1924[Robin Christian Andersen]Robin Christian AndersenOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8300/rdf/internal/media/dispatcher/84559/fullGirl with Foliage Plant1923[Karl Hofer]Karl HoferOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8301/rdf/internal/media/dispatcher/84559/fullStill Life with Fish1922[Herbert Boeckl]Herbert BoecklOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8314/rdf/internal/media/dispatcher/84559/fullPescheria di Bragora (Venice)1925[Edmund Pick-Morino]Edmund Pick-MorinoOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8323/rdf/internal/media/dispatcher/84559/fullFish Still Life with Lemon1921[Henri Victor Gabriel Le Fauconnier]Henri Victor Gabriel Le FauconnierOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8329/rdf/internal/media/dispatcher/84559/fullMountain Landscape1925[Karl Sterrer]Karl SterrerOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8363/rdf/internal/media/dispatcher/84559/fullAbessinian Boyc. 1922[Hermann Haller]Hermann HallerBronzeSculpturehttps://sammlungtest.belvedere.at/objects/8378/rdf/internal/media/dispatcher/84559/fullBäume am Wasserundated[Egge Sturm-Skrla]Egge Sturm-SkrlaOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8380/rdf/internal/media/dispatcher/84559/fullMilking the Cowsundated[Carl Fahringer]Carl FahringerOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8381/rdf/internal/media/dispatcher/84559/fullJack Dempsey1925[Ernesto de Fiori]Ernesto de FioriBronzeSculpturehttps://sammlungtest.belvedere.at/objects/8384/rdf/internal/media/dispatcher/84559/fullSelf-Portrait1925[Fritz Rojka]Fritz RojkaOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8395/rdf/internal/media/dispatcher/84559/fullTorbole1925[Albert Paris Gütersloh]Albert Paris GüterslohOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8396/rdf/internal/media/dispatcher/84559/fullFarmstead1926[Franz von Zülow]Franz von ZülowOil on millboardPaintinghttps://sammlungtest.belvedere.at/objects/8410/rdf/internal/media/dispatcher/84559/fullThe Wife of Sculptor Wilhelm Frass (1886-1968)c. 1926[Ferdinand Kitt]Ferdinand KittOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8420/rdf/internal/media/dispatcher/84559/fullMaria Saal and Ulrichsberg1927[Herbert Boeckl]Herbert BoecklOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8621/rdf/internal/media/dispatcher/84559/fullHouses in the Evening1927[Josef Dobrowsky]Josef DobrowskyOil on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/8622/rdf/internal/media/dispatcher/84559/fullMoonlit Night on the Banks of the Mur River in Graz1928[Wilhelm Thöny]Wilhelm ThönyOil on canvasDie hier gezeigte Stadtvedute steht exemplarisch für Thönys in Graz entstandenen Bilder aus der Mitte der 20er Jahre. Sie zeichnet sich zum großen Teil durch eine pastose, von Schwarztönen dominierte Farbgebung aus.Paintinghttps://sammlungtest.belvedere.at/objects/8623/rdf/internal/media/dispatcher/84559/fullCagnesc. 1927[Felix Albrecht Harta]Felix Albrecht HartaOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8626/rdf/internal/media/dispatcher/84559/fullThe Artist's Wife1921[Georges Kars]Georges KarsOil on woodPaintinghttps://sammlungtest.belvedere.at/objects/8629/rdf/internal/media/dispatcher/84559/fullKlostergarten in Tachau1928[Rudolf Böttger]Rudolf BöttgerOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8632/rdf/internal/media/dispatcher/84559/fullLandscape with Herons1926[Robin Christian Andersen]Robin Christian AndersenTapestryArts and craftshttps://sammlungtest.belvedere.at/objects/8633/rdf/internal/media/dispatcher/84559/fullPortrait of the Isepp Family1927/1928[Franz Wiegele]Franz WiegeleOil on canvasDargestellt ist die Familie Isepp mit Hubert Isepp sen., die Gattin Anna Isepp und den Kindern Grete und Hubert jun. Im Spiegel an der rückwärtigen Wand erscheint der Künstler selber.Paintinghttps://sammlungtest.belvedere.at/objects/8634/rdf/internal/media/dispatcher/84559/fullFloral Landscape1928[Robin Christian Andersen]Robin Christian AndersenOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8635/rdf/internal/media/dispatcher/84559/fullStill Life with Clay Pipe1928[Gerhart Frankl]Gerhart FranklOil on canvasFrankls Beschäftigung mit dem Stillleben nimmt in den 1920er Jahren eine wichtige Stellung in der Entwicklung seiner Malerei ein. Zeigt er in seinen frühen Landschaften einen dynamisch-expressiven Umgang mit der Farbe, so steht hier das Spannungsverhältnis zwischen den sehr reduzierten und subtilen Farbwerten im Vordergrund. Das intensive Studium Frankls der Stillleben Cézannes kommt hier verstärkt zum Ausdruck. Werner Hofmann beschreibt das Bild als "Musterbeispiel samtiger Valeurmalerei". Noch im selben Jahr kaufte die Moderne Galerie das Bild an und unterstrich damit den bereits zur Entstehung dem Bild beigemessenen Wert für die Österreichische Kunst. — [Harald Krejci, 10/2009]Paintinghttps://sammlungtest.belvedere.at/objects/8637/rdf/internal/media/dispatcher/84559/fullThe Clown1926[Josef Dobner]Josef DobnerWoodSculpturehttps://sammlungtest.belvedere.at/objects/8650/rdf/internal/media/dispatcher/84559/fullPortrait of Arnold Clementschitsch1928[Herbert Boeckl]Herbert BoecklOil on canvasArnold Jakob Clementschitsch (1887-1970) war Maler, Graphiker und Schriftsteller. Clementschitsch kannte Boeckl persönlich.Paintinghttps://sammlungtest.belvedere.at/objects/8679/rdf/internal/media/dispatcher/84559/fullStill Life with Guinea Fowl1929[Herbert Boeckl]Herbert BoecklOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8680/rdf/internal/media/dispatcher/84559/fullPortrait of a Lady1928[Josef Dobrowsky]Josef DobrowskyOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8681/rdf/internal/media/dispatcher/84559/fullThe Swedish Painter Ella Wanner1912[Franz Wiegele]Franz WiegeleOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8685/rdf/internal/media/dispatcher/84559/fullSalzburg Evening Landscapec. 1924[Anton Faistauer]Anton FaistauerOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8686/rdf/internal/media/dispatcher/84559/fullEichelhof near Nußdorf1929[Josef Dobrowsky]Josef DobrowskyOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8687/rdf/internal/media/dispatcher/84559/fullAnton von Webern1928[Josef Humplik]Josef HumplikBronzeSculpturehttps://sammlungtest.belvedere.at/objects/8688/rdf/internal/media/dispatcher/84559/fullThe Artist's Family1928[Anton Kolig]Anton KoligOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8690/rdf/internal/media/dispatcher/84559/fullChurch Square in Ybbs1929[Josef Dobrowsky]Josef DobrowskyOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/1943/rdf/internal/media/dispatcher/84559/fullWinter Landscape near Auerbach1930[Ernst Huber]Ernst HuberOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/1944/rdf/internal/media/dispatcher/84559/fullCacti in Bloom1929[Friedrich Radler]Friedrich RadlerOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/1945/rdf/internal/media/dispatcher/84559/fullSchloss Schönbrunnundated[Augusta Kochanowska]Augusta KochanowskaPastel on paper on cardboardDrawing arthttps://sammlungtest.belvedere.at/objects/1948/rdf/internal/media/dispatcher/84559/fullNeue Hofburgundated[Augusta Kochanowska]Augusta KochanowskaPastel on paper on cardboardDrawing arthttps://sammlungtest.belvedere.at/objects/1949/rdf/internal/media/dispatcher/84559/fullStockholm1928[Josef Jungwirth]Josef JungwirthOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/1958/rdf/internal/media/dispatcher/84559/fullMill in Winter1930[Josef Dobrowsky]Josef DobrowskyOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/1962/rdf/internal/media/dispatcher/84559/fullThe Inn River at Suben Looking North1930[Ludwig Ferdinand Graf]Ludwig Ferdinand GrafOil on millboardPaintinghttps://sammlungtest.belvedere.at/objects/1963/rdf/internal/media/dispatcher/84559/fullThe Church in the Country1929[Gerhart Frankl]Gerhart FranklOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/1969/rdf/internal/media/dispatcher/84559/fullGrete Wiesenthal1929[Josef Humplik]Josef HumplikTerracottaSculpturehttps://sammlungtest.belvedere.at/objects/1970/rdf/internal/media/dispatcher/84559/fullMargarethe Popp I1930[Sergius Pauser]Sergius PauserOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/1971/rdf/internal/media/dispatcher/84559/fullStill Life with Terra Cotta Figureundated[Heinrich Krause]Heinrich KrauseOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/1972/rdf/internal/media/dispatcher/84559/fullMountain Lake1925[Richard Harlfinger]Richard HarlfingerOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/1973/rdf/internal/media/dispatcher/84559/fullSalzburg Farm Womanc. 1930[Georg Ehrlich]Georg EhrlichBronzeSculpturehttps://sammlungtest.belvedere.at/objects/1975/rdf/internal/media/dispatcher/84559/fullSelf-Portrait in Prague1930[Bohdan Heřmanský]Bohdan HeřmanskýOil on canvas Bohdan Heřmanský, born Theodor Herzmansky in Bohemia, grew up in Vienna. He quickly made a name for himself in Austria and was one of the leading members of the Nötsch Circle. Even after the disintegration of Austria-Hungary into many individual nations and his own stays in Stockholm, Siena, and Paris, he retained an attachment to the culture of the former multi-ethnic state. In 1929 he finally moved to Prague, which features in many of his paintings. This selfportrait also shows him on a town square with a colorful row of houses in the background. His right hand is tipping his hat in greeting, and his gaze is fixed on the viewer. A black-and-white mask juts into the picture on the left, almost more lifelike than the geometric forms of the artist’s expressionless face.Paintinghttps://sammlungtest.belvedere.at/objects/1976/rdf/internal/media/dispatcher/84559/fullStreet in the Mountains1930[Ferdinand Kitt]Ferdinand KittOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/1977/rdf/internal/media/dispatcher/84559/fullStill Life with Calla Flower1929[Marc Sterling]Marc SterlingOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/1979/rdf/internal/media/dispatcher/84559/fullZur Tränke im Flußbettundated[Fritz Zerritsch der Jüngere]Fritz Zerritsch der JüngereOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/1980/rdf/internal/media/dispatcher/84559/fullStill Life with Leaping Horse1928[Herbert Boeckl]Herbert BoecklOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/1981/rdf/internal/media/dispatcher/84559/fullSaying Graceafter 1923[Albin Egger-Lienz]Albin Egger-LienzOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/1987/rdf/internal/media/dispatcher/84559/fullMadame H. Levy1923[Charles Despiau]Charles DespiauBronze, Farbe der Patina: sehr dunkles, fast schwarzes GrauSculpturehttps://sammlungtest.belvedere.at/objects/1988/rdf/internal/media/dispatcher/84559/fullThe Brewery Schleppe near Klagenfurtbefore 1931[Arnold Clementschitsch]Arnold ClementschitschOil on canvasGestrüpp und Bäume im Vordergrund lassen erst auf den zweiten Blick den Gebäudekomplex der Kärntner Bierbrauerei Schleppe im Mittelgrund erscheinen. Die Landschaft im Hintergrund ist nur schematisch angedeutet. Die Räumlichkeit des Bildaufbaus wird mit der malerischen Auffassung der Fläche in den Motiven der Natur und der Architektur spannungsreich kontrastiert. Die aus den früheren Arbeiten stärker betonte Integration von natürlichen Lichtwerten innerhalb seiner malerischen Bearbeitung der Bildmotive tritt hier eher zurück. Die flächige Bearbeitung der gegeneinander kontrastierenden Bildebenen ist den früheren Arbeiten aus der Münchner Zeit (Straßenmotive) gemeinsam. Clementschitsch lässt auf diese Weise eine homogene Bildstruktur mit starker Betonung der Pinselführung und der Materialität der Farbe entstehen. — [Harald Krejci, 10/2009]Paintinghttps://sammlungtest.belvedere.at/objects/1990/rdf/internal/media/dispatcher/84559/fullLandschaft bei Lind-Sternberg1931[Felix Esterl]Felix EsterlOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/1999/rdf/internal/media/dispatcher/84559/fullLandscape near Ober-St.-Veitc. 1931[Georg Merkel]Georg MerkelOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2000/rdf/internal/media/dispatcher/84559/fullDutch Landscapec. 1930[Leopold Hauer]Leopold HauerOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2001/rdf/internal/media/dispatcher/84559/fullRiverside Beach in Klosterneuburg1931[Max Frey]Max FreyOil on woodPaintinghttps://sammlungtest.belvedere.at/objects/2002/rdf/internal/media/dispatcher/84559/fullThe Painter Roxane Zurunić1930[Franz Lerch]Franz LerchOil on canvas During the interwar period, Franz Lerch, a native of Vienna, was regarded as a proponent of New Objectivity. However, his works from these years, despite their understated neatness, do not appear cold or austere, but always warm, organic, lively as compared to the works of his German counterparts. The woman portrayed here, Roxane Zurunić, cultivated a remarkable path in education for her time. She began her painting studies at the Vienna Academy in 1920 and pursued art history, archaeology, psychology, and architecture in Vienna and Zagreb, where she received her doctorate in 1938. She worked as a teacher and took part in numerous exhibitions with her works. We see the young woman captured in this portrait as self-confident, distinctive, and elegant. Paintinghttps://sammlungtest.belvedere.at/objects/2005/rdf/internal/media/dispatcher/84559/fullFloral Piecec. 1930[Vilma Eckl]Vilma EcklOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2006/rdf/internal/media/dispatcher/84559/fullLandscape1934[Franz von Zülow]Franz von ZülowOil on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/2007/rdf/internal/media/dispatcher/84559/fullOld Courtyard1930[Reinhold Ludwig Krassnigg]Reinhold Ludwig KrassniggOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2011/rdf/internal/media/dispatcher/84559/fullStill Life with Apples1932[Alfred Wickenburg]Alfred WickenburgOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2026/rdf/internal/media/dispatcher/84559/fullStill Life with Grapes, Lemons and Tomatoesbefore 1932[Robin Christian Andersen]Robin Christian AndersenOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2027/rdf/internal/media/dispatcher/84559/fullLandscape near Zinkenbach am Wolfgangsee1932[Ernst Huber]Ernst HuberOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2029/rdf/internal/media/dispatcher/84559/fullStreet in Hornc. 1920[Carl Fahringer]Carl FahringerOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2031/rdf/internal/media/dispatcher/84559/fullStill Life with Jug and Orange1933[Albert Paris Gütersloh]Albert Paris GüterslohOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2049/rdf/internal/media/dispatcher/84559/fullDanube Landing1932[Josef Dobrowsky]Josef DobrowskyOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2066/rdf/internal/media/dispatcher/84559/fullKind in den Kissen1931[Franz Elsner]Franz ElsnerOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2067/rdf/internal/media/dispatcher/84559/fullStillende Mutterc. 1928[Erwin Lang]Erwin LangOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2068/rdf/internal/media/dispatcher/84559/fullThe Brühl1928[Ignaz Pötsch]Ignaz PötschOil on woodPaintinghttps://sammlungtest.belvedere.at/objects/2069/rdf/internal/media/dispatcher/84559/fullKarl Kukc. 1925[Benjamin Ferenczy]Benjamin FerenczyBronzeSculpturehttps://sammlungtest.belvedere.at/objects/2078/rdf/internal/media/dispatcher/84559/fullAlexandra Gütersloh1934[Albert Paris Gütersloh]Albert Paris GüterslohOil on canvasThe three-dimensionality and rigorous structure of Albert Paris Gütersloh’s portrait of his daughter Alexandra is typical of the New Objectivity style that dominated the artist’s work in the 1930s. Having previously supported the Austrofascists, he applied for membership of the Nazi party in 1938. But instead of joining the party, he was refused admission. His art was labeled “degenerate” and he was dismissed as a professor at the School of Applied Arts. In 1945, after World War II, he was summoned to the Academy of Fine Arts and helped define the Austrian postwar movement known as the Vienna School of Fantastic Realism. He was also the first president of the Art Club initiated by Gustav Kurt Beck. Paintinghttps://sammlungtest.belvedere.at/objects/2083/rdf/internal/media/dispatcher/84559/fullStill Life with Two Heads1932[Rudolf Wacker]Rudolf WackerOil on woodWacker has arranged four items for this still life: a bird suspended by a barely visible string, a child’s drawing on the wall, and, further down, on the table, a wig head and a vase containing a single flower. Each of the objects exists by itself, and yet their placement relative to one another suggests subtle interconnections between them. Wacker was concerned with the “world of the visible.” An exponent of the New Objectivity, he sought to show things as they are. His pictures exude an air of cool dispassion—of “objectivity”—yet they are also quite affecting. The wig head, in particular, makes for a piteous sight. The Berlin-based sculptor Lily Gräf, in 1934, found its flayed “skin” and splintered nose more than she could bear.Paintinghttps://sammlungtest.belvedere.at/objects/2084/rdf/internal/media/dispatcher/84559/fullStillleben mit Küchengeschirr1934[Franz von Zülow]Franz von ZülowOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2089/rdf