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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><NoAIdisclaimer>[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).</NoAIdisclaimer><field label="PrimaryMedia" name="primaryMedia"><value>https://sammlungtest.belvedere.at/internal/media/dispatcher/143487/full</value></field><field label="Title" name="title"><value>Luxury for All!</value></field><field label="Date" name="displayDate"><value>2022</value></field><field label="Dimensions" name="dimensions"><value>ca.: 130 × 65 × 65 cm</value></field><field label="Medium" name="medium"><value>bar stool, drain cover, concrete, glazed ceramics, glazed bricks, paving stones, Molotov cocktails</value></field><field label="Credit Line" name="creditline"><value>Ankauf aus Mitteln der Galerienförderung des Bundes</value></field><field label="Inventory number" name="invno"><value>11978</value></field><field label="On View" name="onview"><value>1</value></field><field label="Description" name="description"><value>
In 1871 the Paris Commune sought to radically reorganize society under the slogan “Luxury for All.” Michèle Pagel translates this demand into one of her unconventional sculptures, which takes on the appearance of a shrimp cocktail. A barstool is placed on a manhole cover, supporting a concrete bowl that is in turn filled with crustaceans made of glazed bricks and paving stones, alongside two beer bottles repurposed as Molotov cocktails. In this work, Pagel shifts the aesthetics of consumption into a visual language of resistance. The ostensible serving glass becomes a display vessel for objects that merge into a disquieting metamorphosis of pleasure, status, and class struggle. In doing so, the artist suggests that the promise of luxury could become a scenario of potential violence. Here, art is understood as a means of appropriation and as a medium for sharpening social conflicts: between visibility and projection, between representation and action.</value></field><field label="Genre" name="classification"><value>Sculpture</value></field><field label="Id" name="id"><value>12431317</value></field><field label="Source ID" name="sourceId"><value>96805</value></field><field label="Location" name="locationssite"><value>Belvedere 21</value></field><field name="media" mediaRecordID="143487" label="Media"><type>image/jpeg</type><license identifier="InCopyright">This is the English text for C. Contact: &lt;a href="mailto:repro@belvedere.at"&gt;Reproabteilung&lt;/a&gt;.</license><mediaCopyright>Foto: Johannes Stoll / Belvedere, Wien</mediaCopyright><value>https://sammlungtest.belvedere.at/internal/media/dispatcher/143487/full</value></field><field label="Motive" name="thesconceptsMotive"><value iconClassURL="https://iconclass.org/41C1">eating and drinking</value><value iconClassURL="https://iconclass.org/41C711">wine ~ alcoholic drinks</value><value iconClassURL="https://iconclass.org/41C323">glass, rummer</value></field><field name="iiifManifest"><value>https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-96805/manifest</value></field></object>