<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><NoAIdisclaimer>[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).</NoAIdisclaimer><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/12737/full</value></field><field label="Title" name="title"><value>Self-Portrait</value></field><field label="Date" name="displayDate"><value>c. 1916</value></field><field label="Dimensions" name="dimensions"><value>74 × 50 cm</value></field><field label="Medium" name="medium"><value>Oil on canvas, mounted on cardboard</value></field><field label="Inventory number" name="invno"><value>5569</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>His great talent was his versatility: painting and graphics, applied art, fashion, interior and set design—Koloman Moser was at home in all these disciplines. As a founder member of the Secession and the Wiener Werkstätte, he both paved the way and shaped the path of Viennese modernism. Moser portrays himself in a strictly frontal pose, his shirt open, his chest naked, his eyes wide. He has a visionary quality, almost Christlike with light encircling his head like a halo. The painting’s cool colors and the strictly symmetrical composition are also striking and were inspired by the work of his Swiss colleague Ferdinand Hodler.
 </value></field><field label="Genre" name="classification"><value>Painting</value></field><field label="Id" name="id"><value>10194088</value></field><field label="Source ID" name="sourceId"><value>4320</value></field><field name="iiifManifest"><value>https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-4320/manifest</value></field></object>