188/internal/media/dispatcher/128356/fullReceiving a Letter1884[Eduard Charlemont]Eduard CharlemontOil on panelPaintinghttps://sammlungtest.belvedere.at/objects/100105/rdf/internal/media/dispatcher/128356/fullGroße Menge1989[Georg Eisler]Georg EislerÖl auf PaneelPaintinghttps://sammlungtest.belvedere.at/objects/90831/rdf/internal/media/dispatcher/128356/fullKleines Café Sperl1983[Georg Eisler]Georg EislerOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/90333/rdf/internal/media/dispatcher/128356/fullGerahmte Gloriosa2011[Elisabeth Plank]Elisabeth PlankAcrylic on canvas Since the start of her career in the 1980s, Elisabeth Plank has been exploring the possibilities of the painting process in her art. The gloriosa flowers depicted in this work are not the point of departure for a narrative but a means of questioning the medium of painting itself with regard to color, form, structure, and space. In Framed Gloriosa the artist worked on the canvas from the front and the back, using both a paintbrush and an airbrush, and created space by deliberately leaving gaps. Between the flowers and forms reminiscent of garlands there opens for the viewer, in the words of the artist, “a dream-like intermediate reality for individual interpretations.” Paintinghttps://sammlungtest.belvedere.at/objects/99633/rdf/internal/media/dispatcher/128356/fullDie letzte Ölung1846[Ferdinand Georg Waldmüller]Ferdinand Georg WaldmüllerÖl auf HolzplattePaintinghttps://sammlungtest.belvedere.at/objects/14586/rdf/internal/media/dispatcher/128356/fullDer schöne Brunnen vor der Frauenkirche in Nürnberg1854[Rudolf von Alt]Rudolf von AltOil on cardboard At a young age, Rudolf von Alt repeatedly joined his father, history and landscape painter Jakob Alt, on journeys through the Danube and Alpine regions as well as the territories of the Habsburg Monarchy. During these trips, he painted numerous views whose detailed naturalism not only demonstrates significant artistic quality but also lends them topographical value. As in this painting of the Gothic monument in Nuremberg known as the Beautiful Fountain, von Alt’s atmospheric depictions convey a vivid image of everyday life in the nineteenth century. Even in his later years, the painter remained interested in the latest developments in art. In 1897 he was one of the founding members of the Vienna Secession and became its honorary president that same year. In Austria, von Alt is best known for his more than one hundred views of St. Stephen’s Cathedral.Paintinghttps://sammlungtest.belvedere.at/objects/100516/rdf/internal/media/dispatcher/128356/fullAtlas2023[Thomas Geiger]Thomas GeigerFilm, MP4-File (Transfer auf USB-Stick), Farbe, Ton, Untertitel, 22:20 minAus der Bust Talk-Reihe "Atlas, Sphinx und Doktor", Premiere: 12. Juli 2023 Film/video arthttps://sammlungtest.belvedere.at/objects/100629/rdf/internal/media/dispatcher/128356/fullSphinx2023[Thomas Geiger]Thomas GeigerFilm, MP4-File (Transfer auf USB-Stick), Farbe, Ton, Untertitel, 18:38 minAus der Bust Talk-Serie "Atlas, Sphinx und Doktor", Premiere: 13. Mai 2023Film/video arthttps://sammlungtest.belvedere.at/objects/100630/rdf/internal/media/dispatcher/128356/fullIntermezzi. Rad. Op. IV. 12 Compositionen. 18811881[Max Klinger]Max KlingerAquatintaradierungPrinthttps://sammlungtest.belvedere.at/objects/100855/rdf/internal/media/dispatcher/128356/fullSimplici Schreibstunde (Platte VII), aus Intermezzi. Rad. Op. IV. 12 Compositionen1881[Max Klinger]Max KlingerAquatintaradierungPrinthttps://sammlungtest.belvedere.at/objects/100862/rdf/internal/media/dispatcher/128356/fullSimplicius am Grabe des Einsiedlers (Platte VIII), aus Intermezzi. Rad. Op. IV. 12 Compositionen1881[Max Klinger]Max KlingerAquatintaradierungPrinthttps://sammlungtest.belvedere.at/objects/100863/rdf/internal/media/dispatcher/128356/fullSimplicius unter den Soldaten (Platte IX), aus Intermezzi. Rad. Op. IV. 12 Compositionen1881[Max Klinger]Max KlingerAquatintaradierungPrinthttps://sammlungtest.belvedere.at/objects/100864/rdf/internal/media/dispatcher/128356/fullSimplicius in der Waldeinöde (Platte X), aus Intermezzi. Rad. Op. IV. 12 Compositionen1881[Max Klinger]Max KlingerAquatintaradierungPrinthttps://sammlungtest.belvedere.at/objects/100865/rdf/internal/media/dispatcher/128356/fullGefallener Reiter (Platte XI), aus Intermezzi. Rad. Op. IV. 12 Compositionen1881[Max Klinger]Max KlingerAquatintaradierungPrinthttps://sammlungtest.belvedere.at/objects/100866/rdf/internal/media/dispatcher/128356/fullGroßer Kristall1956[Fritz Riedl]Fritz RiedlWolleArts and craftshttps://sammlungtest.belvedere.at/objects/101165/rdf/internal/media/dispatcher/128356/fullRudolf Steiner2023[Thomas Geiger]Thomas GeigerFilm, MP4-File (Transfer auf USB-Stick), Farbe, Ton, Untertitel, 18:38 minAus der Bust Talk-Reihe "Atlas, Sphinx und Doktor": 13.09.2023Film/video arthttps://sammlungtest.belvedere.at/objects/101269/rdf/internal/media/dispatcher/128356/fullB-Girls, Go!2018[Maruša Sagadin]Maruša SagadinSteel, wood, paintThe supersized pink baseball cap of the sculpture "B-Girls, Go!" refers to hip-hop and street culture—key reference points for Maruša Sagadin whose sculptural and architectural work is shaped by her confrontation with pop culture, gender, and language. The cap is mounted on a purple wooden decking, which creates a kind of stage. The aim is to encourage girls, women, and those who identify as female to take up space and make the stage their own. Accordingly, the artist is also asking questions about the visibility of and areas provided for women in public spaces. Since 2021, Sagadin’s participative sculpture has been used as a venue for community activities and also as a meeting point and place to hang out.Sculpturehttps://sammlungtest.belvedere.at/objects/101642/rdf/internal/media/dispatcher/128356/fullIm Atelier1966[Georg Eisler]Georg EislerOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/87198/rdf/internal/media/dispatcher/128356/fullStained-glass window with Scenes of the Passion um 1406[Meister Johannes]Meister JohannesMalerei auf Glas mit originaler BleifassungIn the Middle Ages, light was believed to be a symbol of the divine. Church windows grew to a vast size during the Gothic period letting in rays of sunshine to illuminate the congregation. Exquisite light effects were created by inserting colorful panes of glass into the windows. In addition to purely ornamental motifs, these were often adorned with stories from the Bible and the lives of the saints. The production of stained glass windows was therefore a vital artistic endeavor before panel painting became increasingly important in the Late Gothic period. Paintinghttps://sammlungtest.belvedere.at/objects/98937/rdf/internal/media/dispatcher/128356/fullChristus mit der Dornenkroneum 1490/1500[Rueland Frueauf d. Ä.]Rueland Frueauf d. Ä.Malerei auf HolzPaintinghttps://sammlungtest.belvedere.at/objects/54820/rdf/internal/media/dispatcher/128356/fullGeburt Christium 1510/1515[Meister der Oberfalkensteiner Altarflügel (Meister von Möllbrücke)]Meister der Oberfalkensteiner Altarflügel (Meister von Möllbrücke)Malerei auf FichtenholzPaintinghttps://sammlungtest.belvedere.at/objects/101649/rdf/internal/media/dispatcher/128356/fullMädchen im Halbprofil1945[Hans Robert Pippal]Hans Robert PippalOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/99774/rdf/internal/media/dispatcher/128356/fullSelbstporträt II1945[Hans Robert Pippal]Hans Robert PippalOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/99775/rdf/internal/media/dispatcher/128356/fullStillleben mit Früchten1946[Hans Robert Pippal]Hans Robert PippalÖl auf PlattePaintinghttps://sammlungtest.belvedere.at/objects/99776/rdf/internal/media/dispatcher/128356/fullVenezianisches Stillleben1964[Hans Robert Pippal]Hans Robert PippalÖl auf PlattePaintinghttps://sammlungtest.belvedere.at/objects/99777/rdf/internal/media/dispatcher/128356/fullFeldenkreis_F2_002 extended2023[Carola Dertnig]Carola DertnigRohr-Skulptur, Stahlrundrohr (25-30mm), mattschwarz, Polymerbeton Carola Dertnig’s performative artistic practice finds a dynamic expression even within the purportedly static formal language of sculpture. Here, the artist takes the personal Feldenkrais archive of her mother—who studied and taught the movement techniques developed by Moshé Feldenkrais in the 1950s—as the starting point for her work Feldenkreis_ F2_002 extended. She expands her mother’s notations and transforms them into visible manifestations of movement as drawings in space. In the process, the specialized artisans who bent the steel tube were given precise instructions and asked to coordinate their movements with Dertnig’s, becoming part of the performative act themselves. Installed alongside the steel form are two objects made of papier-mâché, which allude to fragments of millstones from the High and Late Middle Ages.Object arthttps://sammlungtest.belvedere.at/objects/99524/rdf/internal/media/dispatcher/128356/fullManchester Nebel1987[Georg Eisler]Georg EislerOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/100299/rdf/internal/media/dispatcher/128356/fullDrawing Manifesto2022[Robert Gabris]Robert GabrisBuntstifte auf Karton, weiße Holzrahmen For Robert Gabris, drawing has been a means of communication since an early age. By now, it has become a central medium of his practice, whose precise visual language also finds expression in sculptural objects, large-scale installations, and performative works. A single sheet of paper often seems too small to contain the emotions translated into drawn lines. Accordingly, the multipart work Drawing Manifesto both executes and presents something whose seemingly chaotic web appears to be the product of a highly controlled drawing obsession while at the same time claiming to serve as a manifesto for the discipline of drawing itself. In his compositions, Gabris challenges the notion of fixed norms and creates space for fluid bodies that live by their own laws.Drawing arthttps://sammlungtest.belvedere.at/objects/101643/rdf/internal/media/dispatcher/128356/fullDrawing Manifesto2022–2023[Robert Gabris]Robert GabrisBuntstifte auf Karton, weiße Holzrahmen For Robert Gabris, drawing has been a means of communication since an early age. By now, it has become a central medium of his practice, whose precise visual language also finds expression in sculptural objects, large-scale installations, and performative works. A single sheet of paper often seems too small to contain the emotions translated into drawn lines. Accordingly, the multipart work Drawing Manifesto both executes and presents something whose seemingly chaotic web appears to be the product of a highly controlled drawing obsession while at the same time claiming to serve as a manifesto for the discipline of drawing itself. In his compositions, Gabris challenges the notion of fixed norms and creates space for fluid bodies that live by their own laws.Drawing arthttps://sammlungtest.belvedere.at/objects/101644/rdf/internal/media/dispatcher/128356/fullDrawing Manifesto2022–2023[Robert Gabris]Robert GabrisBuntstifte auf Karton, weiße Holzrahmen For Robert Gabris, drawing has been a means of communication since an early age. By now, it has become a central medium of his practice, whose precise visual language also finds expression in sculptural objects, large-scale installations, and performative works. A single sheet of paper often seems too small to contain the emotions translated into drawn lines. Accordingly, the multipart work Drawing Manifesto both executes and presents something whose seemingly chaotic web appears to be the product of a highly controlled drawing obsession while at the same time claiming to serve as a manifesto for the discipline of drawing itself. In his compositions, Gabris challenges the notion of fixed norms and creates space for fluid bodies that live by their own laws.Drawing arthttps://sammlungtest.belvedere.at/objects/101645/rdf/internal/media/dispatcher/128356/fullDrawing Manifesto2022–2023[Robert Gabris]Robert GabrisBuntstifte auf Karton, weiße Holzrahmen For Robert Gabris, drawing has been a means of communication since an early age. By now, it has become a central medium of his practice, whose precise visual language also finds expression in sculptural objects, large-scale installations, and performative works. A single sheet of paper often seems too small to contain the emotions translated into drawn lines. Accordingly, the multipart work Drawing Manifesto both executes and presents something whose seemingly chaotic web appears to be the product of a highly controlled drawing obsession while at the same time claiming to serve as a manifesto for the discipline of drawing itself. In his compositions, Gabris challenges the notion of fixed norms and creates space for fluid bodies that live by their own laws.Drawing arthttps://sammlungtest.belvedere.at/objects/101646/rdf/internal/media/dispatcher/128356/fullDrawing Manifesto2022–2023[Robert Gabris]Robert GabrisBuntstifte auf Karton, weiße Holzrahmen For Robert Gabris, drawing has been a means of communication since an early age. By now, it has become a central medium of his practice, whose precise visual language also finds expression in sculptural objects, large-scale installations, and performative works. A single sheet of paper often seems too small to contain the emotions translated into drawn lines. Accordingly, the multipart work Drawing Manifesto both executes and presents something whose seemingly chaotic web appears to be the product of a highly controlled drawing obsession while at the same time claiming to serve as a manifesto for the discipline of drawing itself. In his compositions, Gabris challenges the notion of fixed norms and creates space for fluid bodies that live by their own laws.Drawing arthttps://sammlungtest.belvedere.at/objects/101647/rdf/internal/media/dispatcher/128356/fullDrawing Manifesto2022–2023[Robert Gabris]Robert GabrisBuntstifte auf Karton, weiße Holzrahmen For Robert Gabris, drawing has been a means of communication since an early age. By now, it has become a central medium of his practice, whose precise visual language also finds expression in sculptural objects, large-scale installations, and performative works. A single sheet of paper often seems too small to contain the emotions translated into drawn lines. Accordingly, the multipart work Drawing Manifesto both executes and presents something whose seemingly chaotic web appears to be the product of a highly controlled drawing obsession while at the same time claiming to serve as a manifesto for the discipline of drawing itself. In his compositions, Gabris challenges the notion of fixed norms and creates space for fluid bodies that live by their own laws.Drawing arthttps://sammlungtest.belvedere.at/objects/101648/rdf/internal/media/dispatcher/128356/fullFleshbacks2021[Belinda Kazeem-Kamiński]Belinda Kazeem-KamińskiVideo, Farbe und Ton, 16:9Film/video arthttps://sammlungtest.belvedere.at/objects/101835/rdf/internal/media/dispatcher/128356/fullThe Letter2019[Belinda Kazeem-Kamiński]Belinda Kazeem-KamińskiVideo, Farbe und Ton, 16:9Film/video arthttps://sammlungtest.belvedere.at/objects/101836/rdf/internal/media/dispatcher/128356/fullUntitled1979[Kazuko Miyamoto]Kazuko MiyamotoBaumwollfäden und Nägel In the 1970s, Kazuko Miyamoto developed her series of „String Constructions“: two- and threedimensional works composed of nails and countless cotton threads, stretched along walls and floors to exert a strong bodily presence in space. They pick up on the tradition of Minimalism yet go beyond its strict approach to geometric abstraction by leaving the traces of manual technique and possible human errors visible. The ephemeral String Constructions must be deinstalled and reinstalled for each presentation following a set of instructions. Starting from simple geometric patterns, Miyamoto developed the works into increasingly complex condensations. The rhythmic repetition of the lines in space creates a visual effect that gives them their distinctive vibrating quality.Object arthttps://sammlungtest.belvedere.at/objects/101837/rdf/internal/media/dispatcher/128356/fullFotoarbeit für das 2. Pintorarium am 23. 11. 1964 in der Galerie Fuchs1964[Margot Pilz]Margot PilzSchwarzweiß-FotoPhotographyhttps://sammlungtest.belvedere.at/objects/101898/rdf/internal/media/dispatcher/128356/fullFotoarbeit für das 2. Pintorarium am 23. 11. 1964 in der Galerie Fuchs1964[Margot Pilz]Margot PilzSchwarzweiß-FotoPhotographyhttps://sammlungtest.belvedere.at/objects/101899/rdf/internal/media/dispatcher/128356/fullFotoarbeit für das 2. Pintorarium am 23. 11. 1964 in der Galerie Fuchs1964[Margot Pilz]Margot PilzSchwarzweiß-FotoPhotographyhttps://sammlungtest.belvedere.at/objects/101900/rdf/internal/media/dispatcher/128356/fullFotoarbeit für das 2. Pintorarium am 23. 11. 1964 in der Galerie Fuchs1964[Margot Pilz]Margot PilzSchwarzweiß-FotoPhotographyhttps://sammlungtest.belvedere.at/objects/101901/rdf/internal/media/dispatcher/128356/fullDark Mirrors (Turning Brighter)2023[Constanze Ruhm]Constanze RuhmComputeranimationFilm/video arthttps://sammlungtest.belvedere.at/objects/101902/rdf/internal/media/dispatcher/128356/fullDark Mirrors (Turning Brighter)2023[Constanze Ruhm]Constanze RuhmDatei, selbstklebender PrintPrinthttps://sammlungtest.belvedere.at/objects/101903/rdf/internal/media/dispatcher/128356/fullA Shard is a Fragment of a Life2023[Constanze Ruhm]Constanze RuhmZweikanal-VideoinstallationFilm/video arthttps://sammlungtest.belvedere.at/objects/101904/rdf/internal/media/dispatcher/128356/fullA Shard is a Fragment of a Life2023[Constanze Ruhm]Constanze RuhmDatei, selbstklebender PrintPrinthttps://sammlungtest.belvedere.at/objects/101905/rdf/internal/media/dispatcher/128356/fullA Woman's Work is Never Done / Autoritratto come martire_89610033, ca. 1615/20232023[Constanze Ruhm]Constanze RuhmAnaloge Farbvergrößerung auf Fuji Crystal ArchivePhotographyhttps://sammlungtest.belvedere.at/objects/101906/rdf/internal/media/dispatcher/128356/fullA Woman's Work is Never Done / Autoritratto come allegoria della pittura_89530019, ca. 1638-39/20232023[Constanze Ruhm]Constanze RuhmAnaloge Farbvergrößerung auf Fuji Crystal ArchivePhotographyhttps://sammlungtest.belvedere.at/objects/101907/rdf/internal/media/dispatcher/128356/fullA Woman's Work is Never Done / Autoritratto come St. Caterina d'Alessandria_89570010, ca. 1615-17/20232023[Constanze Ruhm]Constanze RuhmAnaloge Farbvergrößerung auf Fuji Crystal ArchivePhotographyhttps://sammlungtest.belvedere.at/objects/101908/rdf/internal/media/dispatcher/128356/fullA Woman's Work is Never Done / Autoritratto come St. Caterina d'Alessandria_89570011, ca. 1615-17/20232023[Constanze Ruhm]Constanze RuhmAnaloge Farbvergrößerung auf Fuji Crystal ArchivePhotographyhttps://sammlungtest.belvedere.at/objects/101909/rdf/internal/media/dispatcher/128356/fullA Woman's Work is Never Done / Clio, la musa della storia_89530007, 1632/20232023[Constanze Ruhm]Constanze RuhmAnaloge Farbvergrößerung auf Fuji Crystal ArchivePhotographyhttps://sammlungtest.belvedere.at/objects/101910/rdf/internal/media/dispatcher/128356/fullA Woman's Work is Never Done / Corisca e il satiro_89570036, ca. 1630-35/20232023[Constanze Ruhm]Constanze RuhmAnaloge Farbvergrößerung auf Fuji Crystal ArchivePhotographyhttps://sammlungtest.belvedere.at/objects/101911/rdf/internal/media/dispatcher/128356/fullA Woman's Work is Never Done / Samson e Dalila_89600017, ca. 1630-38/20232023[Constanze Ruhm]Constanze RuhmAnaloge Farbvergrößerung auf Fuji Crystal ArchivePhotographyhttps://sammlungtest.belvedere.at/objects/101912/rdf/internal/media/dispatcher/128356/fullA Woman's Work is Never Done / Giaele e Sisara_89550034, 1620/20232023[Constanze Ruhm]Constanze RuhmAnaloge Farbvergrößerung auf Fuji Crystal ArchivePhotographyhttps://sammlungtest.belvedere.at/objects/101913/rdf/internal/media/dispatcher/128356/fullA Woman's Work is Never Done / Giuditta con la sua ancella_89530031, ca. 1623-25/20232023[Constanze Ruhm]Constanze RuhmAnaloge Farbvergrößerung auf Fuji Crystal ArchivePhotographyhttps://sammlungtest.belvedere.at/objects/101914/rdf/internal/media/dispatcher/128356/fullA Woman's Work is Never Done / Giuditta con la sua ancella_89570024, ca. 1623-25/20232023[Constanze Ruhm]Constanze RuhmAnaloge Farbvergrößerung auf Fuji Crystal ArchivePhotographyhttps://sammlungtest.belvedere.at/objects/101915/rdf/internal/media/dispatcher/128356/fullA Woman's Work is Never Done / Giuditta con la sua ancella_89570027, ca. 1618-19/20232023[Constanze Ruhm]Constanze RuhmAnaloge Farbvergrößerung auf Fuji Crystal ArchivePhotographyhttps://sammlungtest.belvedere.at/objects/101916/rdf/internal/media/dispatcher/128356/fullA Woman's Work is Never Done / Giuditta che decapita Oloferne_89550001 (Set), ca. 1612-13/20232023[Constanze Ruhm]Constanze RuhmAnaloge Farbvergrößerung auf Fuji Crystal ArchivePhotographyhttps://sammlungtest.belvedere.at/objects/101917/rdf/internal/media/dispatcher/128356/fullA Woman's Work is Never Done / Giuditta che decapita Oloferne_89550019, ca. 1612-13/20232023[Constanze Ruhm]Constanze RuhmAnaloge Farbvergrößerung auf Fuji Crystal ArchivePhotographyhttps://sammlungtest.belvedere.at/objects/101918/rdf/internal/media/dispatcher/128356/fullA Woman's Work is Never Done / Lucrezia_89610014, ca. 1650/20232023[Constanze Ruhm]Constanze RuhmAnaloge Farbvergrößerung auf Fuji Crystal ArchivePhotographyhttps://sammlungtest.belvedere.at/objects/101919/rdf/internal/media/dispatcher/128356/fullA Woman's Work is Never Done / La conversione della Maddalena_89540004, ca. 1622-25/20232023[Constanze Ruhm]Constanze RuhmAnaloge Farbvergrößerung auf Fuji Crystal ArchivePhotographyhttps://sammlungtest.belvedere.at/objects/101920/rdf/internal/media/dispatcher/128356/fullA Woman's Work is Never Done / La conversione della Maddalena_89600025, ca. 1615-17/20232023[Constanze Ruhm]Constanze RuhmAnaloge Farbvergrößerung auf Fuji Crystal ArchivePhotographyhttps://sammlungtest.belvedere.at/objects/101921/rdf/internal/media/dispatcher/128356/fullA Woman's Work is Never Done / Shards_895900142023[Constanze Ruhm]Constanze RuhmAnaloge Farbvergrößerung auf Fuji Crystal ArchivePhotographyhttps://sammlungtest.belvedere.at/objects/101922/rdf/internal/media/dispatcher/128356/fullA Woman's Work is Never Done / Set1_895500362023[Constanze Ruhm]Constanze RuhmAnaloge Farbvergrößerung auf Fuji Crystal ArchivePhotographyhttps://sammlungtest.belvedere.at/objects/101923/rdf/internal/media/dispatcher/128356/fullA Woman's Work is Never Done / Set2_896000342023[Constanze Ruhm]Constanze RuhmAnaloge Farbvergrößerung auf Fuji Crystal ArchivePhotographyhttps://sammlungtest.belvedere.at/objects/101924/rdf/internal/media/dispatcher/128356/fullA Woman's Work is Never Done / Set3_895800212023[Constanze Ruhm]Constanze RuhmAnaloge Farbvergrößerung auf Fuji Crystal ArchivePhotographyhttps://sammlungtest.belvedere.at/objects/101925/rdf/internal/media/dispatcher/128356/fullBräunerstraße im Schnee1976[Hans Robert Pippal]Hans Robert PippalÖl auf PlattePaintinghttps://sammlungtest.belvedere.at/objects/99773/rdf/internal/media/dispatcher/128356/fullOhne Titel2021[Walter Vopava]Walter VopavaAcryl auf LeinwandPaintinghttps://sammlungtest.belvedere.at/objects/99828/rdf/internal/media/dispatcher/128356/fullRiot Design I (small table)2019[Pablo Chiereghin]Pablo ChiereghinThonet-Tisch, Mixed Media, VideoObject arthttps://sammlungtest.belvedere.at/objects/101169/rdf/internal/media/dispatcher/128356/fullCircuit cruise / feasible memory / regulator2022[Gerwald Rockenschaub]Gerwald RockenschaubAnimationFilm/video arthttps://sammlungtest.belvedere.at/objects/101197/rdf/internal/media/dispatcher/128356/fullCircuit cruise / feasible memory / regulator2022[Gerwald Rockenschaub]Gerwald RockenschaubAnimationFilm/video arthttps://sammlungtest.belvedere.at/objects/101198/rdf/internal/media/dispatcher/128356/fullCircuit cruise / feasible memory / regulator2022[Gerwald Rockenschaub]Gerwald RockenschaubAnimationFilm/video arthttps://sammlungtest.belvedere.at/objects/101199/rdf/internal/media/dispatcher/128356/fullWAK2008/2020[Thomas Baumann]Thomas BaumannVerschiedene MaterialienObject arthttps://sammlungtest.belvedere.at/objects/92030/rdf/internal/media/dispatcher/128356/fullRoadkill (Sparrow)2023[Angelika Loderer]Angelika LodererBronze, patiniertSculpturehttps://sammlungtest.belvedere.at/objects/101345/rdf/internal/media/dispatcher/128356/fullRoadkill (Snake)2023[Angelika Loderer]Angelika LodererBronzeSculpturehttps://sammlungtest.belvedere.at/objects/101577/rdf/internal/media/dispatcher/128356/fullRoadkill (Hedgehog)2023[Angelika Loderer]Angelika LodererBronzeSculpturehttps://sammlungtest.belvedere.at/objects/101377/rdf/internal/media/dispatcher/128356/fullMondina IV2020[Frenzi Rigling]Frenzi RiglingLack auf TextilPaintinghttps://sammlungtest.belvedere.at/objects/99128/rdf/internal/media/dispatcher/128356/fullFuturefeminismus (Wir lebten in hundert Jahren)2007–2023[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/100997/rdf/internal/media/dispatcher/128356/fullFUTUREFEMINISMUS Wir lebten in 100 Jahren2008[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/100998/rdf/internal/media/dispatcher/128356/fullPIMMELPINSEL2008[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/100999/rdf/internal/media/dispatcher/128356/fullI’M THE GIRL WITH THE MOST CAKE2009[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/101000/rdf/internal/media/dispatcher/128356/fullICH ODER DU2008[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/101001/rdf/internal/media/dispatcher/128356/fullDIE ETWAS ANDERE ART DER RASUR2008[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/101002/rdf/internal/media/dispatcher/128356/fullI’M WITH STUPID2010[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/101003/rdf/internal/media/dispatcher/128356/fullFRAUEN IN MACHTPOSITIONEN2008[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/101004/rdf/internal/media/dispatcher/128356/fullSIOUXIE SIOUX2010[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/101005/rdf/internal/media/dispatcher/128356/fullFRAUENGILDE2010[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/101006/rdf/internal/media/dispatcher/128356/fullMännliche Muse2011[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/101007/rdf/internal/media/dispatcher/128356/fullDas Kreuz mit dem Penis2012[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/101008/rdf/internal/media/dispatcher/128356/fullDie moderne Pieta2011[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/101009/rdf/internal/media/dispatcher/128356/fullWalking on Thin Ice2009[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/101010/rdf/internal/media/dispatcher/128356/fullDie Windel der Helden und Säulen Heiligen2012[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/101011/rdf/internal/media/dispatcher/128356/fullDas Milch und Sperma Prinzip2011[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/101012/rdf/internal/media/dispatcher/128356/fullTools2011[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/101013/rdf/internal/media/dispatcher/128356/fullBEHAARUNG2011[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/101014/rdf/internal/media/dispatcher/128356/fullMeisterwerkzeug2012[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/101015/rdf/internal/media/dispatcher/128356/fullEi des Anstoss2012[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/101016/rdf/internal/media/dispatcher/128356/fullDen Hahn der Macht der Männer abdrehen2015[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/101017/rdf/internal/media/dispatcher/128356/fullThe Next Great Moment in History is Ours2015[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/101018/rdf/internal/media/dispatcher/128356/fullFettecke2015[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/101019/rdf/internal/media/dispatcher/128356/fullThe Artist as a Young Motherundated[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/101020/rdf/internal/media/dispatcher/128356/fullDie Sehnsucht kann niemand stillen, sie ist der Stein im Schuh des Lebens2019[Anna Meyer]Anna MeyerÖl auf PlexiglasPaintinghttps://sammlungtest.belvedere.at/objects/101021/rdf