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<rdf:RDF xmlns:schema="https://schema.org/" xmlns:rdf="https://www.w3.org/1999/02/22-rdf-syntax-ns#"><schema:VisualArtwork><schema:image>/internal/media/dispatcher/155990/full</schema:image><schema:name>gefährt*innen</schema:name><schema:dateCreated>2023</schema:dateCreated><schema:creator>[Toni Schmale]</schema:creator><schema:creator>Toni Schmale</schema:creator><schema:artMedium>Geschmiedeter, feuerverzinkter, lackierter Stahl, Beton</schema:artMedium><schema:description>Near the site where in Prince Eugene’s day two ensembles of mythological figures adorned two water basins in the Belvedere garden, Toni Schmale now places her gefährt*innen. She thus ties onto the physicality and seemingly queer staging of these mythological sea gods and goddesses and their draft animals, yet foregoes a hierarchy between gods, animals, and humans. Schmale’s shimmering, motherof-pearl shell chariot is drawn by three hybrid beings made of steel, each with a concrete wheel as a foot. The relationship of the individual figures to one another remains equitable, as they are all to be understood as companions, gefährt*innen. Rather than entering into pre-defined roles, Schmale’s work hereby allows an open interpretation, which invites contemplation on power relations and spaces of negotiation.</schema:description><schema:artForm>Object art</schema:artForm><schema:copyrightHolder>© Bildrecht, Wien 2026</schema:copyrightHolder><schema:url>https://sammlungtest.belvedere.at/objects/102088/rdf</schema:url></schema:VisualArtwork></rdf:RDF>