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<rdf:RDF xmlns:schema="https://schema.org/" xmlns:rdf="https://www.w3.org/1999/02/22-rdf-syntax-ns#"><schema:VisualArtwork><schema:image>/internal/media/dispatcher/162472/full</schema:image><schema:name>Large Seated Figure ("Human Cathedral")</schema:name><schema:dateCreated>1949</schema:dateCreated><schema:creator>[Fritz Wotruba]</schema:creator><schema:creator>Fritz Wotruba</schema:creator><schema:artMedium>Mannersdorf limestone</schema:artMedium><schema:description>
After seven years of exile in Switzerland, Fritz Wotruba returned to Vienna in December 1945 at a decisive moment of his artistic development. The sculptor, who would play a central role in Austrian and international postwar modernist sculpture, abandoned the restrained stylization of his earlier years and developed a new concept of composing the figure. Drawing on French Cubism yet demonstrating an independent design principle, this approach moves toward abstraction and a tectonic, and almost planar organization while remaining faithful to the basic form of the human figure. Visible traces of the sculptor’s hand give the strictly frontal, monumental composition a rugged, rock-like appearance, emphasizing the material presence of the stone.</schema:description><schema:artForm>Sculpture</schema:artForm><schema:copyrightHolder>© Belvedere, Wien</schema:copyrightHolder><schema:url>https://sammlungtest.belvedere.at/objects/3524/rdf</schema:url></schema:VisualArtwork></rdf:RDF>