{"object":[{"sourceId":{"label":"Source ID","value":"8044"},"primaryMedia":{"label":"PrimaryMedia","value":"/internal/media/dispatcher/92047/full"},"displayDate":{"label":"Date","value":"1820\u20131821"},"invno":{"label":"Inventory number","value":"2244"},"description":{"label":"Description","value":"Saint Cecilia lies on the ground as if asleep. Two angels hover over her, one holding a palm frond as a symbol of her triumph over death. Only a small cut in the back of her neck indicates that she has been martyred, a fate she suffered as a Christian in Rome in the third century. Scheffer von Leonhardshoff joined the Nazarenes in 1815. Rejecting Neoclassicism, they regarded Raphael\u2019s painting as their ideal. It was from Raphael that Scheffer adopted the triangular composition of his figures. The fingers of Cecilia\u2019s right hand are conspicuous: they could allude to the Holy Trinity or to the organ that the martyr\u2014the patron saint of church music\u2014was often depicted playing."},"medium":{"label":"Medium","value":"Oil on canvas"},"onview":{"label":"On View","value":"0"},"id":{"label":"Id","value":"10196164"},"title":{"label":"Title","value":"The Dead Saint Cecilia (Roman Version)"},"classification":{"label":"Genre","value":"Painting"},"iiifManifest":{"value":"https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-8044/manifest"},"dimensions":{"label":"Dimensions","value":"146 × 193 cm"}}]}