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<rdf:RDF xmlns:schema="https://schema.org/" xmlns:rdf="https://www.w3.org/1999/02/22-rdf-syntax-ns#"><schema:VisualArtwork><schema:image>/internal/media/dispatcher/5902/full</schema:image><schema:name>Ein Fischerknabe</schema:name><schema:dateCreated>1830</schema:dateCreated><schema:creator>[Friedrich von Amerling]</schema:creator><schema:creator>Friedrich von Amerling</schema:creator><schema:artMedium>Oil on canvas</schema:artMedium><schema:description>The sitter is Josef Amerling, the painter's younger brother. Yet the boy has not been portrayed as himself but loose clothes and props have transformed him into a fisher lad. He has taken on a role in the picture, although the face is so clearly characterised that the intent to paint a portrait cannot be ruled out. Amerling had become acquainted with the type of portrait known as "fancy pictures" during his time in England in 1827/1828. As can be seen in comparable portraits by Thomas Lawrence, it is the "costume" that dominates over the personality and in this way the boundaries between portrait and genre become blurred.</schema:description><schema:artForm>Painting</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/8304/rdf</schema:url></schema:VisualArtwork></rdf:RDF>