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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><NoAIdisclaimer>[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).</NoAIdisclaimer><field label="PrimaryMedia" name="primaryMedia"><value>https://sammlungtest.belvedere.at/internal/media/dispatcher/65362/full</value></field><field label="Title" name="title"><value>"Character Head" No. 25</value></field><field label="Alternative Title" name="title2"><value>Ein Erhängter</value></field><field label="Date" name="displayDate"><value>1771/1783</value></field><field label="Dimensions" name="dimensions"><value>38 x 20 x 27 cm</value></field><field label="Medium" name="medium"><value>Alabaster, grey white stone with brownish spots</value></field><field label="Inventory number" name="invno"><value>5637</value></field><field label="On View" name="onview"><value>1</value></field><field label="Description" name="description"><value>
First published in 1793, "The Peculiar Life History of F. X. Messerschmidt", describes this bust as “Ein Erhängter” (A hanged man). Despite the rope around his neck, the figure depicted seems far from lifeless. Messerschmidt may be alluding to the controversial methods of his contemporary, Franz Anton Mesmer, a physician and healer who was personally acquainted with the sculptor. In Paris, Mesmer treated patients with “nervous disorders” using so-called baquets—wooden tubs filled with “magnetized water” from which iron rods and ropes protruded. Patients applied these to specific parts of the body to relieve their symptoms. Messerschmidt may have learned of such treatments in Pressburg/Bratislava through printed accounts.</value></field><field label="Genre" name="classification"><value>Sculpture</value></field><field label="Id" name="id"><value>11290474</value></field><field label="Source ID" name="sourceId"><value>4386</value></field><field label="Location" name="locationssite"><value>Upper Belvedere</value></field><field name="media" mediaRecordID="65362" label="Media"><type>image/jpeg</type><license>CC-BY-SA 4.0</license><licenseURL>http://creativecommons.org/licenses/by-sa/4.0/</licenseURL><mediaCopyright>Foto: Johannes Stoll / Belvedere, Wien</mediaCopyright><value>https://sammlungtest.belvedere.at/internal/media/dispatcher/65362/full</value></field><field name="media" mediaRecordID="65363" label="Media"><type>image/jpeg</type><license>CC-BY-SA 4.0</license><licenseURL>http://creativecommons.org/licenses/by-sa/4.0/</licenseURL><mediaCopyright>Foto: Johannes Stoll / Belvedere, Wien</mediaCopyright><value>https://sammlungtest.belvedere.at/internal/media/dispatcher/65363/full</value></field><field name="media" mediaRecordID="5318" label="Media"><type>image/jpeg</type><license>CC-BY-SA 4.0</license><licenseURL>http://creativecommons.org/licenses/by-sa/4.0/</licenseURL><mediaCopyright>Foto: Belvedere, Wien</mediaCopyright><value>https://sammlungtest.belvedere.at/internal/media/dispatcher/5318/full</value></field><field name="media" mediaRecordID="5317" label="Media"><type>image/jpeg</type><license>CC-BY-SA 4.0</license><licenseURL>http://creativecommons.org/licenses/by-sa/4.0/</licenseURL><mediaCopyright>Foto: Belvedere, Wien</mediaCopyright><value>https://sammlungtest.belvedere.at/internal/media/dispatcher/5317/full</value></field><field name="media" mediaRecordID="165291" label="Media"><type>model/gltf-binary</type><license>In Copyright</license><mediaCopyright>Fotogrammetrie: Belvedere, Wien </mediaCopyright><value>https://sammlungtest.belvedere.at/internal/media/dispatcher/165291/full</value></field><field name="iiifManifest"><value>https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-4386/manifest</value></field></object>