<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><NoAIdisclaimer>[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).</NoAIdisclaimer><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/39950/full</value></field><field label="Title" name="title"><value>A Wounded Man</value></field><field label="Date" name="displayDate"><value>c. 1866</value></field><field label="Dimensions" name="dimensions"><value>79,5 × 99,5 cm</value></field><field label="Medium" name="medium"><value>Oil on canvas</value></field><field label="Inventory number" name="invno"><value>2376</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>
The term “Realism” goes back to the French painter Gustave Courbet. During the Paris World’s Fair of 1855, he showed a series of paintings under this moniker, which introduced a new, sober, and unadorned mode of representation. This painting is a reiteration of a work he originally painted in 1844 and revised in 1854, which is now at the Musée d'Orsay in Paris. It is a self-portrait of the artist. In the original version, the figure of a woman is nestled against his shoulder. After Courbet was abandoned by his partner in 1854, he painted over the woman and added the sword. A bloody wound now marks him as an injured dueler.</value></field><field label="Genre" name="classification"><value>Painting</value></field><field label="Id" name="id"><value>10196242</value></field><field label="Source ID" name="sourceId"><value>8176</value></field><field name="iiifManifest"><value>https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-8176/manifest</value></field></object>