<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><NoAIdisclaimer>[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).</NoAIdisclaimer><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/91811/full</value></field><field label="Title" name="title"><value>Exhausted Strength</value></field><field label="Alternative Title" name="title2"><value>Die tote Mutter</value></field><field label="Date" name="displayDate"><value>1854</value></field><field label="Dimensions" name="dimensions"><value>63 × 75 cm</value></field><field label="Medium" name="medium"><value>Oil on canvas</value></field><field label="Inventory number" name="invno"><value>3656</value></field><field label="On View" name="onview"><value>1</value></field><field label="Description" name="description"><value>
Only a candle illuminates the room, casting light on an infant sleeping peacefully in a crib. On the wooden floor alongside, and easily overlooked, the child’s mother has collapsed in exhaustion. Ferdinand Georg Waldmüller uses this drastic scene to draw attention to the precarious situation faced by women coping alone with daily life and a child in the 19th century. With searing honesty, the artist tells of being stretched to breaking point and of abject poverty. In no other of his works do we encounter such Realism. </value></field><field label="Genre" name="classification"><value>Painting</value></field><field label="Id" name="id"><value>10192663</value></field><field label="Source ID" name="sourceId"><value>2454</value></field><field label="Location" name="locationssite"><value>Upper Belvedere</value></field><field name="iiifManifest"><value>https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-2454/manifest</value></field></object>