<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><NoAIdisclaimer>[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).</NoAIdisclaimer><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/129543/full</value></field><field label="Title" name="title"><value>The Doge’s Palace with the Riva degli Schiavoni in Venice</value></field><field label="Date" name="displayDate"><value>c. 1850</value></field><field label="Dimensions" name="dimensions"><value>26 × 34,5 cm</value></field><field label="Medium" name="medium"><value>oil on canvas</value></field><field label="Credit Line" name="creditline"><value>Schenkung Sammlung Maurer</value></field><field label="Inventory number" name="invno"><value>SLM 32</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>The Doge’s Palace on the Grand Canal, the column with the lion of St. Mark, and the famous Venetian gondolas: a view and an atmosphere that are fondly remembered by art lovers and travelers to Venice! In the nineteenth century, the high demand for eye-catching images led to some local artists specializing entirely in these scenes—and Venetian painter Carlo Grubacs is one such example. Grubacs concentrated on small formats as these were easier to sell. His views are characterized by the contrast between objective, exact architecture and sketchily painted people.</value></field><field label="Genre" name="classification"><value>Painting</value></field><field label="Id" name="id"><value>10201745</value></field><field label="Source ID" name="sourceId"><value>55479</value></field><field name="iiifManifest"><value>https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-55479/manifest</value></field></object>