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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><NoAIdisclaimer>[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).</NoAIdisclaimer><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/10960/full</value></field><field label="Title" name="title"><value>Woman of Colour</value></field><field label="Date" name="displayDate"><value>1997</value></field><field label="Dimensions" name="dimensions"><value>Ungerahmt: 140 × 130 × 2,5 cm</value></field><field label="Medium" name="medium"><value>Acrylic, dispersion on canvas</value></field><field label="Inventory number" name="invno"><value>9529</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>
Elke Silvia Krystufek brazenly exhibits her own body. Launching her career as an artist in the early 1990s, the artist cultivates an image as an enfant terrible. Wrestling with the twin urges of narcissism and voyeurism, her works feature her as an artificial character or share highly intimate glimpses of her private life with the public. In this act of painterly exposure, Krystufek seeks to recapture the female nude as a medium of self-determination. It lets her be all in one: both active observer and passive image. As the artist herself feasts our eyes on her naked body, she disrupts the male regime of the gaze.</value></field><field label="Genre" name="classification"><value>Painting</value></field><field label="Id" name="id"><value>10197535</value></field><field label="Source ID" name="sourceId"><value>10094</value></field><field name="iiifManifest"><value>https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-10094/manifest</value></field></object>