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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><NoAIdisclaimer>[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).</NoAIdisclaimer><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/12516/full</value></field><field label="Title" name="title"><value>Oriental Household Goods</value></field><field label="Date" name="displayDate"><value>ca 1890</value></field><field label="Dimensions" name="dimensions"><value>26,5 x 19,7 cm</value></field><field label="Medium" name="medium"><value>Oil on wood</value></field><field label="Inventory number" name="invno"><value>2981</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>
In the male-dominated discipline of painting, women were denied artistic training for a long time. Only a few manage to make a living from their work. Camilla Friedländer’s father, the renowned painter Friedrich Friedländer von Malheim, decided to teach her, supporting and encouraging her as an artist. The pair would undertake numerous journeys together. Camilla specialized in still-lifes modeled on 17th-century Dutch painting. Nevertheless, this detailed and precisely executed arrangement of musical instruments, weapons, and carpets from the “Orient” wholly corresponds to the fashionable tastes of the late 19th century. One of Camilla Friedländer’s greatest successes was her participation in the Chicago World’s Fair of 1893. </value></field><field label="Genre" name="classification"><value>Painting</value></field><field label="Id" name="id"><value>10196623</value></field><field label="Source ID" name="sourceId"><value>8780</value></field><field name="iiifManifest"><value>https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-8780/manifest</value></field></object>