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<rdf:RDF xmlns:schema="https://schema.org/" xmlns:rdf="https://www.w3.org/1999/02/22-rdf-syntax-ns#"><schema:VisualArtwork><schema:image>/internal/media/dispatcher/163457/full</schema:image><schema:name>Ornament Nr. 20</schema:name><schema:name>Wandbohrung</schema:name><schema:dateCreated>2001/2025</schema:dateCreated><schema:creator>[Maria Hahnenkamp]</schema:creator><schema:creator>Maria Hahnenkamp</schema:creator><schema:artMedium>2-teilig, mittels Vorlage und Bohrmaschine auf die Wand übertragene In-situ-Bohrung</schema:artMedium><schema:description>
This in-situ work, which consists of hundreds of holes and covers several square meters, is probably Maria Hahnenkamp’s most radical intervention in an exhibition space—even if it is barely perceptible at first. The artist deliberately experiments with the boundaries of visibility and also highlights the contradictions between removal and presence. A nineteenth-century pattern book for church furnishings serves as a template for the ornamental forms that penetrate the surface of the wall. Hahnenkamp uses a computer to digitally edit and modify the magnificent tendril patterns. The ornaments, which are adapted to the space, are then transferred to the wall with a drill, one hole at a time, in such a way that the dark circles of the drill holes create a kind of drawing.</schema:description><schema:artForm>Scenic work</schema:artForm><schema:copyrightHolder>© Bildrecht, Wien 2026</schema:copyrightHolder><schema:url>https://sammlungtest.belvedere.at/objects/102779/rdf</schema:url></schema:VisualArtwork></rdf:RDF>