[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).https://sammlungtest.belvedere.at/internal/media/dispatcher/157532/fullLooted from Hama and Apameia201696 × 56 × 92 cmEisenregal, Eisenplatten, 6 C-Prints kaschiert auf Aluminium, MarmormosaiksteineAnkauf von der Künstlerin120421
Remembering and preserving individual and collective histories and traditions are recurring themes in Iris Andraschek’s research-based artistic work. During a 2015 residency in Istanbul, Andraschek began her intensive exploration of the social, economic, and cultural consequences of the Syrian civil war. While some works address the population’s experiences of flight, Looted from Hama and Apameia focuses on the specific threat to cultural heritage. Countless artifacts looted during the plundering of sites in the region around Hama and the ancient, ruined city of Apameia continue to be sold on the illegal art market. In her restrained, seemingly scientific installation Andraschek reflects on the problematic entanglements of art, the market, and politics.Object art12374310101640Belvedere 21image/jpegIn CopyrightFoto: Johannes Stoll / Belvedere, Wienhttps://sammlungtest.belvedere.at/internal/media/dispatcher/157532/fullhttps://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-101640/manifest