[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).https://sammlungtest.belvedere.at/internal/media/dispatcher/162741/fullHeartbreak (The Three Daughters of Julius Schnorr von Carolsfeld)1845/1846(Vitrine): 38 × 28 × 16,5 cmPlaster18760
With this small plaster sculpture, Hanns Gasser turned to a tragic episode in the life of his friend, the painter Julius Schnorr von Carolsfeld. In 1846, Schnorr’s daughter Franca, one of the family’s six children, died of typhus at just sixteen. Gasser imagines this loss as a symbolic scene of farewell, placing the deceased Franca at its center. With her gaze lowered and her posture turned inward, she appears to withdraw, as though quietly taking leave of her sisters Marie (1831–1919) and Emilie (1832–1864), who remain closely attached to her. The three brothers are notably absent. Rendering such a personal subject as a genre-like, symbolic tableau is highly unusual. Other artists also responded to the girl’s untimely death; unlike Gasser, however, Friedrich Olivier and Gustav Jäger chose to depict her on her deathbed.Sculpture11558204898image/jpegCC-BY-SA 4.0http://creativecommons.org/licenses/by-sa/4.0/Foto: Johannes Stoll / Belvedere, Wienhttps://sammlungtest.belvedere.at/internal/media/dispatcher/162741/fullimage/jpegCC-BY-SA 4.0http://creativecommons.org/licenses/by-sa/4.0/Foto: Johannes Stoll / Belvedere, Wienhttps://sammlungtest.belvedere.at/internal/media/dispatcher/162742/fullimage/jpegCC-BY-SA 4.0http://creativecommons.org/licenses/by-sa/4.0/Foto: Johannes Stoll / Belvedere, Wienhttps://sammlungtest.belvedere.at/internal/media/dispatcher/162743/fullhttps://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-898/manifest