9/internal/media/dispatcher/47428/fullThe Floodc. 1913[Ludwig Heinrich Jungnickel]Ludwig Heinrich JungnickelOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/3192/rdf/internal/media/dispatcher/128266/fullRußland ist des Trunkes froh ohne ihn können wir nicht leben1908[Elena Luksch-Makowsky]Elena Luksch-MakowskyGouache, Aquarell und TuscheDrawing arthttps://sammlungtest.belvedere.at/objects/31753/rdf/internal/media/dispatcher/128267/fullWer lobt die Mädchen? Vater und Mutter. Die Mädchen sind gut, schön und tauglich. Wo komen denn die hässlichen Frauen her? Sie stammen von denselben Mädchen.1908[Elena Luksch-Makowsky]Elena Luksch-MakowskyGouache, Aquarell und TuscheDrawing arthttps://sammlungtest.belvedere.at/objects/31754/rdf/internal/media/dispatcher/128268/fullDie Sauna ist unsere zweite Mutter1908[Elena Luksch-Makowsky]Elena Luksch-MakowskyGouache, Aquarell und TuscheDrawing arthttps://sammlungtest.belvedere.at/objects/31755/rdf/internal/media/dispatcher/114740/fullCottage Garden with Sunflowers1906[Gustav Klimt]Gustav KlimtOil on canvas Sunflowers and dahlias, marigolds, asters, and flame flowers. In this work, Klimt more than lives up to his reputation as the “artist of eternal flowering.” Against a backdrop of verdant green, he has filled the picture plane with a vibrant sea of flowers. This abundant, vivid array stirs memories of a radiant summer day. It transports us to a dream world beyond space and time, where flowers and leaves never wilt. One typical characteristic of Klimt’s landscape paintings is their square format. In order to find the perfect section of a scene, the painter used a viewfinder. “This is a hole cut into a piece of cardboard,” he explained in a letter to his lover Mizzi Zimmermann.Paintinghttps://sammlungtest.belvedere.at/objects/2483/rdf/internal/media/dispatcher/12855/fullFamiliy Portrait (Portrait of the Polenov Family)1905[Boris Michajlovič Kustodiev]Boris Michajlovič KustodievOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/6697/rdf/internal/media/dispatcher/65832/fullWolkenschattenc. 1918[Viktor Sarubin]Viktor SarubinOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/6696/rdf/internal/media/dispatcher/65833/fullWeißer Saalundated[Aleksandr Sredin]Aleksandr SredinOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/6698/rdf/internal/media/dispatcher/5363/fullEarly Springc. 1900[Akseli Gallen-Kallela]Akseli Gallen-KallelaOil on canvasAn image of spring as a symbol of change and renewal. Inspired by the latest artistic developments in cities such as Paris, Berlin, and Vienna, the Finnish artist Akseli Gallen-Kallela created pictures of nature and depicted the myths of his homeland. He achieved his international breakthrough at the Paris Exposition Universelle in 1900; the following year he exhibited at the Vienna Secession. Like the founders of the Secession, he, too, was looking for new forms of expression. By means of stylized shapes and bold colors, in his painting Spring he created a symbol of new beginnings. The first warm rays of sunshine melt the snow and spread positive energy. Paintinghttps://sammlungtest.belvedere.at/objects/6144/rdf