<?xml version="1.0" encoding="UTF-8"?>
<rdf:RDF xmlns:schema="https://schema.org/" xmlns:rdf="https://www.w3.org/1999/02/22-rdf-syntax-ns#"><schema:VisualArtwork><schema:image>/internal/media/dispatcher/12737/full</schema:image><schema:name>Self-Portrait</schema:name><schema:dateCreated>c. 1916</schema:dateCreated><schema:creator>[Koloman Moser]</schema:creator><schema:creator>Koloman Moser</schema:creator><schema:artMedium>Oil on canvas, mounted on cardboard</schema:artMedium><schema:description>His great talent was his versatility: painting and graphics, applied art, fashion, interior and set design—Koloman Moser was at home in all these disciplines. As a founder member of the Secession and the Wiener Werkstätte, he both paved the way and shaped the path of Viennese modernism. Moser portrays himself in a strictly frontal pose, his shirt open, his chest naked, his eyes wide. He has a visionary quality, almost Christlike with light encircling his head like a halo. The painting’s cool colors and the strictly symmetrical composition are also striking and were inspired by the work of his Swiss colleague Ferdinand Hodler.
 </schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/4320/rdf</schema:url></schema:VisualArtwork></rdf:RDF>