[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).https://sammlungtest.belvedere.at/internal/media/dispatcher/105163/fullHorror Vacui2008125 × 157 cm
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Lisl Ponger’s research-based practice explores the political potential of images, be they found or constructed, documentary or staged. Working across photography, film, and installation, she repeatedly explores the continuities of colonialism and Nazism at the intersections of art, art history, and ethnology. „Horror Vacui“, a meticulously staged photograph of a ransacked apartment, unfolds as a complex system of references to looted art and the process of coming to terms with it. Countless books, images, and objects point to acts of expropriation and plunder carried out by the Nazis and colonial powers. Reproductions and publications related to Egon Schiele, Gustav Klimt, or Ernst Ludwig Kirchner address specific restitution cases and the complicity of museums within them. Meanwhile, books by Primo Levi and Jura Soyfer foreground the Nazi policies of persecution and extermination upon which these crimes are based.Photography1242979380581Belvedere 21image/jpegThis is the English text for C. Contact: <a href="mailto:repro@belvedere.at">Reproabteilung</a>.Foto: Johannes Stoll / Belvedere, Wienhttps://sammlungtest.belvedere.at/internal/media/dispatcher/105163/fullBlickkontaktInnenraumseated male figurestanding female figuredisorder, confusion, derangement, disorganization, chaosfullnesshttps://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-80581/manifest