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<rdf:RDF xmlns:schema="https://schema.org/" xmlns:rdf="https://www.w3.org/1999/02/22-rdf-syntax-ns#"><schema:VisualArtwork><schema:image>/internal/media/dispatcher/39950/full</schema:image><schema:name>A Wounded Man</schema:name><schema:dateCreated>c. 1866</schema:dateCreated><schema:creator>[Gustave Courbet]</schema:creator><schema:creator>Gustave Courbet</schema:creator><schema:artMedium>Oil on canvas</schema:artMedium><schema:description>
The term “Realism” goes back to the French painter Gustave Courbet. During the Paris World’s Fair of 1855, he showed a series of paintings under this moniker, which introduced a new, sober, and unadorned mode of representation. This painting is a reiteration of a work he originally painted in 1844 and revised in 1854, which is now at the Musée d'Orsay in Paris. It is a self-portrait of the artist. In the original version, the figure of a woman is nestled against his shoulder. After Courbet was abandoned by his partner in 1854, he painted over the woman and added the sword. A bloody wound now marks him as an injured dueler.</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/8176/rdf</schema:url></schema:VisualArtwork></rdf:RDF>