5/internal/media/dispatcher/166764/fullYUCUMAMA2018[Donna Huanca]Donna HuancaMixed Media, Öl und Acryl auf Stoff, Blei, Plastik, künstliche Haare, Fäden, Kunstleder, Metall auf Stahlrahmen mit Aluminumhaken In Donna Huanca’s multidisciplinary artistic practice, everything is intertwined with everything else: performance, sculpture, painting, video, sound, and scent. The American artist with Bolivian roots creates her installations as immersive Gesamtkunstwerke that explore the human being, its identity, and its self-determined transformation. Performers activate the spaces through slow, concentrated movements. In her work, Huanca is interested in the body, its presence in space, and its use as both material and medium. In this way, her large-format paintings reference the painted skin of the models, and the textiles used become components of her sculptures. Through this self-reflexive creative process, the artist translates the ephemeral nature of performance into the permanence of sculptures, paintings, and videos. YUCUMAMA was created in 2018 for her solo exhibition Piedra Quemada in the Baroque rooms of the Lower Belvedere.Object arthttps://sammlungtest.belvedere.at/objects/85067/rdf/internal/media/dispatcher/5234/fullVenus Vindobonensis "Armour"1924-1927 (signed 1931)[Anton Hanak]Anton HanakLaaser MarmorSculpturehttps://sammlungtest.belvedere.at/objects/1369/rdf/internal/media/dispatcher/50850/fullThe Young Sphinx1916[Anton Hanak]Anton HanakMarbleSculpturehttps://sammlungtest.belvedere.at/objects/7867/rdf/internal/media/dispatcher/42701/fullMädchen mit Panthern spielend - Spielundated[Josef Müllner]Josef MüllnerSalzburger MarmorSculpturehttps://sammlungtest.belvedere.at/objects/1633/rdf/internal/media/dispatcher/5989/fullCrouching Woman1900-1901[Max Klinger]Max KlingerMarble Around 1900, when creating this marble figure, Max Klinger likely looked to the "Crouching Aphrodite", a 3rd-century BCE Greek sculpture. Like its ancient prototype, Klinger's female figure adopts a posture that appears labored, with her body and arms twisting in a way that feels almost unnatural. Equally unusual and distinctly modern is the rough-cut stone slab beneath her feet, on which she balances precariously. Though best known for his masterful sculptures in marble, Klinger also worked in metal and was highly accomplished as both a painter and printmaker.Sculpturehttps://sammlungtest.belvedere.at/objects/1118/rdf