<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><NoAIdisclaimer>[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).</NoAIdisclaimer><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/77703/full</value></field><field label="Title" name="title"><value>Blick auf den Klosterhof im Winter</value></field><field label="Alternative Title" name="title2"><value>Verfallener Klosterhof</value></field><field label="Date" name="displayDate"><value>1854</value></field><field label="Dimensions" name="dimensions"><value>91,5 × 77 cm</value></field><field label="Medium" name="medium"><value>Oil on canvas</value></field><field label="Inventory number" name="invno"><value>7974</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>
A delicate blanket of snow has settled on the roofs and across the open courtyard of a Gothic monastery. The snow has also drifted into the covered cloister. The stone floor has been torn up, and individual slabs are scattered around. This place seems deserted and lonely. It is eerily quiet, tranquil, and there is a chill in the air. Karl Georg Adolph Hasenpflug, a painter born in Berlin and living in Halberstadt, specialized in atmospheric views of abandoned monastery ruins. He undoubtedly catered to a clientele that appreciated the romantic frisson found in such depictions. </value></field><field label="Genre" name="classification"><value>Painting</value></field><field label="Id" name="id"><value>10196025</value></field><field label="Source ID" name="sourceId"><value>7762</value></field><field name="iiifManifest"><value>https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-7762/manifest</value></field></object>