40/internal/media/dispatcher/11976/fullOn the Beach1938[Ferdinand Stransky]Ferdinand StranskyOil on paperPaintinghttps://sammlungtest.belvedere.at/objects/9021/rdf/internal/media/dispatcher/19749/fullSelf-Portrait1937[Lilly Steiner]Lilly SteinerOil on canvasThe painter and graphic artist Lilly Steiner, née Hofmann, studied at the Women’s School of Art in Vienna. Together with her husband Hugo Steiner she established Haus Steiner, built in 1910 by Adolf Loos, as a meeting place for the Vienna art scene. In 1927 the couple moved to Paris. Although still influenced at first by Expressionism, she gradually adopted a more decorative style. Steiner reacted to the rise of National Socialism in Germany and Austria with a growing politicization of her art. This self-portrait painted in 1937 shows the artist in her studio looking questioningly at the viewer. In the year of Austria’s annexation to Nazi Germany, Steiner’s work became even more explicit in its depiction of the downfall of Austria after Hitler’s takeover. Paintinghttps://sammlungtest.belvedere.at/objects/2949/rdf/internal/media/dispatcher/10975/fullSelf-Portrait with Wife1934[Franz Lerch]Franz LerchOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/4833/rdf/internal/media/dispatcher/9635/fullThe Siblings1933[Georg Ehrlich]Georg EhrlichBronzeSculpturehttps://sammlungtest.belvedere.at/objects/8844/rdf/internal/media/dispatcher/11964/fullWinter in Gumpoldskirchen1932[Georg Ehrlich]Georg EhrlichOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/5089/rdf/internal/media/dispatcher/84476/fullBalloon Seller1931[Otto Rudolf Schatz]Otto Rudolf SchatzOil on canvas Otto Rudolf Schatz returned from World War I as a committed pacifist. In his subsequent works, the artist critically commented on the misery, loneliness, and crime in the big city. This motif of the cool and melancholy Balloon Seller thus calls to mind the seedy side of the Prater amusement park in Vienna. The fact that the buyer is not visible makes space for sinister associations. In 1938 Schatz was banned from producing and exhibiting art and went underground in Prague over the ensuing years. He was arrested in 1944 and deported to different labor camps and to Gräditz concentration camp. After World War II, Schatz returned to Vienna and documented the rebuilding and recovery of the city in his paintings.Paintinghttps://sammlungtest.belvedere.at/objects/1622/rdf/internal/media/dispatcher/51812/fullHans Tietze1931[Georg Ehrlich]Georg EhrlichBronzeSculpturehttps://sammlungtest.belvedere.at/objects/5066/rdf/internal/media/dispatcher/12777/fullThe Inn River at Suben Looking North1930[Ludwig Ferdinand Graf]Ludwig Ferdinand GrafOil on millboardPaintinghttps://sammlungtest.belvedere.at/objects/1963/rdf/internal/media/dispatcher/12779/fullThe Painter Roxane Zurunić1930[Franz Lerch]Franz LerchOil on canvas During the interwar period, Franz Lerch, a native of Vienna, was regarded as a proponent of New Objectivity. However, his works from these years, despite their understated neatness, do not appear cold or austere, but always warm, organic, lively as compared to the works of his German counterparts. The woman portrayed here, Roxane Zurunić, cultivated a remarkable path in education for her time. She began her painting studies at the Vienna Academy in 1920 and pursued art history, archaeology, psychology, and architecture in Vienna and Zagreb, where she received her doctorate in 1938. She worked as a teacher and took part in numerous exhibitions with her works. We see the young woman captured in this portrait as self-confident, distinctive, and elegant. Paintinghttps://sammlungtest.belvedere.at/objects/2005/rdf/internal/media/dispatcher/70797/fullGrete Wiesenthal1929[Josef Humplik]Josef HumplikTerracottaSculpturehttps://sammlungtest.belvedere.at/objects/1970/rdf/internal/media/dispatcher/5352/fullGirl with Hat1929[Franz Lerch]Franz LerchOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/4825/rdf/internal/media/dispatcher/4835/fullOpen Window1928[Franz Lerch]Franz LerchOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/4196/rdf/internal/media/dispatcher/15741/fullSelf-Portrait1928[Georg Ehrlich]Georg EhrlichBronze, HohlgussSculpturehttps://sammlungtest.belvedere.at/objects/4656/rdf/internal/media/dispatcher/11974/fullThe Artist's Wifebefore 1923[Viktor Tischler]Viktor TischlerOil on woodPaintinghttps://sammlungtest.belvedere.at/objects/8239/rdf/internal/media/dispatcher/9455/fullAnton von Webern1928[Josef Humplik]Josef HumplikBronzeSculpturehttps://sammlungtest.belvedere.at/objects/8688/rdf/internal/media/dispatcher/22444/fullObststillleben1927[Fritz Schwarz-Waldegg]Fritz Schwarz-WaldeggOil on canvas on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/5130/rdf/internal/media/dispatcher/15759/fullErika Tietze-Conrat1927[Georg Ehrlich]Georg EhrlichBronzeSculpturehttps://sammlungtest.belvedere.at/objects/8845/rdf/internal/media/dispatcher/19783/fullInn on the Edge of Town1927[Viktor Planckh]Viktor PlanckhOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/9567/rdf/internal/media/dispatcher/4937/fullRed Roofs1927[Maximilian Reinitz]Maximilian ReinitzOil on canvas After completing his studies at the Munich Academy, Vienna-born Maximilian Reinitz lived in Budapest, Dresden, and Berlin. He returned to Vienna in 1914 and joined the Hagenbund artists’ association in 1920. After 1925, abandoned suburbs and Viennese vedute became the preferred themes of his paintings. His images drew on and shifted between Cubist and Neo-Concrete aesthetics. A characteristic of his compositions is their clear, partly crystalline forms and their homogeneous color treatments. Red Roofs combines interlocking but clearly delineated surfaces with an Expressionist application of color, notably on the surfaces of the walls. Paintinghttps://sammlungtest.belvedere.at/objects/9665/rdf/internal/media/dispatcher/57951/fullThe Clown1926[Josef Dobner]Josef DobnerWoodSculpturehttps://sammlungtest.belvedere.at/objects/8650/rdf/internal/media/dispatcher/12742/fullLilly Wallis1923[Joseph Floch]Joseph FlochOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/5081/rdf/internal/media/dispatcher/12746/fullLandscape in Palestine1923[Joseph Floch]Joseph FlochOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/5135/rdf/internal/media/dispatcher/12749/fullNelly Hammerschlagc. 1923/1925[Joseph Floch]Joseph FlochOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/5139/rdf/internal/media/dispatcher/70819/fullThe Annunciation1922[Maximilian Reinitz]Maximilian ReinitzOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/5077/rdf/internal/media/dispatcher/4905/fullCagnesc. 1927[Felix Albrecht Harta]Felix Albrecht HartaOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8626/rdf/internal/media/dispatcher/17960/fullDenomination1920[Fritz Schwarz-Waldegg]Fritz Schwarz-WaldeggOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/4159/rdf/internal/media/dispatcher/62952/fullJumping Kid Goat1920/1921[Franz Barwig der Ältere]Franz Barwig der ÄltereBronzeSculpturehttps://sammlungtest.belvedere.at/objects/7962/rdf/internal/media/dispatcher/12745/fullMrs Weiss and her Daughters Liese and Lenec. 1923[Joseph Floch]Joseph FlochOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/5131/rdf/internal/media/dispatcher/70792/fullFemale Half-Length Figurebefore 1918[Karl Stemolak]Karl StemolakMarbleSculpturehttps://sammlungtest.belvedere.at/objects/7795/rdf/internal/media/dispatcher/10652/fullThe Artist's Wife1914[Viktor Tischler]Viktor TischlerOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/7155/rdf/internal/media/dispatcher/62944/fullYouth1913/1914[Franz Barwig der Ältere]Franz Barwig der ÄltereOak woodSculpturehttps://sammlungtest.belvedere.at/objects/765/rdf/internal/media/dispatcher/62951/fullBear at Playafter 1910[Franz Barwig der Ältere]Franz Barwig der ÄltereBronzeSculpturehttps://sammlungtest.belvedere.at/objects/1032/rdf/internal/media/dispatcher/62960/fullEve1910[Franz Barwig der Ältere]Franz Barwig der ÄltereCast brass and bronzeSculpturehttps://sammlungtest.belvedere.at/objects/9014/rdf/internal/media/dispatcher/19764/fullLändliches Interieur1909[Ludwig Ferdinand Graf]Ludwig Ferdinand GrafOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/66/rdf/internal/media/dispatcher/12775/fullSwimming Pool1905[Ludwig Ferdinand Graf]Ludwig Ferdinand GrafOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/106/rdf/internal/media/dispatcher/62938/fullManed Goatc. 1908[Franz Barwig der Ältere]Franz Barwig der ÄltereBronze, patinatedSculpturehttps://sammlungtest.belvedere.at/objects/170/rdf/internal/media/dispatcher/5366/fullSolitudec. 1902-1903[Karl Mediz]Karl MedizOil on canvasA tranquil dark lake, rocky shore, trees, and cirrus clouds against a blue summer sky define this large “landscape of the soul” by Karl Mediz. The seemingly naturalistic view depicts a small lake known as the Dead Sea on the island of Lokrum off the coast of Dubrovnik. Close-up we can detect almost impressionistic brushstrokes and dabs of paint evoking a shimmering overall effect. From a greater distance, however, it becomes apparent that the painter composed the image out of clearly delineated planes. These forms create the foundations of the pictorial composition. Paintinghttps://sammlungtest.belvedere.at/objects/6291/rdf/internal/media/dispatcher/70865/fullStephanienbrücke1901[Maximilian Suppantschitsch]Maximilian SuppantschitschPastel on paperDrawing arthttps://sammlungtest.belvedere.at/objects/6136/rdf/internal/media/dispatcher/70786/fullZimmer in einem alten Forsthausc. 1905[Sigmund Walter Hampel]Sigmund Walter HampelOil, tempera on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/6667/rdf/internal/media/dispatcher/24352/fullInteriorc. 1903[Sigmund Walter Hampel]Sigmund Walter HampelOil on canvasEine kleinere Aquarell-Version (38,5 x 56 cm) mit minimalen Abweichungen gelangte 1920 im Auktionshaus Wawra unter dem Titel "Des Pfarrers Sonntagsrock" zum Verkauf.Paintinghttps://sammlungtest.belvedere.at/objects/5040/rdf