<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><NoAIdisclaimer>[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).</NoAIdisclaimer><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/160798/full</value></field><field label="Title" name="title"><value>Schnörksel</value></field><field label="Date" name="displayDate"><value>2005/2006</value></field><field label="Dimensions" name="dimensions"><value>Blattmaße: 53 × 40 cm</value></field><field label="Medium" name="medium"><value>Pigmentprint auf Bütten, bestickt</value></field><field label="Credit Line" name="creditline"><value>Schenkung der Künstlerin</value></field><field label="Inventory number" name="invno"><value>12226</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>
For her seven-part series Schnörksel, Maria Hahnenkamp begins with found photographs from fashion magazines, which are digitally overlaid with text fragments written by Rainer Fuchs. The Austrian art historian has repeatedly used Hahnenkamp’s oeuvre to explore the role of ornament in the history of art and culture in order to demonstrate its social relevance. Finally, the artist embroiders the reproduced images by hand with artfully curved lines. By juxtaposing a supposedly clearly formulated text with a seemingly meaningless motif, Hahnenkamp calls for a reappraisal of ornamentation.</value></field><field label="Genre" name="classification"><value>Photography</value></field><field label="Id" name="id"><value>10205133</value></field><field label="Source ID" name="sourceId"><value>102678</value></field><field name="iiifManifest"><value>https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-102678/manifest</value></field></object>