<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><NoAIdisclaimer>[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).</NoAIdisclaimer><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/4762/full</value></field><field label="Title" name="title"><value>Afternoon on Capri</value></field><field label="Date" name="displayDate"><value>c. 1829</value></field><field label="Dimensions" name="dimensions"><value>91 x 130 cm</value></field><field label="Medium" name="medium"><value>Oil on canvas</value></field><field label="Inventory number" name="invno"><value>1996</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>Capri. Monte Castiglione and the coastline by the Marina Grande are in dazzling sunlight. This bleaches the colors and heightens the contrast between the dark shadows and the “cool” blue of the sea. In this blazing heat a young fisherman sits on a wall and plays the zither for his lover. He is essential to the scene as fishermen epitomized the carefree, authentic life in—and this is important for our understanding of Blechen’s painting—an ancient cultural landscape that had already been settled by the Greeks, as the wall illustrates. Blechen was in Capri in 1829 and made numerous sketches, although he painted this picture in his Berlin studio.</value></field><field label="Genre" name="classification"><value>Painting</value></field><field label="Id" name="id"><value>10191856</value></field><field label="Source ID" name="sourceId"><value>1034</value></field><field name="iiifManifest"><value>https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-1034/manifest</value></field></object>