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Woman in White

The depiction shows a young woman who is slightly turned to the side and smiling at the viewer. Her face is soft and oval-shaped, with a friendly expression. She is wearing an elegant, flowing garment that outlines the contours of her figure. Her hair is styled up, and she has a relaxed posture that radiates confidence. The background is in darker tones, which emphasizes the figure.

[AI-generated with ChatGPT]
Woman in White
The depiction shows a young woman who is slightly turned to the side and smiling at the viewer. Her face is soft and oval-shaped, with a friendly expression. She is wearing an elegant, flowing garment that outlines the contours of her figure. Her hair is styled up, and she has a relaxed posture that radiates confidence. The background is in darker tones, which emphasizes the figure.

[AI-generated with ChatGPT]
Gustav Klimt, Dame in Weiß, 1917/1918, Öl auf Leinwand (unvollendet), 70 x 70 cm, Belvedere, Wien, Inv.-Nr. 4286
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  • Woman in White

  • Date1917/1918
  • Künstler*in Gustav Klimt (1862 Wien – 1918 Wien)
  • Object typePainting
  • MediumOil on canvas (unfinished)
  • Dimensions
    70 x 70 cm
  • Inventory number4286
  • Locations Belvedere, Upper Belvedere, 2. Floor (west), Room SW1

  • Lady in White is one of the unfinished paintings found in Gustav Klimt’s studio after his death. It is a good example of the painter’s approach in his late period: Klimt positioned his unknown model within the square canvas so as to form a diagonal that divides the picture space. This creates three sections in the composition, with the figure at the center, a light background on the left, and a dark surface opposite. While the visible brushwork is typical of Klimt’s late paintings, the pronounced flatness of the image is a characteristic of Viennese Jugendstil.