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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><NoAIdisclaimer>[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).</NoAIdisclaimer><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/126962/full</value></field><field label="Title" name="title"><value>Pax</value></field><field label="Alternative Title" name="title2"><value>Der Friedhof von Gravosa bei Ragusa</value></field><field label="Date" name="displayDate"><value>1891</value></field><field label="Dimensions" name="dimensions"><value>207 x 271 cm</value></field><field label="Medium" name="medium"><value>Oil on canvas</value></field><field label="Inventory number" name="invno"><value>2548</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>
Emil Jakob Schindler chose a monumental format for his allegory about the transience of things. Surrounded by steep rock faces we see a lonely cemetery. Ancient cypresses rise up against the overcast sky, the gravestones are overgrown with plants. Life and decay meet in this image. It is only on closer scrutiny that we see a monk lighting a candle in front of a freshly dug grave. Schindler was inspired by the cemetery in Gravosa near Dubrovnik although the striking scene from nature and the majority of the architecture were imagined by the artist. In 1892 Schindler was awarded a gold medal at the Munich World’s Fair for this Symbolist painting.  </value></field><field label="Genre" name="classification"><value>Painting</value></field><field label="Id" name="id"><value>10196366</value></field><field label="Source ID" name="sourceId"><value>8348</value></field><field name="iiifManifest"><value>https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-8348/manifest</value></field></object>