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<rdf:RDF xmlns:schema="https://schema.org/" xmlns:rdf="https://www.w3.org/1999/02/22-rdf-syntax-ns#"><schema:VisualArtwork><schema:image>/internal/media/dispatcher/7139/full</schema:image><schema:name>Self-Painting I</schema:name><schema:dateCreated>1964</schema:dateCreated><schema:creator>[Günter Brus]</schema:creator><schema:creator>Günter Brus</schema:creator><schema:artMedium>Fotografie auf Karton aufgeklebt</schema:artMedium><schema:description>Günter Brus is regarded as an exponent of Viennese Actionism. “Self-Painting I” reenvisions the self-portrait in an effort to break free from the classical panel painting. Brus divides the action into the segments “Hand-Painting,” “Head-Painting,” and “Total Head-Painting.” A live audience watches as he demonstrates the possibilities of painting on his own body. The series of photographs shows a painted arm variously interacting with nails, razor blades, scissors, and a saw. The sharp-edged utensils inflict figurative wounds on the body, suggesting a process that is presumably no less painful. Sketches indicate how the action will continue: a black scar-like line will split the artist’s skull, face, and body.</schema:description><schema:artForm>Photography</schema:artForm><schema:copyrightHolder>© Günter Brus</schema:copyrightHolder><schema:url>https://sammlungtest.belvedere.at/objects/98359/rdf</schema:url></schema:VisualArtwork></rdf:RDF>