12/internal/media/dispatcher/140602/fullKrieau in the Prater1902[Tina Blau]Tina BlauOil on canvas The Vienna Prater is a recurring motif in the art of the landscape painter Tina Blau. The intense, impressionistic colors in this work break with the convention of the time in which a brown hue predominated in paintings. The artist had studied painting in private lessons and went on to teach as a professor at the Art School for Women and Girls in Vienna from 1898. Her favorite place to work was out in the open. Blau wanted to capture the atmospheres, light, and details of nature. In 1903 the Ministry of Culture and Education acquired Krieau in the Prater for the Modern Gallery, today the Belvedere. Paintinghttps://sammlungtest.belvedere.at/objects/6287/rdf/internal/media/dispatcher/71169/fullAus dem Belvedere1894/1895[Tina Blau]Tina BlauOil on woodPaintinghttps://sammlungtest.belvedere.at/objects/33152/rdf/internal/media/dispatcher/92477/fullChildren by the Cemetery Wall1888[Tina Blau]Tina BlauOil on woodPaintinghttps://sammlungtest.belvedere.at/objects/934/rdf/internal/media/dispatcher/165024/fullLate Afternoon at the Palatine Hill in Rome1886[Tina Blau]Tina BlauOil on woodDas Bild entstand während der dritten Italienreise, die Tina Blau im Winter 1885/1886 unternahm. Es ist trotz fehlender Quellen nicht unwahrscheinlich, dass Tina Blau in Begleitung ihrer Münchner Freundin, der Malerin Veronika Maria Herwegen reiste, von der aus dem Jahr 1886 ebenfalls Bilder vom Forum Romanum in vergleichbarem Stil bekannt sind. Tina Blau hat das Bild nach 1910 nochmals überarbeitet und die ursprünglich im Vordergrund vorhandenen Figuren durch Ruinenstücke ersetzt [in der Liste von Pauline Wolf ist noch von Staffage die Rede].Paintinghttps://sammlungtest.belvedere.at/objects/377/rdf/internal/media/dispatcher/4431/fullFrom the Tuileries – Sunny Day1883[Tina Blau]Tina BlauOil on woodBlick vom Grand bassin rond in Richtung des Place de la Concorde. Im Hintergrund sind der Obelisk und der Arc de triomphe angedeutet.Paintinghttps://sammlungtest.belvedere.at/objects/584/rdf/internal/media/dispatcher/4432/fullFrom the Tuileries – Gray Day1883[Tina Blau]Tina BlauOil on woodTina Blau had achieved success. Her art was acclaimed not only in Vienna but even in Paris. Blau had made the most of her time in the French capital. She visited the Tuileries Garden and painted the park’s central avenue between the Louvre and the Place de la Concorde in various weather conditions. Here it is a gray and overcast day. Only a few darkly dressed people are out and about. The wooden panel is left partly visible, the paint has been applied in thick impasto using short brushstrokes. Just a few strokes suffice to render the wood planters, a cape, or the statues on their plinths. The painting belongs to a group of works that led to Blau’s recognition in Munich when she exhibited there in 1890.Paintinghttps://sammlungtest.belvedere.at/objects/585/rdf/internal/media/dispatcher/149595/fullSpring in the Prater1882[Tina Blau]Tina BlauOil on canvas Tina Blau painted her monumental park landscape for the 1882 International Exhibition at the Vienna Künstlerhaus. According to an anecdote, the jury initially rejected the painting on the grounds that its brightness “would tear a hole in the wall.” It was only after the intervention of Hans Makart that the work was included in the exhibition. It brought overnight success for Tina Blau. In 1883 it was exhibited at the Paris Salon where it received an honorable mention. In order to capture the different atmospheres, light, and details of nature, Tina Blau pushed her handcart loaded with painting utensils through woods and meadows and painted outdoors. However, the vast scale of Spring in the Prater required her to work in her studio that was located in the midst of Vienna’s Prater park. The painting was retrospectively described as the first Impressionist work in Austrian art. Paintinghttps://sammlungtest.belvedere.at/objects/8033/rdf/internal/media/dispatcher/165030/fullLady and Child1881[Tina Blau]Tina BlauOil on woodStudie zum Gemälde "Frühling im Prater".Paintinghttps://sammlungtest.belvedere.at/objects/4631/rdf/internal/media/dispatcher/92476/fullStreet in Amsterdam1875[Tina Blau]Tina BlauOil on woodDas Bild entstand während der ersten Holland-Reise der Künstlerin 1875 unmittelbar vor Ort.Paintinghttps://sammlungtest.belvedere.at/objects/583/rdf/internal/media/dispatcher/92475/fullRaftsmen on the River Theiss1874[Tina Blau]Tina BlauOil on wood"Das Bild, das im Jahr 1913 von der Österreichischen Staatsgalerie erworben wurde, entstand während der zweiten Szolnok-Reise 1874. Der Bildtitel ist gesichert durch das"Verzeichnis der Photographien nach Bildern und Studien von Tina Blau", Tina Blau-Nachlaß, New York. [T. Natter / C. Jesina, Plein Air. Die Landschaftsmalerin Tina Blau, Ausst. Kat. Jüdisches Museum, Wien 1996, S.176.]Paintinghttps://sammlungtest.belvedere.at/objects/582/rdf/internal/media/dispatcher/92471/fullLandscape in the Puszta1874[Tina Blau]Tina BlauOil on canvasDas Bild entstand 1874 während der zweiten Reise Tina Blaus nach Szolnok. 1910 überarbeitete die Künstlerin das Werk in ihrem Wiener Atelier.Paintinghttps://sammlungtest.belvedere.at/objects/3990/rdf/internal/media/dispatcher/4454/fullStudio Corner1872[Tina Blau]Tina BlauOil on canvasPaintinghttps://sammlungtest.belvedere.at/objects/2492/rdf