39/internal/media/dispatcher/16478/fullStillende Mutterc. 1928[Erwin Lang]Erwin LangOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2068/rdf/internal/media/dispatcher/12710/fullHugo von Hofmannsthal1928[Anton Faistauer]Anton FaistauerOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8811/rdf/internal/media/dispatcher/9547/fullLandscape near Aspang1924[Robin Christian Andersen]Robin Christian AndersenOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8300/rdf/internal/media/dispatcher/19331/fullLandscape near Ober-St.-Veit1923[Johannes Fischer]Johannes FischerOil on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/3205/rdf/internal/media/dispatcher/54403/fullMother and Child, Embracing1922[Oskar Kokoschka]Oskar KokoschkaOil on canvasDuring his time in Dresden, Oskar Kokoschka composed this painting of a mother and child out of large planes of thickly applied paint in saturated hues of blue, green, and yellow. He shows the woman not as a benevolent Madonna offering comfort and safety, but as a person drained and exhausted, the child clinging to her, wanting to be close. In the early 1920s, Kokoschka’s painting style developed in a new direction that revealed the influence of German Expressionism. The emotional, graphic brushstrokes were replaced by a flat arrangement of colors. In some places the brushwork is transformed into compartments of color. Paintinghttps://sammlungtest.belvedere.at/objects/4462/rdf/internal/media/dispatcher/47427/fullFighting Roosters1921[Ludwig Heinrich Jungnickel]Ludwig Heinrich JungnickelOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/4483/rdf/internal/media/dispatcher/19202/fullView of Positano1921[Oskar Laske]Oskar LaskeWatercolor, pencil, opaque white on paperDrawing arthttps://sammlungtest.belvedere.at/objects/8003/rdf/internal/media/dispatcher/108229/fullKneeling Narcissus1920[Anton Kolig]Anton KoligOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/3352/rdf/internal/media/dispatcher/16031/fullCityscapeundated[Anton Emanuel Peschka]Anton Emanuel PeschkaOil on woodPaintinghttps://sammlungtest.belvedere.at/objects/4989/rdf/internal/media/dispatcher/5882/fullBecoming and Fadingc. 1920[Broncia Koller-Pinell]Broncia Koller-PinellOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/10542/rdf/internal/media/dispatcher/6516/fullBecoming and Fadingc. 1920[Broncia Koller-Pinell]Broncia Koller-PinellOil on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/10544/rdf/internal/media/dispatcher/42902/fullTwo Female Nudes1920[Georg Merkel]Georg MerkelOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/33022/rdf/internal/media/dispatcher/42901/fullDie Quelle (Pan und Nymphe)1920[Georg Merkel]Georg MerkelOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/33024/rdf/internal/media/dispatcher/9584/fullStill Life with Orangesundated[Robin Christian Andersen]Robin Christian AndersenOil on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/3252/rdf/internal/media/dispatcher/12750/fullStreet Scene1919[Arnold Clementschitsch]Arnold ClementschitschOil on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/5185/rdf/internal/media/dispatcher/12758/fullCowshed1919[Ludwig Heinrich Jungnickel]Ludwig Heinrich JungnickelOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8647/rdf/internal/media/dispatcher/22309/fullStill Life with Fruitc. 1918[Franz Wiegele]Franz WiegeleOil on canvas on woodPaintinghttps://sammlungtest.belvedere.at/objects/2809/rdf/internal/media/dispatcher/28578/fullThe Artist's Wife, Seated1917[Egon Schiele]Egon SchieleGouache on paperDrawing arthttps://sammlungtest.belvedere.at/objects/1001/rdf/internal/media/dispatcher/83174/fullThe Embrace1917[Egon Schiele]Egon SchieleOil on canvas Egon Schiele shows two lovers intimately embracing in an abstract space. Sprawled on a crumpled sheet, they cling to each other, while their lower bodies appear to be drifting apart. Schiele does not focus on a provocative display of nakedness. He dispenses with explicit poses and piercing gazes. Yet the bodies are still vehicles of inner states. Instead of the figures’ identities, the artist places universal themes at the heart of this depiction. Schiele’s image tells of desire and separation anxiety, tenderness and despair. Paintinghttps://sammlungtest.belvedere.at/objects/3232/rdf/internal/media/dispatcher/9589/fullBouquet of Flowers in White Vase1917[Anton Faistauer]Anton FaistauerOil on canvas, mounted on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/3801/rdf/internal/media/dispatcher/153749/fullRomana Kokoschka, the Artist's Mother1917[Oskar Kokoschka]Oskar KokoschkaOil on canvasDas Bildnis der Mutter Romana Kokoschka entstand bei einem Besuch in Dresden, wo sich der Künstler seit Dezember 1916 aufhielt. Als die Mutter abreist ist das Bild noch unvollendet. Kokoschka verlangte zur Fertigstellung eine unretouchierte, überfeinerte Fotografie als Vorlage (Brief Kokoschkas an seine Mutter, 19. Juli 1917). Dunkle Farbakkorde mit grün und blau dominieren die Fläche. Der pastose, breite Pinselstrich ist wellig und lässt einen Kontrast zwischen dem Bildmotiv der in sich ruhenden Mutter und dem dynamischen Bildgewebe entstehen. Kokoschka verzichtet in seinem Porträt der Mutter auf die Technik der kratzenden grafischen Schraffur, wie sie noch im Rentmeister zum Einsatz kam. Bereits ein Jahr zuvor setzte sich der damalige Direktor Fritz Novotny vehement für den Ankauf des Bildes ein: "Wir brauchen unter uns kaum ein Wort darüber zu verlieren, dass es sich um ein sehr bedeutendes Werk des Künstlers handelt und dass es eine wichtige Erwerbung für unser Museum wäre." (Archiv d. Österreichischen Galerie, Akt Zl. 425/1968). Kurzzeitig drohte der Ankauf aus finanziellen Gründen gar zu scheitern, ehe im März 1968 das Ministerium die Ankaufssumme bewilligte. Am 30. Mai 1968 wurde der Ankauf des Bildes der Wiener Presse vorgestellt. — [Harald Krejci, 4/2010]Paintinghttps://sammlungtest.belvedere.at/objects/4589/rdf/internal/media/dispatcher/19198/fullReclining Female Nudec. 1922[Oskar Kokoschka]Oskar KokoschkaWatercolor on paperDrawing arthttps://sammlungtest.belvedere.at/objects/8078/rdf/internal/media/dispatcher/4121/fullPortrait of Dr. Franz Martin Haberditzl1917[Egon Schiele]Egon SchieleOil on canvasDer Kunsthistoriker Prof. Dr. Franz Martin Haberditzl (1882–1944) war von 1915 bis 1938 Direktor der Österreichischen Galerie.Paintinghttps://sammlungtest.belvedere.at/objects/10519/rdf/internal/media/dispatcher/17352/fullGardenc. 1920[Felix Albrecht Harta]Felix Albrecht HartaOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/4632/rdf/internal/media/dispatcher/161668/fullView of Unter Sankt Veit1914[Felix Albrecht Harta]Felix Albrecht HartaOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/10112/rdf/internal/media/dispatcher/161667/fullLandscape in Unter Sankt Veitc. 1918[Felix Albrecht Harta]Felix Albrecht HartaOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/9221/rdf/internal/media/dispatcher/113705/fullBouquet of Flowers with a Red Tablecloth1913[Anton Faistauer]Anton FaistauerOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/597/rdf/internal/media/dispatcher/70805/fullThe Artist’s Wife with Flowers1913[Anton Kolig]Anton KoligOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2010/rdf/internal/media/dispatcher/113708/fullWedding Roses I1913[Anton Faistauer]Anton FaistauerOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/3099/rdf/internal/media/dispatcher/5292/fullSelf-Portrait1912[Albert Paris Gütersloh]Albert Paris GüterslohOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/3355/rdf/internal/media/dispatcher/70796/fullThe Swedish Painter Ella Wanner1912[Franz Wiegele]Franz WiegeleOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/8685/rdf/internal/media/dispatcher/12716/fullThe Painter Georg Christian Andersen1911[Anton Faistauer]Anton FaistauerOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2194/rdf/internal/media/dispatcher/12724/fullStill Life with Fruit on Green Cloth1911[Anton Faistauer]Anton FaistauerOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/3185/rdf/internal/media/dispatcher/110724/fullSunflowers I1911[Egon Schiele]Egon SchieleOil on canvasWithered and parched, the brown leaves droop. Large flower heads gaze feebly at their young blooms below, but even these small fresh blossoms cannot halt the decay. Like Gustav Klimt, Schiele’s penchant for sunflowers was probably inspired by Vincent van Gogh. However, the young painter radically departed from Klimt’s decorative legacy. Instead, Schiele’s expressive works are full of contortions, distortions, and deformations. Even individual sunflowers become a reflection of spiritual turmoil and a symbol of all that is transient. “I am human. I love death and I love life,” Schiele once declared.Paintinghttps://sammlungtest.belvedere.at/objects/8294/rdf/internal/media/dispatcher/24281/fullCity on the Blue River II1911[Egon Schiele]Egon SchielePencil, gouache and oil on primed woodPaintinghttps://sammlungtest.belvedere.at/objects/13367/rdf/internal/media/dispatcher/5286/fullStill Life with Flask and Silver Bowl1910[Albert Paris Gütersloh]Albert Paris GüterslohOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/3143/rdf/internal/media/dispatcher/94300/fullEduard Kosmack1910[Egon Schiele]Egon SchieleOil on canvasThe sitter is like a hypnotist casting his spell over us. Beneath an extremely high forehead, his penetrating gaze hits us full on. Kosmack’s bony hands and the arms pressed close to his body emphasize his withdrawn character. All that interrupts the strict symmetry of the portrait is the sunflower on the right. The figure of the publisher contrasts powerfully with the light background, its flat, planar character still closely resembling the art of the Vienna Secession. Yet Schiele’s expressive style is already visible here: gestures, body language, and facial expressions are now the principal elements of his portraits. The body has been transformed into a vehicle of human emotions.Paintinghttps://sammlungtest.belvedere.at/objects/3456/rdf/internal/media/dispatcher/70817/fullHäuser im Winter (Blick aus dem Atelier)1907/1908[Egon Schiele]Egon SchieleOil on cardboardPaintinghttps://sammlungtest.belvedere.at/objects/4244/rdf/internal/media/dispatcher/117829/fullThe Artist's Mother1907[Broncia Koller-Pinell]Broncia Koller-PinellOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/9231/rdf