7/internal/media/dispatcher/10970/fullJack Carter's Bar in Harlem1942[Hans Böhler]Hans BöhlerOil on canvasHans Böhler came from an art-loving industrial family. Being of independent means, he was able to devote himself completely to painting. In the mid-1930s he met the African American sculptor Selma Burke while she was studying under Michael Powolny at the School of Applied Arts in Vienna. In 1936 he moved to live with her in New York, where, as a member of the Harlem Renaissance movement, she introduced him to the music, art, and literature scene there. In Vienna he had frequented the legendary Kaiser Bar in Krugerstrasse, which belonged to the family of his former girlfriend Maria Beer-Monti; in New York he became a habitué of jazz bars such as Jack Carter’s in Harlem, where artists performed in defiance of the segregation laws. Paintinghttps://sammlungtest.belvedere.at/objects/4229/rdf/internal/media/dispatcher/10975/fullSelf-Portrait with Wife1934[Franz Lerch]Franz LerchOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/4833/rdf/internal/media/dispatcher/12782/fullRoofs1931[Franz Lerch]Franz LerchOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2143/rdf/internal/media/dispatcher/5352/fullGirl with Hat1929[Franz Lerch]Franz LerchOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/4825/rdf/internal/media/dispatcher/10671/fullWoman in the Mirror1927[Franz Lerch]Franz LerchOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/3395/rdf/internal/media/dispatcher/11994/fullStill Life with Wine and Breadc. 1930[Hans Böhler]Hans BöhlerOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2964/rdf/internal/media/dispatcher/164892/fullAbstract Composition1923/1924[Erika Giovanna Klien]Erika Giovanna KlienOil on canvas on cardboard Erika Giovanna Klien besucht ab 1919 den Kurs für ornamentale Formenlehre des Reformpädagogen Franz Čižek an der Wiener Kunstgewerbeschule. Dort entsteht in jenen Jahren unter Čižeks Leitung der Kinetismus, eine Synthese der internationalen Strömungen Expressionismus, Kubismus und Futurismus. Darüber hinaus werden auch andere Stile von den Kinetist*innen für ihre Bildfindungen fruchtbar gemacht, wie Kliens konstruktivistische Abstrakte Komposition im schmalen Hochformat zeigt, die 1924 in einer Präsentation der Čižek-Klasse erstmals ausgestellt wird. Geometrische Flächenformen in gedämpften Farben laufen zur Bildmitte hin zusammen und treffen dort auf einzelne plastisch wirkende Elemente, ohne dass sich daraus ein gegenständliches Motiv ergibt. Paintinghttps://sammlungtest.belvedere.at/objects/4838/rdf