{"object":[{"sourceId":{"label":"Source ID","value":"91980"},"creditline":{"label":"Credit Line","value":"Dauerleihgabe von Silard Isaak, Sammlung Carl Laszlo"},"locationssite":{"label":"Location","value":"Upper Belvedere"},"invno":{"label":"Inventory number","value":"Lg 2055"},"description":{"label":"Description","value":"In both life and art Anton Prinner defied rigid categorization and challenged the binary idea of gender. After studying at the Budapest academy, where Prinner, along with other women, was taught separately from men, the artist moved to Paris in the late 1920s and chose the name Anton. Here, Prinner made pioneering Constructivist sculptures and later created schematic bodies with mysterious, androgynous features. This work also revolves around questions relating to perception and expression and, with its title L\u2019oeil ou la cible (The Eye or the Target), it explores our individual way of seeing. \u201cJe ne suis pas moimême: je suis tout le monde\u201d (I\u2019m not myself: I\u2019m everybody), Prinner wrote in a notebook."},"title2":{"label":"Alternative Title","value":"Das Auge oder die Zielscheibe"},"medium":{"label":"Medium","value":"Oil on wood"},"onview":{"label":"On View","value":"1"},"title":{"label":"Title","value":"The Eye or the Target"},"classification":{"label":"Genre","value":"Painting"},"primaryMedia":{"label":"PrimaryMedia","value":"/internal/media/dispatcher/143631/full"},"displayDate":{"label":"Date","value":"1932"},"id":{"label":"Id","value":"10203829"},"iiifManifest":{"value":"https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-91980/manifest"},"dimensions":{"label":"Dimensions","value":"100,5 × 101 × 2,5 cm"}}]}