{"object":[{"sourceId":{"label":"Source ID","value":"86084"},"primaryMedia":{"label":"PrimaryMedia","value":"/internal/media/dispatcher/122471/full"},"displayDate":{"label":"Date","value":"1979"},"invno":{"label":"Inventory number","value":"11779/4"},"description":{"label":"Description","value":"Margot Pilz\u2019s \u201cSecond Sculptures\u201d respond to a defining personal experience: attending the 3rd Viennese Women\u2019s Festival in 1978, she is arrested and suffers light injuries; she files a complaint, but the police refuse to investigate. The photographic sequence is the first in which she stages her own female body as the subject of her art\u2014a key juncture in feminist art\u2019s struggle for women\u2019s self-determination and control over their identities. The result is a poignant expression of what it feels like to be at the mercy of an oppressive power. In framing the performing human body as a temporary sculpture, Pilz anticipates the principal idea of an expanded conception of sculpture that will later be developed by Erwin Wurm and others."},"medium":{"label":"Medium","value":"Black and white foto"},"onview":{"label":"On View","value":"0"},"id":{"label":"Id","value":"10203501"},"title":{"label":"Title","value":"Second Sculptures"},"classification":{"label":"Genre","value":"Photography"},"iiifManifest":{"value":"https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-86084/manifest"},"dimensions":{"label":"Dimensions","value":"51 × 50,5 cm"}}]}