<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><NoAIdisclaimer>[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).</NoAIdisclaimer><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/139240/full</value></field><field label="Title" name="title"><value>View from Mestre to Venice (Lagoon Scene)</value></field><field label="Date" name="displayDate"><value>1871</value></field><field label="Dimensions" name="dimensions"><value>34 x 48 cm</value></field><field label="Medium" name="medium"><value>Oil on canvas</value></field><field label="Inventory number" name="invno"><value>4387</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>Leopold Carl Müller studied at the Vienna art academy and broadened his horizons on many sojourns abroad that took him to Hungary, London, Paris, and other places. Between 1873 and 1886, he traveled in total nine times to Egypt, where he found the subjects for the pictures that gave him the nickname “Orient Müller.” He usually completed his highly staged “oriental” scenes at his studio in Venice, where he stayed for several months at a time. Like his colleague Anselm Feuerbach, he often lived and worked at the famous Ca’ Rezzonico. Müller’s atmospheric view of the Venetian lagoon is an intense color composition in which water and sky seem to merge into one. </value></field><field label="Genre" name="classification"><value>Painting</value></field><field label="Id" name="id"><value>10193235</value></field><field label="Source ID" name="sourceId"><value>3181</value></field><field name="iiifManifest"><value>https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-3181/manifest</value></field></object>