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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><NoAIdisclaimer>[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).</NoAIdisclaimer><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/6109/full</value></field><field label="Title" name="title"><value>The Stoning of St. Stephen</value></field><field label="Date" name="displayDate"><value>c. 1760/1790</value></field><field label="Dimensions" name="dimensions"><value>67,5 × 43 cm</value></field><field label="Medium" name="medium"><value>Oil on canvas</value></field><field label="Inventory number" name="invno"><value>2024</value></field><field label="On View" name="onview"><value>1</value></field><field label="Description" name="description"><value>Saint Stephen, a deacon in Jerusalem’s early church, was an evangelist who cared for the poor. He is regarded as the first martyr of Christianity and is depicted here at the moment of his stoning.  Small paintings of this kind are often preparatory sketches for larger works. This composition does indeed recall the high altarpiece in the parish church at Kirchberg am Wagram in Lower Austria.  However, this was created by the painter Carlo Innocenzo Carlone. Wagenschön therefore based his oil sketch on the altarpiece, possibly as an addition to his personal collection of inspirational sources.  </value></field><field label="Genre" name="classification"><value>Arts and crafts</value></field><field label="Id" name="id"><value>10196053</value></field><field label="Source ID" name="sourceId"><value>7818</value></field><field label="Location" name="locationssite"><value>Upper Belvedere</value></field><field name="iiifManifest"><value>https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-7818/manifest</value></field></object>