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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><NoAIdisclaimer>[PLATZHALTERTEXT]Vervielfältigungen eines Werkes dieser Webseite für Text- und Data-Mining und damit insbesondere für das Training einer Künstlichen Intelligenz bleibt ausdrücklich vorbehalten (§ 42h Abs 6 UrhG).</NoAIdisclaimer><field label="PrimaryMedia" name="primaryMedia"><value>/internal/media/dispatcher/148663/full</value></field><field label="Title" name="title"><value>Gerahmte Gloriosa</value></field><field label="Date" name="displayDate"><value>2011</value></field><field label="Dimensions" name="dimensions"><value>ungerahmt: 179,5 × 260 × 4 cm</value></field><field label="Medium" name="medium"><value>Acrylic on canvas</value></field><field label="Inventory number" name="invno"><value>12009</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>
Since the start of her career in the 1980s, Elisabeth Plank has been exploring the possibilities of the painting process in her art. The gloriosa flowers depicted in this work are not the point of departure for a narrative but a means of questioning the medium of painting itself with regard to color, form, structure, and space. In Framed Gloriosa the artist worked on the canvas from the front and the back, using both a paintbrush and an airbrush, and created space by deliberately leaving gaps. Between the flowers and forms reminiscent of garlands there opens for the viewer, in the words of the artist, “a dream-like intermediate reality for individual interpretations.” </value></field><field label="Genre" name="classification"><value>Painting</value></field><field label="Id" name="id"><value>10204863</value></field><field label="Source ID" name="sourceId"><value>99633</value></field><field name="iiifManifest"><value>https://sammlungtest.belvedere.at/apis/iiif/presentation/v2/1-objects-99633/manifest</value></field></object>