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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><NoAIdisclaimer>[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).</NoAIdisclaimer><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/70896/full</value></field><field label="Title" name="title"><value>Schloss Kammer on Lake Attersee III</value></field><field label="Date" name="displayDate"><value>1911/1912</value></field><field label="Dimensions" name="dimensions"><value>110 × 110 cm</value></field><field label="Medium" name="medium"><value>Oil on canvas</value></field><field label="Credit Line" name="creditline"><value>1936 Widmung Adele und Ferdinand Bloch-Bauer, Wien</value></field><field label="Inventory number" name="invno"><value>4318</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>
“Arrived safely, forgot my opera glasses—need them badly,” Klimt reported to his sister Hermine in 1915 from his vacation home on Lake Attersee. The artist’s need during his summer vacation for optical aids—a telescope as well as opera glasses—becomes apparent from this painting: the lakeside facade of Schloss Kammer. Klimt probably captured it on canvas from the opposite shore using a telescope. The zoom effect causes the trees, the low front wing, and the red roof of the main building behind to appear as if on a single plane. With its softly out-of-focus reflections, the lake portion also appears to be part of the resulting two-dimensional image.</value></field><field label="Genre" name="classification"><value>Painting</value></field><field label="Id" name="id"><value>10193180</value></field><field label="Source ID" name="sourceId"><value>3112</value></field><field name="iiifManifest"><value>https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-3112/manifest</value></field></object>