{"object":[{"sourceId":{"label":"Source ID","value":"107625"},"creditline":{"label":"Credit Line","value":"Ankauf von der Richard Saltoun Gallery / der Künstlerin"},"locationssite":{"label":"Location","value":"Belvedere 21"},"invno":{"label":"Inventory number","value":"12393"},"description":{"label":"Description","value":"At the height of the global AIDS crisis in the late 1980s, British sculptor, photographer, and installation artist Helen Chadwick increasingly focused on processes occurring within the body. The two organically shaped, brightly illuminated elements of Kissing Chancre, which seem to approach each other, feature close-up photographs of bodily tissues. A chancre is an ulcer or a sharply defined sore associated with sexually transmitted diseases. As in much of Chadwick\u2019s work, beauty confronts disgust, the sensual merges with the disturbing, and the seductive coexists with the repellent. In Austria, Chadwick profoundly influenced a younger generation through her extensive teaching and achieved widespread recognition through a solo exhibition presented as part of the 1993 edition of the steirischer herbst festival."},"medium":{"label":"Medium","value":"Leuchtkasten, zwei Cibachrome-Dias, Leder, Tulpenholz, Sperrholz, elektrisches Gerät"},"onview":{"label":"On View","value":"1"},"media":{"label":"Media","value":["https://sammlungtest.belvedere.at/internal/media/dispatcher/166782/full"]},"title":{"label":"Title","value":"Kissing Chancre"},"classification":{"label":"Genre","value":"Object art"},"primaryMedia":{"label":"PrimaryMedia","value":"https://sammlungtest.belvedere.at/internal/media/dispatcher/166782/full"},"displayDate":{"label":"Date","value":"1989"},"id":{"label":"Id","value":"12375442"},"iiifManifest":{"value":"https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-107625/manifest"},"dimensions":{"label":"Dimensions","value":"76 × 122 × 25,4 cm"}}]}