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<rdf:RDF xmlns:schema="https://schema.org/" xmlns:rdf="https://www.w3.org/1999/02/22-rdf-syntax-ns#"><schema:VisualArtwork><schema:image>/internal/media/dispatcher/108419/full</schema:image><schema:name>Maternal, Paternal</schema:name><schema:dateCreated>1968–1972</schema:dateCreated><schema:creator>[Bruno Gironcoli]</schema:creator><schema:creator>Bruno Gironcoli</schema:creator><schema:artMedium>Polyester, wood, paint, metal</schema:artMedium><schema:description>With its distinctive and characteristic formal idiom, Bruno Gironcoli’s oeuvre occupies a singular position within the postwar avant-garde. In 1977, Gironcoli succeeds Fritz Wotruba as head of the School of Sculpture at the Academy of Fine Arts Vienna; until his retirement in 2004, he exerts a defining influence over younger generations of visual artists. Defamiliarization, amalgamation, and encryption are the strategies with which he develops a complex universe of forms and symbols that culminates in monumental large-scale sculptures. In “Maternal, Paternal,” the artist grapples with existential themes including sexuality, parenthood, and the duality of male and female.</schema:description><schema:artForm>Sculpture</schema:artForm><schema:url>https://sammlungtest.belvedere.at/objects/9967/rdf</schema:url></schema:VisualArtwork></rdf:RDF>