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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><NoAIdisclaimer>[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).</NoAIdisclaimer><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/3787/full</value></field><field label="Title" name="title"><value>Lady in a Fur</value></field><field label="Date" name="displayDate"><value>c. 1880</value></field><field label="Dimensions" name="dimensions"><value>55,8 × 45,8 cm</value></field><field label="Medium" name="medium"><value>Pastel on canvas</value></field><field label="Inventory number" name="invno"><value>3867</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>She gazes self-confidently out of the picture. Her hair has been carefully styled, her fur draped casually over her shoulders. The young woman seems about to go out, were it not for the flimsy blouse barely concealing her breast. Titian and Peter Paul Rubens both painted famous portraits of women clad only in a fur wrap. But Manet’s interpretation is completely different from his famous predecessors. Rather than an elevated or detached image, this appears to be an authentic snapshot of Parisian life at the time. The impression of spontaneity is further heightened by the artist’s chosen medium of pastel. He applied the pastel crayon both roughly and with great delicacy, an impression that is simultaneously sketchy and subtle.</value></field><field label="Genre" name="classification"><value>Drawing art</value></field><field label="Id" name="id"><value>10192806</value></field><field label="Source ID" name="sourceId"><value>2661</value></field><field name="iiifManifest"><value>https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-2661/manifest</value></field></object>