<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><NoAIdisclaimer>[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).</NoAIdisclaimer><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/113715/full</value></field><field label="Title" name="title"><value>Still Life with Flowers</value></field><field label="Date" name="displayDate"><value>c. 1838</value></field><field label="Dimensions" name="dimensions"><value>80 × 64 cm</value></field><field label="Medium" name="medium"><value>Oil on canvas</value></field><field label="Inventory number" name="invno"><value>3043</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>In the Biedermeier period, flower painters usually composed their pictures according to the same principles. The bouquet is inscribed in an oval and unfurls before a background that was almost always neutral. Arranged at the center are the more beautiful and magnificent flowers, where the most light falls on them. Smaller or more inconspicuous blooms are placed at the edges and hence in the shade. In front of this arrangement some flowers seem to have fallen out of the vase (but they are as artfully arranged as the bouquet). They extend beyond the edge of the table or the ledge on which the vase stands. Domestic or exotic fruits, birds and other animals sometimes enrich these floral compositions.</value></field><field label="Genre" name="classification"><value>Painting</value></field><field label="Id" name="id"><value>10192354</value></field><field label="Source ID" name="sourceId"><value>1840</value></field><field name="iiifManifest"><value>https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-1840/manifest</value></field></object>