<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><NoAIdisclaimer>[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).</NoAIdisclaimer><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/128917/full</value></field><field label="Title" name="title"><value>Sea Idyll</value></field><field label="Date" name="displayDate"><value>1887</value></field><field label="Dimensions" name="dimensions"><value>167 x 224 cm</value></field><field label="Medium" name="medium"><value>Oil on wood</value></field><field label="Inventory number" name="invno"><value>432</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>The merman has grabbed the seal firmly by the scruff of its neck. His child gawps in astonishment at the catch, while the mother only just keeps hold of a sleeping infant. Böcklin’s Sea Idyll can be interpreted as a bourgeois family, from whom the painter distances himself with subtle irony. Instead of a table, the family has gathered around a rock, while still assuming the classic gender roles: the man is the family’s breadwinner, the woman looks after the children. Yet this family is free from social norms and constraints. The nude merfolk move through their element, water, without shame, but also with no overt displays of eroticism.</value></field><field label="Genre" name="classification"><value>Painting</value></field><field label="Id" name="id"><value>10195148</value></field><field label="Source ID" name="sourceId"><value>6157</value></field><field name="iiifManifest"><value>https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-6157/manifest</value></field></object>