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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><NoAIdisclaimer>[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).</NoAIdisclaimer><field label="PrimaryMedia" name="primaryMedia"><value>https://sammlungtest.belvedere.at/internal/media/dispatcher/103010/full</value></field><field label="Title" name="title"><value>Pig Altar (based on cult objects from Neuguinea)</value></field><field label="Date" name="displayDate"><value>before 1990</value></field><field label="Dimensions" name="dimensions"><value>220 x 181 x 40 cm</value></field><field label="Medium" name="medium"><value>Assemblage, mixed media</value></field><field label="Inventory number" name="invno"><value>8461</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>The artist, activist, and musician Padhi Frieberger had a reputation for being unruly and disorganized, but also full of energy and an astute political mind. His oeuvre is closely bound up with his unconventional vision of life; he prized self-realization and self-dramatization. Frieberger documented his surroundings in thousands of photographs, worked on paintings and objects, and built sculptures out of detritus. In his “Pig Altar,” the artist created an ostensible cult object. But what is the cult about? At the center of the material assemblage of wooden planks and straw, overpainted and partly pasted over, appears the pig as the object of veneration—complemented, in blue letters somewhere far down, by the term “art.”</value></field><field label="Genre" name="classification"><value>Sculpture</value></field><field label="Id" name="id"><value>10589464</value></field><field label="Source ID" name="sourceId"><value>1500</value></field><field name="media" mediaRecordID="103010" label="Media"><type>image/jpeg</type><license>In Copyright</license><mediaCopyright>Foto: Johannes Stoll / Belvedere, Wien</mediaCopyright><value>https://sammlungtest.belvedere.at/internal/media/dispatcher/103010/full</value></field><field name="media" mediaRecordID="103012" label="Media"><type>image/jpeg</type><license>In Copyright</license><mediaCopyright>Foto: Johannes Stoll / Belvedere, Wien</mediaCopyright><value>https://sammlungtest.belvedere.at/internal/media/dispatcher/103012/full</value></field><field name="media" mediaRecordID="103013" label="Media"><type>image/jpeg</type><license>In Copyright</license><mediaCopyright>Foto: Johannes Stoll / Belvedere, Wien</mediaCopyright><value>https://sammlungtest.belvedere.at/internal/media/dispatcher/103013/full</value></field><field name="iiifManifest"><value>https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-1500/manifest</value></field></object>