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<rdf:RDF xmlns:schema="https://schema.org/" xmlns:rdf="https://www.w3.org/1999/02/22-rdf-syntax-ns#"><schema:VisualArtwork><schema:image>/internal/media/dispatcher/143631/full</schema:image><schema:name>The Eye or the Target</schema:name><schema:name>Das Auge oder die Zielscheibe</schema:name><schema:dateCreated>1932</schema:dateCreated><schema:creator>[Anton Prinner]</schema:creator><schema:creator>Anton Prinner</schema:creator><schema:artMedium>Oil on wood</schema:artMedium><schema:description>
In both life and art Anton Prinner defied rigid categorization and challenged the binary idea of gender. After studying at the Budapest academy, where Prinner, along with other women, was taught separately from men, the artist moved to Paris in the late 1920s and chose the name Anton. Here, Prinner made pioneering Constructivist sculptures and later created schematic bodies with mysterious, androgynous features. This work also revolves around questions relating to perception and expression and, with its title L’oeil ou la cible (The Eye or the Target), it explores our individual way of seeing. “Je ne suis pas moimême: je suis tout le monde” (I’m not myself: I’m everybody), Prinner wrote in a notebook.</schema:description><schema:artForm>Painting</schema:artForm><schema:copyrightHolder>© Bildrecht, Wien 2026</schema:copyrightHolder><schema:url>https://sammlungtest.belvedere.at/objects/91980/rdf</schema:url></schema:VisualArtwork></rdf:RDF>