23/internal/media/dispatcher/29275/fullThe Year of the Child Is Over!!!1983[Curt Stenvert]Curt StenvertKinderfahrrad mit Sägeblatt und zwei HackenObject arthttps://sammlungtest.belvedere.at/objects/21374/rdf/internal/media/dispatcher/29277/fullThe Year of the Child Will Never Come Again1983[Curt Stenvert]Curt StenvertTretroller mit Sägeblatt, zwei Hacken und einer Handsäge (Metal, Leder, Holz, Textil, Gummi, Plastik)Object arthttps://sammlungtest.belvedere.at/objects/21375/rdf/internal/media/dispatcher/19359/fullRaining and Umbrellaing – A Process1978–1979[Curt Stenvert]Curt StenvertOil on fiberboardPaintinghttps://sammlungtest.belvedere.at/objects/9330/rdf/internal/media/dispatcher/29271/fullGet Rid of Nonstink Money, Pay with Mice!1978[Curt Stenvert]Curt StenvertRegistrierkasse, StoffmäuseObject arthttps://sammlungtest.belvedere.at/objects/21391/rdf/internal/media/dispatcher/29223/fullThe Manifesto of Curt Stenvert 21971[Curt Stenvert]Curt StenvertGouache und Kunstharzlack auf HolzPaintinghttps://sammlungtest.belvedere.at/objects/17777/rdf/internal/media/dispatcher/29287/fullSpatial Poetry 11: In 1971 15 Tons of Explosives Are Held Ready against Each Inhabitant of the Earth1971[Curt Stenvert]Curt StenvertPlastik, Metall, Glas und weitere MaterialienObject arthttps://sammlungtest.belvedere.at/objects/17782/rdf/internal/media/dispatcher/29227/fullNothing Is Absolute, Except for … 6: The Human Image1969[Curt Stenvert]Curt StenvertGlas, Kunststoff, Seide, Holz, Aluminium, Messing, SchmucksteineObject arthttps://sammlungtest.belvedere.at/objects/17778/rdf/internal/media/dispatcher/29305/fullConfrontation 1: Homo contra homo? Every Human Being Is Responsible for Every Other Human Being!1969[Curt Stenvert]Curt StenvertSiebdruck, Glasflaschen, PlastikObject arthttps://sammlungtest.belvedere.at/objects/21433/rdf/internal/media/dispatcher/29311/fullThe Manifesto of Curt Stenvert1965[Curt Stenvert]Curt StenvertOil on wood fiberboardCurt Stenvert hielt sein erstes Manifest der "Funktionellen Kunst des 21. Jahrhunderts" in künstlerischer Form in dieser Arbeit fest. Der Text im Bild lautet: curt stenverts manifest: INTER: | ESSENMITTELPUNKT DER KLASSISCHEN | KUNST VON ALTAMIRA BIS POP IST DAS | BILD DES MENSCHEN!!! | interessenmittelpunkt von CURT STENVERTS | funktioneller kunst ist die EXISTENZ DES MENSCHEN!!! | FüR IHN BEGINNT DER MEnSCH | JenseiTs DeR HAUT … | die funktionelle kunst des 21. jahrhun | derts | soll dEm mEnschEn diE BIOLOGISCHEN, PSYCHOLOGISCHEN, SOZIOLOGISCHEN UND | PHILOSOPHISCHEN VORAUSSETZUNGEN SEINER EXISTENZ BEWUSST WERDEN LASSEN: | … DAS IST DIE LEBENSFÖRDERNDE URFUNKTION | DER KUNST | FUNKTIONELLE KUNST IST REVOLUTION! | FREIHEIT DURCH EXISTENZERHELLUNG ÜBER DAS AUGE!Paintinghttps://sammlungtest.belvedere.at/objects/9288/rdf/internal/media/dispatcher/29280/fullPoshjumpingjackpotterrorist1965[Curt Stenvert]Curt StenvertHolz, emailiertes Metall, Ölfarbe, Horn, Leder, Knallfrösche, Zündschnur"Ein vergoldeter, geschnitzter Stuhl, darauf ein Wäschekochtopf mit Deckel und Reitgerte; im Topf sollen Knallfrösche abgebrannt werden." (handschriftliches Objektbuch Curt Stenvert)Object arthttps://sammlungtest.belvedere.at/objects/17779/rdf/internal/media/dispatcher/30186/fullIdol of Prosperity in the Upper Reaches & Idol of Prosperity in the Lower Reaches & Idol of Poverty in the Upper Reaches & Idol of Poverty in the Lower Reaches ...1965[Curt Stenvert]Curt StenvertOil on wood, metal, peas, glassObject arthttps://sammlungtest.belvedere.at/objects/23901/rdf/internal/media/dispatcher/29283/fullFortieth Human Situation: Being a Parisian!1964[Curt Stenvert]Curt StenvertCollagierte Schaufensterpuppe, Plastikblumen, Spielzeugautos, Holz, verschiedene Materialien A mannequin is standing in a wooden box—life-sized and covered with views of Paris. Artificial flowers, toy cars, and plastic frogs are strewn at her feet. The subject of this assemblage is how people are totally consumed by the artificial construct of an urban world. What does a city do to us? How is human perception manipulated or even distorted by the daily onslaught of information and impressions? Although unrecognized in Austria, Viennese artist Curt Stenvert gained international acclaim with his object art. From the 1960s he explored a series of “Human Situations” with the aim of stimulating reflection and reappraisal.Object arthttps://sammlungtest.belvedere.at/objects/17781/rdf/internal/media/dispatcher/30109/fullThe Thirty-sixth Human Situation: Imagining Eve and the Serpent in Paradise1964[Curt Stenvert]Curt StenvertHolz, Kunststoff, Metall, Papiermaché, PapierObject arthttps://sammlungtest.belvedere.at/objects/21356/rdf/internal/media/dispatcher/29294/fullNinth Human Situation: Hearing a Piece for Brass Instruments1964[Curt Stenvert]Curt StenvertWood, plastic, metal, porcelain, paperObject arthttps://sammlungtest.belvedere.at/objects/21376/rdf/internal/media/dispatcher/29301/fullTwenty-fifth Human Situation: Instead of a Woman, Finding the Milkman's Van in one's Bed1964[Curt Stenvert]Curt StenvertHolz, Kunststoff, Glas, Metall, Papier, SchmucksteineObject arthttps://sammlungtest.belvedere.at/objects/22082/rdf/internal/media/dispatcher/162718/fullManipulator VI1964[Curt Stenvert]Curt StenvertGlasgefäß, Metall, Leder (Hundehalsbänder), PlastikObject arthttps://sammlungtest.belvedere.at/objects/22589/rdf/internal/media/dispatcher/162721/fullManipulator XIII1964[Curt Stenvert]Curt StenvertGlasgefäß, Metall, Leder (Hundehalsband mit Kette und Halteschlaufe), PlastikObject arthttps://sammlungtest.belvedere.at/objects/22590/rdf/internal/media/dispatcher/30134/fullMinipulator I1963[Curt Stenvert]Curt StenvertGlasgefäß, Metall, Leder (Riemchen), PlastikObject arthttps://sammlungtest.belvedere.at/objects/22588/rdf/internal/media/dispatcher/141642/fullFlowers for a Dead Cat1963[Curt Stenvert]Curt StenvertOil on wood, bones, metal, enamel, plastic, glassObject arthttps://sammlungtest.belvedere.at/objects/21364/rdf/internal/media/dispatcher/29315/fullPalace1949/1971[Curt Stenvert]Curt StenvertObject arthttps://sammlungtest.belvedere.at/objects/17780/rdf/internal/media/dispatcher/50576/fullLesbia contra Motor1947[Curt Stenvert]Curt StenvertOil and gold leaf on wood Curt Stenvert ranks among the most important artists of the Viennese postwar avant-garde. The study of movement is a central trait of his oeuvre, leading him to branch out into photography and eventually into film. Created shortly after the war, the painting “Lesbia contra Motor” signals the dawn of a fresh start in art. In dismantling the human body into formal elements, Stenvert harks back to Cubism. The motif of the motor and its dynamic energy, meanwhile, quotes the Futurists. The result is an abstract dramatization of sexuality: a pair of women set before a red-and-black checkered backdrop is confronted by the male in the guise of an engine.Paintinghttps://sammlungtest.belvedere.at/objects/9078/rdf/internal/media/dispatcher/134351/fullViolinspieler in vier Bewegungsphasen1947[Curt Stenvert]Curt StenvertOil on woodPaintinghttps://sammlungtest.belvedere.at/objects/13778/rdf/internal/media/dispatcher/142841/fullDiving Bird1939[Erika Giovanna Klien]Erika Giovanna KlienOil on canvas Erika Giovanna Klien was one of the most important exponents of Viennese Kineticism. Her works are characterized by depictions of sequences of movement composed out of geometric forms. On the threshold between non-representational and figurative art, Diving Bird evokes the impression of a smooth wingbeat by capturing each moment of the bird’s swoop in a fanned array of forms and colors. Movement is dissected into its separate stages as if seen in slow motion. Rhythm, speed, and motion remained key themes in Klien’s art after she emigrated to the USA in 1929. It was here that she created her Diving Bird in 1939. Paintinghttps://sammlungtest.belvedere.at/objects/10373/rdf